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#12.03 : Cœurs gelés

Ecrit par : Robert Berens
Réalisé par : Robert Singer

OH BABY ! - Lorsqu'un bébé en pleurs mène à des morts mystérieuses dans une maison abandonnée, Dean, Sam et Mary décident d'enquêter. Dans le même temps, la traque que mène Castiel pour retrouver Lucifer le conduit à s'allier, à contrecoeur, à Crowley.

Popularité


5 - 4 votes

Titre VO
The Foundry

Titre VF
Cœurs gelés

Première diffusion
27.10.2016

Promo
Promo

  

Diffusions

Logo de la chaîne The CW

Etats-Unis (inédit)
Jeudi 27.10.2016 à 21:00
1.68m / 0.6% (18-49)

Plus de détails

Résumé des épisodes précédents.

Un jeune couple sort d'un restaurant puis passe devant une maison abandonnéé, d'où ils entendent des cris de bébé. La jeune femme, Nat, décide d'aller voir tandis que son compagnon appelle les secours. Nat entre dans une chambre, meublée seulement d'un lit de bébé au-dessus duquel pend une ampoule. Lorsqu'elle regarde à l'intérieur du lit, elle se rend compte que les cris proviennent d'une très ancienne poupée. Elle se recule et se cogne contre son compagnon, venu la rejoindre. Les cris s'intensifient et Nat sent quelque chose lui attraper le bras. Le couple cherche alors à s'enfuir, mais la porte se referme sur eux. Tandis que les cris ne s'arrêtent pas, et que l'ampoule se balance furieusement au dessus du lit, Nat se met à hurler.


SUPERNATURAL


Castiel trouve Mary au bunker, alors qu'elle est plongée dans le journal de John. Avant qu'elle ne reparte se coucher, Castiel lui assure que sa place est sur terre, auprès de ses fils. Mary lui sourit mais on la sent pleine de doutes. Le lendemain matin, Castiel passe dire bonjour aux boys, qui sont en plein petit déjeuner, puis les informe qu'il a peut-être une piste concernant Lucifer. Toutefois, il refuse que Dean et Sam l'accompagnent et leur fait savoir qu'ils seront plus utiles au bunker. Dean ne comprend pas tout de suite, alors Sam lui dit qu'il parlait de leur mère. Dean pense qu'elle va bien, mais Sam n'en est pas sûr. Il l'a entendu se lever plusieurs fois durant la nuit et après ce qu'elle a traversé, elle est secouée. Bien sûr qu'elle est secouée, répond Dean, mais il pense qu'un peu de temps en famille finira par l'apaiser. Mary les rejoint alors, les cheveux courts. Elle explique qu'elle a préféré les couper afin de ne pas servir de prise aux ennemis durant la chasse. Sam est étonné de l'entendre parler de chasse, mais Mary semble motivée pour tuer du monstre. Elle leur explique qu'elle a d'ailleurs trouvé une potentielle affaire dans le journal du matin. Au Minnesota, les cris d'un bébé ont attiré deux jeunes gens dans une maison abandonnée, mais seuls leurs corps ont été retrouvés sur place et le médecin légiste n'a pas pu déterminer la cause de la mort. Dean propose alors une chasse en famille. Mary accepte et repart. Sam n'est pas convaincu par l'idée de Dean, mais ce dernier est enthousiaste et ne laisse pas le temps à son frère de protester.

Dean ramène quelques snacks à Mary dans l'Impala, puisqu'elle semble avoir un goût prononcé, tout comme son fils, pour la junk food. Sam les rejoint et demande à Dean de baisser un peu le son de la radio, mais Mary tourne le bouton à fond et Born To Be Wild retentit dans la voiture. Dean sourit et démarre.

Castiel interroge Tomy, le partenaire de scène de Vince Vincente. Le musicien raconte son entrevue avec Vince, dans sa chambre d'hôtel. Il explique qu'il a vu ses yeux rougir et que Vince était doté d'une force surhumaine, mais Tomy a su, dès qu'il est entré dans la pièce, que Vince n'était pas vraiment Vince. Castiel demande à Tomy de le rappeler s'il a des nouvelles de Vince et lui tend sa carte. Tomy découvre qu'il avait affaire à l'agent Beyoncé. Castiel ne fait pas attention à la surprise du musicien et s'en va. Crowley se montre alors. Il a tout entendu.

