(Crowley walking down a corridor in Hell, looking scared. He is attacked by Guthrie and several other demons with knives. They stab him repeatedly.)
ROWENA
Son? Fergus!
(Crowley wakes up, sitting on his throne. Rowena is in front of him.)
ROWENA
What’s the matter?
CROWLEY
Nothing.
ROWENA
Nothing? You’re soaked in the horror sweat! Haven’t seen that since the plague years. Darling, what can I do?
CROWLEY
Not a thing, you evil bitch.
ROWENA
”Not a thing you evil bitch” mother.
CROWLEY
Let’s not get too cozy just yet.
(Crowley leaves the room. Rowena pulls a hex bag out from the throne.)
Title card: SUPERNATURAL
ACT ONE
(Dean is sitting on his bed in the bunker, holding his right arm. Images of Dean’s Mark-fuelled killings. He gets up and looks at himself in a mirror, which is divided in three parts by cracks running from side to side.)
(Scene changes to Castiel pacing in the bunker library.)
CASTIEL
She barely speaks to me.
(Sam comes into view, sitting.)
CASTIEL
She’s like a wounded animal, just watching me.
SAM
Look, Cas, you know what? You really tried to do the right thing that night. You did. This guy Claire was hanging out with, Randy, all he did was use her.
CASTIEL
Well, she thought he was kind. And for that, she loved him. Shows how little kindness there was in her life. You know, whatever Randy did, he didn’t deserve –
SAM
No, yeah, I know, I know. I hear you. Dean has had to kill before. We both have. But that was –
DEAN
That was what?
(Sam rises, surprised. Dean walks in from the war room.)
SAM
Dean.
DEAN
That was a massacre. That’s what it was. (Dean looks from Sam to Cas.)
DEAN
There was a time I was a hunter, not a stone-cold killer?
(Cas and Sam look troubled.)
DEAN
You can say it. You’re not wrong. I crossed the line. Guys, this thing’s gotta go.
(Dean looks down at the Mark of Cain on his arm.)
CASTIEL
That won’t be easy.
DEAN
Well, then burn it off! Cut it off.
CASTIEL
It is more than just a physical thing. It will take a very powerful force to remove the effect.
SAM
Dean, we have been through all the lore. There’s nothing.
CASTIEL
This reaches back to the time of creation. It may pre-date the lore. If we had the demon tablet, maybe.
SAM
But you said it was missing.
CASTIEL
It is.
(Castiel looks reluctant to say what he says next:)
CASTIEL
There may be another way.
(Scene change: Crowley’s throne room in Hell. It’s empty. Rowena comes in through the door. She’s looking for something, opening a chest and a closet, but not finding it.)
GUTHRIE
Ah, may I help you?
(Rowena turns, surprised. Guthrie comes into view behind her.)
GUTHRIE
His majesty didn’t want you wandering around unattended. Certainly not in here.
ROWENA
Och, I was just looking for a wee scrap of food. That swill they bring me, hardly fit for the mother of the king.
GUTHRIE
I wouldn’t know. I don’t eat. If you please, I have my orders.
(Cyril indicates the exit.)
ROWENA
Oh, you poor dear man. Guthrie, is it? Terrified of displeasing him, aren’t you? I know how my son can be. You’re all scared spitless. Still, a boy listens to his mum. I’d be happy to put in a good word for you.
GUTHRIE
I’m fine, thank you.
(Crowley opens the door and enters, holding a contract and a pen.)
CROWLEY
Guthrie. Whatever this is, it bores me rigid. Do I sign or not?
GUTHRIE
I found it in order, sir. Do sign.
(Crowley signs the contract and hands it to Guthrie. Guthrie nods at Rowena and leaves.)
CROWLEY
Mommy. Bored? Suicidal? Both?
ROWENA
Hardly, my dear. I’m learning so much. This place of yours? Poor thing. I see now why you are the way you are.
(Crowley sits on the throne. He looks questioning.)
ROWENA
My goodness! The discontent, the gossip, the plotting.
CROWLEY
Plotting?
ROWENA
Aye! And that one –
(Rowena points in the direction where Guthrie left.)
ROWENA
Worst of the lot. Watch yourself around him, mark my word.
CROWLEY
You do realize that’s exactly what you said about the guard, Gerald, down in the cells.
ROWENA
And was I not right? I know, I know, you mistrust me, and I earned that, and it’s a pity, because more than any of your other subjects, I wish you success.
CROWLEY
I know what you’re up to here, mother.
ROWENA
Do you, dear?
CROWLEY
You are shamelessly sucking up so that I’ll free you, so you can run amok and gum up my operation once again. No, thank you.
ROWENA
Flee schmee. Why would I want to be free when I can be here with my son? Does it hurt that you are the king and there are advantages for me in that? No. But more important, I’m a mother. Sue me, I’m proud.
CROWLEY
Excuse me if I don’t curl up in your lap. You did manage to stay away for three hundred years.
ROWENA
Please, we’ve been over this. The locals were going to try me for witchcraft and that never ends well. I had to flee.
CROWLEY
You could have sent for me!
ROWENA
Well, then came the chance to study under the great Milanese witch, Leticia D’albioni… And then there was unpleasantness with the grand coven. Anyway, it was no environment for a child!
CROWLEY
So locking me away in a squalid workhouse was your solution?
ROWENA
I will not apologize for being a career woman! Besides, what’s three hundred years, more or less, to folks like us? Nothing. I’m back now.
(Rowena licks her thumb and smooths Crowley’s eyebrow with it.)
ROWENA
We can be a family.
(Crowley scoffs mildly.)
(Scene change: the playground with the portal to Heaven. Castiel paces. He is watched by two guard angels, one in a woman’s vessel, the other in a little girl’s.)
CASTIEL
They should be here by now. Was there word of a delay?
WOMAN ANGEL
All I do is watch the door. Who are you expecting, Castiel?
(The portal opens. Ingrid and another angel come through escorting a prisoner with a hood over his head.)
CASTIEL
Thank you, Ingrid.
INGRID
I did as you asked at great risk, Castiel.
CASTIEL
I know. I approached you because I know you share my belief that it is angels’ mission to protect humans. It’s possible I can eliminate a great threat to them, but I will need his help.
INGRID
He must be returned intact. Is that clear?
CASTIEL
Yes.
(Castiel takes the prisoner. Ingrid and her companion leave through the portal. Castiel takes off the prisoner’s hood and reveals Metatron.)
METATRON
Told you last time I saw you I’d get out of the slammer.
CASTIEL
It’s temporary, trust me.
METATRON
Well, speaking of temporary, you must’ve borrowed some more grace. You’re looking very good. Of course, we both know that won’t last. Is that why I’m here? You think I’m gonna help you?
CASTIEL
This isn’t about me.
METATRON
Of course not. The great Castiel never stoops to such selfishness. So what is it then?
(The camera pans to Castiel’s Lincoln. Sam opens the front passenger door and gets out.)
METATRON
Oh, I see. I’m betting you didn’t tell Ingrid about him. Hello, Sam! Here to kill me?
(Scene change: the MoL bunker exterior.)
METATRON (voiceover)
Lovely room.
(Scene change: Metatron is sitting in a chair in the MoL dungeon. Sam approaches him.)
METATRON
It’s where you bring the kinky chicks, am I right?
SAM
I’ll ask the questions here.
(Sam puts chains around Metatron.)
SAM
You… Your only job is to provide information.
METATRON
Ah. Well, information does happen to be a specialty. Got about two billion fun facts up here.
(Metatron points to his temple.)
METATRON
Of course, whether I choose to cough one up or not is another matter.
SAM
We need to know how to remove the Mark of Cain from Dean’s arm.
METATRON (looking incredulous)
What? He’s back? Because of the Mark? So… he’s a demon.
SAM
No.
METATRON
Okay, what then?
(Sam looks troubled.)
What, did he ”kill a human” or something? (Metatron uses finger quotes.)
(Sam crosses his arms.)
METATRON
He’s gone nuclear! Total, foaming at the mouth, balls-out maniac. Ah, haha – that’s fantastic!
SAM
Do you know how to remove it?
METATRON
Maybe. But here’s the thing. You expect any help out of me, you keep that crazy brother of yours on a short leash.
SAM
Buddy, I don’t care what happens to you. You killed my brother.
(Sam turns around to face Dean, who is walking into the dungeon.)