Les Winchester rencontrent le médecin légiste. C'est Mary qui mène la danse des investigations. Le médecin explique qu'il a déterminé les causes de la mort mais qu'il ne pouvait pas les rendre publiques, parce qu'elles n'ont aucun sens. Tandis que Dean découvre la marque de main sur le bras d'une des victimes, le jeune légiste raconte que les deux sont morts d'hypothermie et que leurs coeurs étaient littéralement gelés.

Crowley tente de convaincre Castiel de s'allier à lui afin de retrouver Lucifer. Castiel n'est pas intéressé mais le démon insiste et finit par présenter des choses intéressantes à l'ange ; tandis que Cas' interrogeait Tomy, Crowley a fouillé la chambre de Vince et a trouvé des cartes postales écrites par Wendy, la soeur du chanteur. Son adresse se trouve justement sur les cartes.

Les Winchester se rendent dans la maison abandonnée, armés de leurs EMF. Ils se séparent. C'est Mary qui trouve la chambre avec le lit contenant la poupée. Tandis qu'elle la regarde, l'air se refroidit et alors que Dean l'appelle, la porte se referme sur elle. Les boys se précipitent. Pendant qu'ils essaient d'ouvrir la porte, le fantôme d'un petit garçon attrape le bras de Mary et y laisse une empreinte. Les boys entrent, font fuir le fantôme et s'assurent que leur mère va bien.

De retour au motel, Mary veut sortir et interroger les voisins et les personnes susceptibles de leur fournir des informations sur leur affaire. Mais les boys ont d'autres méthodes plus rapides. Ainsi, Sam a déjà trouvé des informations via le site de la police d'Etat. Plusieurs affaires d'enfants morts dans des conditions mystérieuses s'étalent sur l'écran de son ordinateur. il raconte que la première affaire remonte à 1978 et concerne une fillette nommée Elisabeth Moriarty. Mary est impressionnée et un peu perdue. Sam tente de la rassurer en lui disant qu'ils lui apprendront. Elle sourit mais son regard dévoile autre chose.

Castiel et Crowley interrogent Wendy, la soeur de Vince. Elle tente d'abord d'esquiver et d'appeler son frère, mais les deux entrent quand même et elle se voit obligée de leur expliquer ce qu'il s'est passé quand Castiel se rend compte qu'elle a récemment été guérie de sa paralysie. Elle confirme que c'est son frère qui a fait ça, mais il lui a donné l'impression de le faire sans émotion aucune. Après quoi il est parti se réfugier dans une cabane au fond des bois. Elle raconte également qu'il était accompagné d'une rousse. Castiel comprend qu'il s'agit de Rowena et demande quelques explications à Crowley lorsqu'ils sortent. Crowley finit par avouer que sa mère et lui ont essayé de remettre Lucifer dans sa cage mais que leur tentative a échoué. Il dit ensuite à Castiel que Rowena est la seule capable d'y arriver et qu'il est important de la retrouver au plus vite avant que Lucifer ne la tue, ou bien qu'elle finisse par s'allier à lui dans le but de survivre.

Lucifer retient Rowena captive et veut qu'elle renforce le corps de Vince Vincente afin qu'il n'ai plus à changer de vaisseau. Rowena tente d'esquiver, puis de refuser, mais Lucifer la prévient ; il la tuera de nouveau et s'assurera que cette fois, elle sera morte de façon permanente.

Au motel, Sam trouve des informations sur les midlings, des esprits scandinaviens qui simulent des cris de bébé afin de leurrer des adultes et de les tuer. Mary demande si la légende dit quelque chose sur des coeurs gelés, mais Sam dit que non et précise que les légendes ne sont pas toujours précises et correctes sur tout. Mary n'est pas tout à fait convaincue ; elle explique que le petit garçon qui a attrapé son bras n'avait pas l'air de vouloir lui faire de mal, au contraire. Il semblait vouloir communiquer avec elle et il semblait avoir peur. Sam tente de convaincre sa mère que la légende des midlings est ce qui correspond le mieux à leur affaire et que même si le garçon n'avait pas l'air mauvais, il pouvait l'être et jouer la comédie pour mieux la leurrer. Dean propose de brûler les corps des enfants dont ils ont les noms, juste pour être sûr. Les boys se lèvent pour partir, quand Mary a un malaise. Elle revoit la nuit de sa mort, lorsqu'Azazel s'est penché sur le berceau de Sam pour lui faire boire son sang. Mary revient à elle. Les boys décident qu'elle doit rester dans la chambre afin de se reposer. Dean lui tend un téléphone, au cas où et ils s'en vont.