ACT TWO
(Street exterior, night. Outside Hotel Astoria. The hotel sign has seven white neon stars. Scene changes to inside a hotel room, where Claire is hurriedly packing. There’s a knock on the door. The door opens and Castiel enters.)
CLAIRE
I was hoping to be gone by the time you got back.
(Castiel closes the door behind him.)
CASTIEL
If you don’t like the room, we can find another one.
CLAIRE
It’s not the room, Castiel. It’s you. This isn’t going to work. I mean, come on. You look like my father. It is his body. But he’s dead, and I get it, you feel bad, but you… whoever you are, are nothing to me.
CASTIEL
Claire, that’s not true. I’m in large part responsible for the way your life has unfolded. I… I have a responsibility to help you.
CLAIRE
No, you don’t.
CASTIEL
Claire. You have seen things, you’ve been through things that no one your age should have. And you are adrift. I wanna – I wanna help you have a life.
CLAIRE
I have a life. I’m good with it. If what you mean is a normal life, well. That ship has sailed.
CASTIEL
Doesn’t have to be the case. You’re still young.
CLAIRE
Stop talking to me like you’re my father. You killed my father. And that friend of yours killed the last thing I had closest to family.
CASTIEL
Are you speaking of Randy? Family? A man had you in that room and Randy didn’t make a move to help you.
CLAIRE
Maybe because he was at gunpoint. Dean Winchester is a monster.
CASTIEL
It’s possible there is a little monster in all of us.
CLAIRE
You want me to trust you, and the fact that you’d even try to defend him just proves to me that I can’t.
CASTIEL
Claire…
CLAIRE
No, Castiel, I’m done! I have to be on my own.
(Claire leaves and closes the door behind her. The camera closes in on Castiel’s sorrowful face.)
METATRON (voiceover)
Ain’t life a bitch?
(Scene change: Metatron, still chained to the chair in the MoL dungeon.)
METATRON
Nebbishy little guy – me – always sticking it to the lunkhead jocks.
DEAN
You know what, screw the Mark. Let’s just kill him.
METATRON
Boy, he really is a mess.
(Camera pans to reveal Sam, sitting on a table corner next to Dean.)
METATRON
Who knew the Mark was so toxic? Well, actually, I did.
METATRON (to Dean)
You know it is going to own you sooner than later.
SAM
Yeah, so how do we get rid of it?
METATRON
What, just like that, social hour’s over?
SAM
Yes, and now we’re moving on to our keynote speaker.
DEAN
Which is you. With us asking the questions. And me taking the personal pleasure of carving the answers out of you.
METATRON
Now, just – whoa, whoa, whoa. Hold on there, badass! Lighten up! Why do you just assume I’m not gonna be helpful?
SAM
Because you’re a dickwad.
METATRON
But I’m your dickwad. I have a special place in my non-heart for you both. To which end – ta-daa! I’d be tickled to help you pop this biblical zit. To do it, you are gonna need one specific thing. Your old bud – the First Blade.
SAM
What?
METATRON (laughs)
As I said: ain’t life a bitch.
(Scene change: Dean and Sam walk into the MoL library.)
SAM
This is the single worst idea I’ve ever heard. You just whacked a whole house full of people, and that’s when the Blade was nowhere around. And now you wanna be in actual contact with it?
DEAN
We don’t know that I have to be in contact with it. All we know is that we need it.
SAM
No no, all we know is he says we need it. We don’t even know what he wants us to do with it.
DEAN
A step at a time, allright. We play it safe, we learn whatever the spell is, how it works and we keep the Blade out of my hands.
(Dean takes out his cell phone.)
SAM
Are you sure this isn’t the Mark making you want the damn thing? I mean, why would we trust anything Metatron says?
DEAN
I don’t trust Metatron.
SAM
You don’t tru– Then what?
DEAN
What’s his game if he is lying, okay? The Blade without me is useless. The Blade with me is trouble for him. (Dean makes a call and puts his phone to his ear.)
SAM
What does he want?
DEAN
I don’t know. But if we weren’t willing to take a shot, then what was the point of bringing him here? Unless you got a better idea.
(Scene change: Rowena is pouring tea, using a golden tea set, in Crowley’s throne room in Hell.)
ROWENA
Of course you recall the lovely lullaby I sang to you nightly after you fed the goat.