Elle profite de leur absence afin de téléphoner aux services des renseignements pour trouver l'ancienne habitante de la maison abandonnée. A force de persuasion, elle obtient ce qu'elle veut et finit par parler au téléphone avec la mère du petit Lucas, décédé d'hypothermie dans la maison. Grâce à la description que la mère lui donne, Mary comprend que Lucas est bien le petit garçon ayant attrapé son bras.

Tandis que Sam et Dean brûlent le corps de Lucas, Sam dit à Dean qu'il est inquiet pour leur mère. Dean ne veut rien entendre ; Mary est de retour et il voudrait que pour une fois, il n'y ai pas de problèmes à résoudre. Mais Sam lui fait remarquer qu'elle a le même comportement qu'eux lorsqu'ils doivent faire face à une épreuve douloureuse ; elle se plonge dans le travail pour éviter toute confrontation. Pour Sam, Mary n'est pas en train de s'adapter, elle est en pleine lutte.

Lorsque les boys retournent au motel, ils découvrent que Mary n'est plus dans la chambre et qu'elle a emporté le sac d'armes avec elle. Mary, en effet, est retournée à la maison abandonnée. Elle parvient à communiquer avec Lucas, qui lui montre l'entrée condamnée de la cave. Elle l'ouvre et y pénètre et Lucas la rejoint pour lui demander de l'aider. Au même moment, les boys l'appellent pour lui dire qu'ils ont brûlé tous les restes des enfants. Mary leur dit que cela n'a pas fonctionné. Ils tentent de lui demander de sortir de la maison, mais la communication est coupée. Aussitôt, les boys se mettent en route.

Pendant ce temps, Rowena prépare son sortilège pour renforcer le vaisseau de Lucifer. Mais en vérité, ce sort est destiné à détruire le vaisseau et lorsque Lucifer s'en rend compte et qu'il tente de s'en prendre à Rowena, le corps de Vince Vincente se décompose rapidement. Puis, Rowena envoie Lucifer croupir au fond des océans. Elle lance sa dernière formule et Lucifer disparait complètement. Rowena est libre.

Lucas dit à Mary, en montrant un mur, que c'est "lui" qui le retient dans la maison. Alors Mary se trouve face au fantôme d'un homme ; le père d'Elisabeth, la première disparue. Elle comprend qu'il a tué tous ces enfants et qu'il retient leurs esprits prisonniers. Le fantôme attrape alors Mary et pose sa main glacée sur son coeur. Lorsque les boys entrent, le fantôme disparait. Très vite, Sam se rend compte que Mary est possédée. Ils luttent contre elle et lorsqu'elle s'en prend à Dean, Mary finit par reprendre le contrôle suffisamment longtemps pour dire à Sam de se rendre à la cave. Tandis que Sam y court, le fantôme reprend le dessus et se bat contre Dean. Ce dernier finit par entourer Mary d'une chaîne en fer, retenant le fantôme contre son gré. Dans le même temps, Sam parvient à découvrir le corps de l'homme et le fait brûler. Le fantôme est expulsé du corps de Mary et se voit consumé par les flammes, tandis que les esprits des enfants l'entourent. Puis, les âmes des enfants, dont la petite Elisabeth avec sa poupée, s'envolent pour de bon, libres.

Lorsque Castiel et Crowley pénètrent dans la cabane de Vince Vincente, ils ne trouvent que Rowena buvant tranquillement une tasse de thé. Elle ne va pas les aider à retrouver Lucifer, mais elle leur promet que, si ils parviennent à le coincer, elle répondra à l'appel pour le renvoyer d'où il vient.