CROWLEY (sitting on his throne)
You never sung me a lullaby. You dosed me with whiskey until I passed out.
ROWENA
Even then, I had a touch for pharmacology. Your mum was a prodigy.
CROWLEY
Funny. Not what I called you.
(Crowley’s cell phone rings.)
CROWLEY
Business.
(Crowley answers the call.)
CROWLEY
Squirrel. It’s been a while. Back to your former self?
(MoL bunker corridor; Dean on cell phone, Sam behind him.)
DEAN
Crowley. We need to meet ASAP.
CROWLEY (in throne room)
Where?
(Crowley listens while Rowena watches him. Crowley ends the call and gets up from the throne.)
CROWLEY
I got to go. Urgent. Matter of state.
ROWENA
My son.
(Rowena straightens Crowley’s lapels.)
ROWENA
So important. Shall I wait dinner for you?
CROWLEY
You don’t cook. I don’t eat. It’s a perfect arrangement.
(Crowley teleports away.)
ROWENA
Not even a goodbye.
(Rowena looks around; she’s alone. She opens a drawer and takes out a pair of scissors. Humming The Road to Loch Lomond, she opens Crowley’s closet where at least six identical dark blue paisley ties are hanging side by side. Rowena cuts a strip of fabric from one of them.)
ACT THREE
(A pool table with red felt. An El Sol neon sign in the background; we’re in a bar. Claire is holding a pool cue, talking to Brit, who is also holding a pool cue.)
CLAIRE
After my mom split and went crazy, Randy was like a father to me. First, I lose my first dad, then I lose my second. And who killed him and trashed my life?
(Claire makes a shot.)
CLAIRE
The buddy of the guy who killed my first dad and wants to be my third dad.
BRIT (scoffs)
Wow, sounds just like my life.
TONY (also holding pool cue)
Complications and pain. That’s all family get you.
CLAIRE
Yes.
BRIT
That’s why me and Tony keep moving. No strings. Hey, why don’t you hang with us for a while and unload this whole mess?
CLAIRE
Um, you might wanna reconsider. People near me get pretty unlucky pretty fast.
(Claire’s cell phone rings, she looks at the screen.)
CLAIRE
Oh, my – that’s him again.
TONY
The guy who killed your second dad or the guy who killed your first dad?
CLAIRE
The second thing.
BRIT
Tell him to get lost.
CLAIRE
I did. He’s a turn-the-other-cheek kinda guy.
BRIT
Hon. You seem real sweet, but sweetness don’t clean up messes.
CLAIRE
Yeah.
(Scene change: Street exterior, night. Dean and Sam are standing in front of a brick wall covered in graffiti.)
DEAN
Really, Crowley? Radio silence?
SAM
Say something.
(Camera pans to Crowley, facing them.)
CROWLEY
You want me do to what??
SAM
We need you to bring back –
CROWLEY
Bring back the Blade? I don’t think so.
(Scene change: Rowena, humming bagpipe music, is attaching strips of Crowley’s ties to a hex object.)
(Back in the alleyway with Dean, Sam and Crowley.)
DEAN
You don’t have to give the ting to me.
CROWLEY
I should say not.
DEAN
No no, just retrieve it and hang onto it until we need it.
CROWLEY
You, moose, you’re the sane one. You onboard with this?
(Scene change to Rowena in Crowley’s throne room.)
ROWENA
Wings of Titania, bear mine eyes aloft as I bid thee.
(Rowena finishes the spell and gasps. Her eyes roll up into her head, as her spell leads her inner sight to Crowley, who is still with Sam and Dean in the dark alleyway. Rowena sees and hears this:)
CROWLEY
Insane. You want me to procure the most dangerous weapon on the planet for Dean Winchester, the man who goes mental every time he touches it! I thought you’d wanna go for a beer, catch a film.
SAM
Look, if this plan works…
CROWLEY
It’s not a plan. It’s a probable death sentence for me and my kind.
SAM
If it works, it’s better for you. Look, when the Mark is gone, the Blade can’t operate.
DEAN
Win-win. Huh? Win-win.
CROWLEY
Stop that. It can’t operate. It’s hidden.
(Scene change to Rowena, still with her eyes showing only the whites, still listening.)