Les Winchester sont de retour au bunker. Dean demande à pardon à sa mère car ils auraient dû l'écouter, elle avait raison. Elle raconte comment elle a senti les motivations de Moriarty lorsqu'il la possédait ; après avoir perdu sa fille, il est devenu fou, s'est enterré vivant dans sa cave. Et lorsqu'une famille ayant des enfants a eu la maison, son fantôme a commencé à tuer et à retenir les enfants avec lui, tirant son pouvoir de ces âmes en peine. Puis, elle avoue à Dean, puis à Sam, lorsqu'il les rejoint, qu'elle ne se sent pas bien. Elle pensait que la chasse lui éclaircirait les idées, mais ce ne fut pas le cas. John lui manque, ainsi que ses garçons, tels qu'elle les a connu. Elle dit que chaque moment passé avec Dean et Sam lui remémore tous les moments qu'elle a perdu avec ses enfants tels qu'ils étaient dans ses souvenirs, ainsi qu'avec John. Alors, elle leur annonce la terrible nouvelle ; elle souhaite partir, au moins pour un temps. Elle leur assure qu'elle les aime, et prend Sam dans ses bras. Mais lorsqu'elle s'approche de Dean, ce dernier recule, profondément blessé par sa décision de les quitter. Elle s'en va alors. Lorsque la porte du bunker se ferme, Sam sursaute. Quand à Dean, son regard déçu et bouleversé regarde le sol.

 

 

Ecrit par deanlove35.

TEASER:


Man: "Played out." You're kidding. That place was great.


Woman: Another avocado toast? Please.


Man: Yeah, but avocado toast with quail egg? Genius.


Man: How many stars you giving 'em?


Woman: Two.


Man: Four.


Man: You realize our ratings are just gonna cancel each other out.


LOOKING AT A COMMERCIAL DEVELOPMENT SIGN


Woman: Should've bought here when we had the chance. I mean, new restos, new stores–


Man: New prices. Neighborhood's been picked clean by flippers – and condo developers.


MAN LOOKS DOWN AT HIS PHONE WHILE CONTINUING WALKING


SOUND OF BABY CRYING


Woman: Did you hear that?


MAN LOOKS UP FROM PHONE AND LISTENS


Man: Yeah, it came from that house over there.


CAMERA PANS OVER ABANDONED LOOKING HOUSE


Woman: Yeah, but who'd want to live in there?


Man: Squatters or crackheads?


MAN DISMISSIVELY LOOKS BACK DOWN AT HIS PHONE


Woman: With a baby?


CRYING BABY SOUNDS CONTINUE, WOMAN LOOKS INCREASINGLY CONCERNED.


Woman: Call 9-1-1.


LOOKS UP FROM HIS PHONE


Man: What?


WOMAN MOVES TOWARDS HOUSE


Woman: Do it!


Man: Okay, okay.


DIALS 9-1-1


Operator through phone: 9-1-1, what's your emergency?


Man: Hi, there's a baby in distress in an abandoned house at...


MAN LOOKS AT HOUSE FOR ADDRESS AND NOTICES WOMAN IS WALKING UP STEPS TO HOUSE


Man: Nat!


NAT OPENS FRONT DOOR AND WALKS IN.


Nat: Hello?


NAT WALKS AROUND THE MAIN FLOOR FOLLOWING CRYING BABY SOUNDS. SHE WALKS INTO A BEDROOM AND DISCOVERS A CRIB WITH A FLICKERING LIGHT ABOVE IT. SHE LEANS OVER AND FOLDS BLANKET DOWN AND FINDS A CREEPY DOLL IN THE CRIB. SHE JUMPS BACK INTO THE MAN WHO HAS NOW CAUGHT UP AND ENTERED THE ROOM BEHIND HER.


Man: What?


NAT IS TERRIFIED AND JUST SHAKES HER HEAD. SUDDENLY SHE JUMPS AGAIN AND GRABS HER ARM.


Nat: Something touched my arm. I mean, it's something–


BOTH ARE NOW PANICKING AND DECIDE TO LEAVE.


Man: We have to get out of here now.


Nat: Okay.


THEY TURN TO LEAVE THE ROOM AND THE DOOR SLAMS CLOSED ON THEM. THROUGH THE CLOSED DOOR THEY BOTH START SCREAMING.


SUPERNATURAL TITLE CARD.