DEAN (voiceover)
Okay, the Blade might be powered down, but the Mark is not. I’m doing everything I can to keep it together.
(Scene change back to Dean, seen from above – Rowena’s vantage point.)
DEAN
You think the body count around me is high right now? Wait till Hal takes over.
SAM
We figure you stashed the Blade somewhere far away…
CROWLEY
Damn right. It’s in a crypt with my bones.
(Scene change: Rowena raises her eyebrows.)
SAM (voiceover)
All right, well?
(Scene change back to Crowley)
CROWLEY
I hate Guam this time of year.
(Rowena’s inner sight retracts back into her body. She’s sitting in Crowley’s throne room in Hell, smiling into the camera.)
ACT FOUR
(Crowley’s throne room in Hell. Guthrie is tidying up scrolls.)
GUTHRIE
And why is this imperial communiqué coming through you? The king always deals with me mano a mano.
ROWENA
Well, the king, my son, had pressing affairs, and asked me, his mother, to speak with you, his most trusted… underling. He said, ”Only Guthrie can be trusted with this task.”
GUTHRIE
I don’t know.
ROWENA
It’s not your place to know, just to obey. I did mention that as His Majesty’s mother, I have an unerring sense of what or who is best for my son, yes?
GUTHRIE
Ad nauseam.
ROWENA
You will recall, it was I who exposed the traitor Gerald. The one the king executed. Turns out not all demons are nice. And I am a tigress when it comes to my bonny lad.
GUTHRIE
What is this task the king requires?
ROWENA
Your resumé indicates you were a crossroads demon before your promotion?
GUTHRIE
I was.
ROWENA
Then you do travel, is that not correct?
(Scene change: MoL bunker, interior. Castiel comes in through the front door.)
CASTIEL
The First Blade is back in play and Crowley is the one getting it?
(Sam, sitting at the table in the war room below, looks up at Castiel, surprised.)
CASTIEL
I don’t mean to be an alarmist, but you –
DEAN
Yeah well, you know us.
(Dean walks in from the library, holding a beer bottle.)
DEAN
When we screw ourselves we like to go whole hog.
CASTIEL
This would be the Crowley who let the Blade turn Dean into a demon?
(Castiel walks down the stairs into the war room.)
DEAN
I don’t have a choice, ’kay? I don’t do this, I’m down the rabbit hole. Hear evil, see evil, do evil. The trifecta.
SAM
Cas, look. Let us worry about this. You’ve got enough on your plate with Claire.
CASTIEL
Claire is gone.
SAM
Gone where?
CASTIEL
I don’t know, I – I should have stopped her. But I am certain that she is destined for more trouble and disappointment. She is so… so full of rage.
DEAN
Listen, man, if I could make it better I would.
CASTIEL
It’s actually why I’m here. I was hoping you might reach out to her.
DEAN
Me?
CASTIEL
Yes.
DEAN
Seriously, I’m probably the last person she would wanna hear from.
CASTIEL
I thought there would be a connection. One extremely messed up human to another, you could explain why you murdered her only friend.
DEAN
Oh, well, yeah, when you put it like that.
CASTIEL
All I know…
(Castiel sits down opposite Dean.)
CASTIEL
… is she won’t talk to me. I thought if she understood the kind of man Randy was and the danger she was in, she might…
DEAN
What the hell, why not? Long shots seem to be the theme around here. I’m gonna go make a sandwich.
CASTIEL
I’ll, uh – I’ll text you her number.
DEAN
Okay.
CASTIEL (cell phone in hand)
I like texting. Emoticons?
(Dean leaves the room.)
CASTIEL
He seems calm. Considering the effects of the Mark. Metatron in proximity.
SAM
Too calm. I think he’s worried about what’ll happen if he pops the cork.
(Scene change: a crypt. Crowley walks in and blows the dust off the lid of the marble sarcophagus, which bears the name MACLEOD. He opens the lid to reveal a skeleton and an ornate box. He takes out the box and opens it, but it only contains a First Blade-shaped nothing.)
(Scene change: Rowena is sitting on Crowley’s throne in Hell. Guthrie opens the door and walks in, holding a briefcase. He sees Rowena and clears his throat.)
ROWENA
Oh! Ooooh – sciatica! I need a firm chair.