 

 


MARY SITS ALONE AT A TABLE IN THE MEN OF LETTERS BUNKER, LOOKING THROUGH JOHN'S JOURNAL. IT'S THE MIDDLE OF THE NIGHT. CASTIEL LOOKS CONCERNED AND WALKS UP TO MARY. SHE SEES HIM AND SMILES TIREDLY AT HIM.


Mary: Castiel. What are you doing up?


Castiel: Oh, I’m always up. Angels don't need sleep.


MARY LOOKS SURPRISED AT THAT INFORMATION, AND LOOKS DOWN TOWARDS THE JOURNAL AGAIN.


Mary: Wish I had the problem.


CASTIEL ENTERS THE ROOM FURTHER AND WALKS UP TO THE TABLE MARY IS SITTING AT. SHE SIGHS AND CLOSES THE JOURNAL.


Mary: Anyway...I think I'll go try again.


SHE STANDS UP AND STARTS TO MOVE AWAY FROM THE TABLE.


Mary: Wish me luck.


Castiel: Luck.


MARY STOPS AND TURNS AROUND TO LOOK AT CASTIEL


Mary: Castiel?


CASTIEL TURNS AROUND TO FACE MARY.


Mary: After you left heaven, when did it start to feel like...like you fit, like you...belonged here?


Castiel: Well, I'm still not sure I do.


MARY GIVES A SMALL SIGH AND SMILES, THEN TURNS BACK AROUND TO LEAVE. CASTIEL SPEAKS TO HER AGAIN.


Castiel: Mary...you DO belong here.


MARY SMILES


Mary: Goodnight, Castiel.


CUTS TO MARY WASHING HER FACE AND GETTING READY FOR BED. SHE STARES AT HERSELF IN THE MIRROR FOR A MOMENT BEFORE PICKING UP SOME SCISSORS AND CUTTING HER HAIR.

 


THE BOYS ARE SITTING IN THE KITCHEN EATING BREAKFAST.


Dean: All right, so what have you found on her Majesty's Secret Suckbags?


Sam: Well, I may have turned the bunker upside down looking for any reference whatsoever to the British Men of Letters, and all I found was this letter tucked into an old ledger, uh, from the "London Chapterhouse."


Dean: Okay, well that's something.


Sam: Yeah uh...not so much.


SAM TURNS LETTER AROUND AND MOST OF THE LETTER IS BLACKED OUT. DEAN TAKES THE LETTER TO LOOK AT IT.


Dean: Awesome.


CASTIEL WALKS INTO THE DOORWAY OF THE KITCHEN


Dean: Morning, sunshine. Some coffee?


Castiel: No, thank you. I have to go.


CASTIEL WALKS AWAY. SAM AND DEAN GET UP TO FOLLOW WHERE CASTIEL WENT.


Sam: Cass?


Dean: Cass, wait up.


Sam: Hey. Wait a second. Where you off to?


CASTIEL PAUSES AND TURNS AROUND TO ANSWER


Castiel: Cleveland, Ohio.


Sam: For what?


Castiel: I think I may have a lead on Lucifer. I found a police report in Cleveland about a man whose eyes flared a glowing red. It could be Lucifer in a new body.


Dean: All right. Yeah, that sounds like something. We should go check it out.


Castiel: No. The Devil is free because of me. Finding him is my responsibility.


Sam: Cass, you're gonna want some backup on this.


Castiel: If it is him, I will call you. In the meantime, I think you're needed here.


CASTIEL NODS HIS HEAD AT THE BOYS AND TURNS AND WALKS AWAY.


Dean: The hell was that about?


Sam: Mom?


THE BOYS TURN AND HEAD BACK TO THE KITCHEN


Dean: What are you talking about? Mom's fine.


Sam: Sure. I heard her walking around all night last night. I mean don't you think she seems a bit...withdrawn? You know...shaky?


THEY MAKE IT BACK TO THE KITCHEN AND SIT BACK DOWN AT THE TABLE


Dean: Of course she's shaky. She hasn't been on this planet since Jane Fonda was wearing leg warmers. Look, all she needs is a little R&R. You know, some good family time...she'll be aces.


Sam: Yeah.


MARY WALKS INTO THE KITCHEN


Sam and Dean: Hey.


Mary: Hey. Hi.