GUTHRIE
So I see. I have it. This is my responsibility. I’ll deliver it only to the king.
ROWENA
You have demonstrated unimpeachable loyalty, Guthrie. You, more than any, deserve this reward from a grateful monarch.
(Rowena stabs Guthrie with an angel blade. Guthrie’s eyes and mouth light up with demon fire as he burns out.)
ROWENA
Don’t screw with me, sycophant.
CROWLEY
What in hell…?
(Rowena looks up at Crowley who walks in, looking down at Guthrie’s body.)
ROWENA
Exactly! What the hell is going on in Hell?? You said Guthrie was one of your best, your most trusted, and yet I found him inciting unrest amongst the court.
CROWLEY
Can’t be true.
ROWENA
Can’t it? He said you were colluding with someone called – Winchester? Yes? And that you were going to fetch him, what was it – the First Blade? Which could kill us all! He said he got it first because you couldn’t be trusted. Naturally I confronted him, and he attacked me! I had no choice.
CROWLEY
I had a vision. Of Guthrie, attacking me.
ROWENA
A prophecy. I am an interpreter of signs.
(Crowley squats down and takes the First Blade from Guthrie’s briefcase.)
CROWLEY
It’s not possible.
ROWENA
I know, sonny – and yet.
CROWLEY
How could he have known?
ROWENA
Spies everywhere. I did try to warn you. Fergus – these Winchesters he mentioned, they’re not the hunter Winchesters, are they? Because they too could be a great danger for us. I mean, today we got lucky, but tomorrow, who knows? Who is there left for you to trust?
(Scene change: outdoors, night. A small woodfire is burning.)
BRIT
Oh, we loved living there. It was our dream house.
(She’s talking to Claire. They’re both sitting in lawn chairs. Tony comes out from a beat-up camper behind them.)
TONY
Of course the family came home from vacation. Screwed up everything.
(Tony hands a beer each to the girls.)
BRIT
Haha! I just about peed myself when the wife pulled that gun out of her purse.
TONY
Haha! We tore outta there and ran two miles bare-ass naked.
(Claire puts her cell phone to her ear.)
DEAN (on recording)
Hey, it’s Dean. Look, Claire, we need to talk in person. Just tell me where, okay? Call me.
TONY
That him again? The guy that caused you so much grief?
CLAIRE
Worse. Dean Winchester. The one who butchered Randy.
BRIT
And why? What was this Dean’s connection to Randy?
CLAIRE
He didn’t even know him. Or the others. And he gutted them. And I saw him standing there, soaked in blood. Looking like he enjoyed it. And now he wants to meet. And talk.
TONY
Maybe you should.
CLAIRE
What?
BRIT
Me and Tony are worried for you. This guy around, you’re always gonna be looking over your shoulder.
TONY
We’ve handled situations like this before. We could take care of him so they won’t bother you anymore.
BRIT
Beat him up bad.
TONY
Or… something more permanent.
(Claire smiles at Tony.)
(Scene change: Dean is in the MoL kitchen, taking sandwich fixings out of the fridge. His cell phone plays rock music. He picks up.)
DEAN
Yeah.
CROWLEY (over phone)
Squirrel!
(closeup on Crowley, holding the First Blade.)
CROWLEY
I’ve got it.
(Scene change back to DEAN)
That’s good to hear.
(Scene change to Crowley, sitting on his throne in Hell.)
CROWLEY
Of course I’m gonna hang onto it until you work out how to get that thing off your arm.
(Back to Dean, who ends the call.)
(Scene change: Metatron is still sitting in the dungeon. Dean walks in.)
METATRON
I’m guessing you’re not here to reminisce.
DEAN
All right, we did what you said. We have the First Blade.
METATRON
Not here? Not on your person.
DEAN
Not saying. So back to you. What’s next?
METATRON
This is where it gets kind of interesting.
DEAN
Uh-huh.
METATRON
It’s very lonely here. And I have little to do but think. And it occurred to me that you really need this Mark taken off of you. And in order to do that, you really need me. So here’s the deal. That first little tip I gave you? A freebie. Just cause you’re you. Every future step – they’re gonna cost you. Big. Oh, and FYI, there’s a bunch.
(Dean pulls out an angel blade, slams it on the table and goes to close the door.)
METATRON
Whatcha doing there, Slugger?
(Dean locks the door.)
DEAN
I’m settling a score that’s taken way too long to settle. Oh, and while I do that, I’m gonna get some information.
(Dean picks up the angel blade and walks up to Metatron.)
DEAN
And I’m gonna enjoy every minute of it. Because you’re gonna tell me everything. All of it. And it ain’t gonna cost me a damn dime. Slugger.
ACT FIVE
(The MoL dungeon with Metatron and Dean, exactly as we left them.)
DEAN
All right. I’m gonna ask this exactly once, before it gets ugly. What is the next step in removing the Mark?
METATRON
I repeat my offer. Each step costs you.
DEAN
You’re confused. See, each step you don’t give me – is gonna cost you. And it’s been a long time coming. I mean, where do I begin? Stealing Cas’s grace. Casting out the angels. Making Gadreel kill Kevin using my brother’s hands. Starting an angel war. And, oh yeah, you killed me.
METATRON (scoffs)
My morality is being judged by Dean Winchester? How many people have suffered and died because they believed in you? How many times have you lied to Sam, including, oh by the way, when he was possessed by an angel? And you say, ”Oh well, it’s all for the greater good.” But lately, buddy? That greater good thing just went away, didn’t it? Now, people die just because you want them to.
(Dean punches Metatron in the face.)
METATRON (grunts, then chuckles)
Good, Dean. Go darker.
(Dean punches Metatron again.)
METATRON (bleeding at the mouth)
Go deeper!
(Dean punches Metatron four times.)
METATRON (now also bleeding from the nose)
Surely you’ve noticed, every time you respond when the Mark gets you all twitchy, you fall deeper under its spell. You think roughing up a few humans and demons makes it worse? Try messing with the scribe of God, bucko!
(Scene change: MoL war room. Cas walks up behind Sam.)
CASTIEL
It’s late. I’m gonna drive around a little bit, see if I can find Claire.
SAM
Right now?
CASTIEL
I have to try.
SAM
Well, be careful.
(Sam looks into the empty kitchen.)
SAM
Wait, Cas? Where’s Dean?
(They exchange a look and take off at a dead run down the corridor.)
(Scene change: Dean punches Metatron in the dungeon.)
METATRON (panting and bleeding from a blackened eye)
And Kevin’s death? All on you. You put him in harm’s way and kept him there. Gadreel possessing Sam? Who was it that tricked Sam into letting him in? Oh, and then my personal favorite: Dean Winchester. Whose entire existence is defined by a war on the dark and monstrous – bromancing his way around the country with the king of Hell!
(Dean punches Metatron twice.)
DEAN
Let’s try this again. What is the next step?
METATRON
What is it you humans say so inelegantly? Oh, yes – go screw yourself.
(Sam runs up outside the dungeon, followed by Cas. Dean grabs the angel blade from the table. Sam tries to open the dungeon door, but it’s locked. He pounds on the door.)
SAM
Dean?!
(Inside the dungeon.)
DEAN
Now it’s time to get serious.
(Knocking on door.)
SAM (from outside)
Dean!
(Dean puts the blade against Metatron’s throat.)
DEAN
What is the next step in removing this Mark from my arm?
SAM (from outside)
Dean, open the door.
(Scene change: the corridor outside the dungeon. Sam is pounding on the door, Cas is standing behind him.)
SAM
Hey, open the door!
(Back to the dungeon: Dean cuts Metatron’s face. There’s a glimmer of angel grace from the wound. Dean places the angel blade at Metatron’s throat.)
DEAN
What is…
(The corridor: Sam bodyslams the door.)
(The dungeon.)
DEAN
… the next step??
(Dean rips Metatron’s shirt open and starts cutting down his sternum. Blood and grace seeps out. Metatron screams.)
(Outside, Sam kicks the door to no avail. Castiel shoves him out of the way.)
CASTIEL
Move!
(Castiel raises his arm.)
(The dungeon. The Mark on Dean’s arm glows red.)
METATRON
Behold, the river shall end at the source.
(The corridor. Castiel’s eyes glow and he sends grace from the palm of his hand to shatter the dungeon door. He looks winded, and Sam runs past him into the dungeon, where Dean is holding the angel blade against Metatron’s chest.)
SAM
No, Dean! Hey, stop, stop.
(Sam grabs Dean and pulls him away. Castiel checks on Metatron.)
SAM
You were killing him.
CASTIEL
I have to take him back.
SAM
Cas, this won’t happen again.
CASTIEL
I gave my word. I have fences to mend in Heaven, and as it is, I have a lot to explain.
METATRON
If you ever ask me for help again, I will choose death. You realize it’s going to get worse, Dean. You’re gonna get worse!
(Castiel drags Metatron away.)
(New scene: MoL library. Dean is sitting at the table, holding his head in his hands. Sam walks in.)
SAM
Hey. You okay?
DEAN
He said the river ends at the source.
SAM
What does that mean?
DEAN
Maybe nothing. It was the last thing he said before you guys busted in.
SAM
Dean. Look, man, we had to…
DEAN
Hey, no. I get it, all right. I – I was gonna kill him. And I couldn’t stop myself.
SAM
We’ll figure it out, all right? You know what Cas said about needing a powerful force?
DEAN
Yeah, so?
SAM
So, I’ve been thinking. Look. Cain still has the Mark, right?
(Dean nods.)
SAM
And he’s lived with it. For years, he’s lived with it. So yeah, the Mark is strong, but – Dean, maybe there’s a part of you that wants to give in to it. And maybe you have to fight that, you know? Maybe… part of that powerful force has to be you.
(Dean’s cell phone plays rock music. Dean picks up.)
DEAN
Yeah.
CLAIRE (over the phone)
It’s Claire.
(Scene change: outside, at night. Claire is in the camp ground.)
CLAIRE
I’ve thought it over.
(Claire walks up to Tony, sitting by the camp fire.)
CLAIRE
Maybe it’s only fair to hear your side of it. I mean, Castiel seemed to trust you, a lot.
(Claire sits down between Tony and Brit.)
DEAN (over the phone)
Yeah, okay, where do you wanna meet?
(Scene change: lakeside, day. The Impala drives up to Tony’s and Brit’s camper. Dean is alone in the car. Claire looks at him through the camper window. Dean gets out of the car. Brit is lurking in the bushes, holding a bat. Dean sits on the park bench. Tony is also lurking behind him. Claire watches them sneak up on Dean. Tony is holding an axe.)
(Suddenly, Claire gets up and runs to the open camper door.)
CLAIRE
No!
(Dean turns his head, sees her, then looks around, alarmed. Brit swings her bat for him, but he ducks. Tony and Claire run toward Dean, who takes Brit in a choke hold using the bat. Tony attacks Dean, who shoves Brit to the side and, after a brief struggle, shoves Tony down on the ground next to her. Dean picks up the axe.)
CLAIRE
No!
(Dean raises the axe. Tony flinches.)
CLAIRE
No, no!
Dean forcefully swings the axe – into the park bench. Tony and Brit run off, unharmed. Dean faces Claire. She turns around and goes back into the camper. Dean leaves.)
(New scene: road through wooded area, day. Castiel’s Lincoln drives into view. Claire is walking along the road. Castiel talks to her through the driver’s side window while coasting alongside her.)
CASTIEL
Claire!
CLAIRE
How the hell did you find me?
CASTIEL
Angels are able to find those who pray to them.
CLAIRE
Pray? Oh believe me, I gave up praying a long time ago.
CASTIEL
Well, it doesn’t have to be a formal prayer. I could pick up on a – a longing… Perhaps you wanted to tell me something?
CLAIRE
No.
(Claire stops walking.)
CLAIRE
I don’t know. Maybe.
(Castiel turns off the car engine.)
CLAIRE
I guess I just…
(Castiel gets out of the car.)
CLAIRE
…wanted to tell you that I – I thought about what you said. I’m gonna try doing things a little bit different. Let go of the little bit of monster in me.
CASTIEL
Well, I could try to help you with that.
CLAIRE
I still gotta go it alone. But I could – maybe call sometime? Now get out of here, would you? No one’s gonna pick me up with that butt-ugly car sitting there.
CASTIEL
I’ll see you, Claire.
CLAIRE
Oh, hey. Not that you care, but I like you better in a tie.
(Castiel smiles. He gets back in the car and drives off.)
Source : SuperWiki