Sam: Hey. Morning.


MARY SEES THE BACON SITTING ON A PLATE ON THE TABLE


Mary: Ooh.


Sam: Oh, we can fry up some more. That's – that's probably cold by now mom.


Mary: It's bacon.


Dean: Wow. We are SO related.


MARY AND DEAN SMILE AND LAUGH


Sam: Did you cut your hair?


Mary: I'm gonna keep it short if I'm gonna go out on a hunt, you know? Why give the bad guys the advantage of long pullable hair right?


Dean: Wow. I've been trying to tell Sam that for years.


Sam: Did you say, uh, "going out on a hunt"?


Mary: I found a case.


Sam: I thought you were still struggling with even the IDEA of the Internet.


Mary: I had Dean pick up some newspapers when he went into town.


Dean: Whoa, whoa. I...You didn't tell me you were looking for a case.


Mary: I wasn't. I just...found one. Minnesota. Two dead, locked room. Victims had put in a call about a crying baby. But the place was empty. The only thing at the scene as their bodies. Been five days, and the coroner still hasn't put out a cause of death. Seemed fishy.


THE BOYS DON'T LOOK VERY HAPPY ABOUT THEIR MOM WANTING TO WORK A CASE


Mary: It's probably nothing. I just thought I might...get out there, stretch my legs.


Sam: I-I thought you-you weren't down to hunt in the first place.


Dean: Well things change, right? Family hunting trip.


MARY LOOKS AS THOUGH SHE DOESN'T REALLY WANT THE BOYS TO COME, BUT RELENTS.


Mary: Sure.


Dean: All right. Meet at the car in 10.


DEAN GETS UP FROM THE TABLE LOOKING HAPPY TO BE HUNTING WITH HIS MOM. SAM STILL SITS AT THE TABLE LOOKING UPSET AT THE WAY THINGS ARE GOING.


Sam: What about the R&R?


Dean: W–


DEAN GESTURES TO WHERE MARY HAS ALREADY LEFT


Dean: Look, man, Cass healed your s'mores foot, all right? I got Baby back to mint. We're road ready. And if mom wants to hunt, I say we hunt. You're gonna...


DEAN WAVES HIS ARM AND POINTS AT THE BREAKFAST DISHES ON THE TABLE. CUT TO THE BOYS AND MARY AT A GAS STATION WHERE SAM IS FILLING UP THE IMPALA AND MARY WAITS IN THE CAR. DEAN WALKS BACK TO THE CAR FROM THE CONVENIENCE STORE.


Dean: Nice bike. There's a lot of things that have gone to seed since you were here, but the variety in snack food flavors is not one of them.


DEAN GETS INTO THE CAR WHILE SAME FINISHES FILLING THE CAR


Dean: We got your teriyaki jerky, we got your sriracha, and we got your chili lime, which...is my personal favorite.


DEAN OPENS UP A BAG OF CHILI LIME JERKY


Mary: Let's give chili lime a whirl.


SAM GETS INTO THE BACKSEAT OF THE CAR


Dean: Eh?


Mary: It's...good. Artificial, kinda tingly.


Dean: That's how you know it's working.


Born To Be Wild PLAYS ON THE RADIO. SAM MOTIONS FOR DEAN TO TURN THE MUSIC DOWN.


Sam: Hey.


MARY REACHED OVER AND TURNS IT UP INSTEAD. SAM JUST HALF SMILES AND DEAN GRINS AND PEELS OUT OF THE GAS STATION.

 


TOMMY SITS ON CHAIR LOST IN THOUGHT AND CONFUSED WITH A DRINK IN HAND. THE CAMERA PANS OUT AND WE SEE THAT CASTIEL IS OPPOSITE TOMMY ASKING HIM QUESTIONS.


Tommy: Look...I been around all stripes of Vince, all right? Drunk Vince, depressed Vince, megalomaniacal "I'm a Golden God" Vince. The Vince who threw me through that door...that wasn't him. And it wasn't just his eyes, man. I-I mean, the strength. He was like – He was like and MMA fighter. Hell, he was like 20.


Castiel: If you hear from him, don't hesitate to call.


Tommy: Okay, Agent...Beyonce?


CASTIEL GIVES TOMMY HIS CARD AND THEN GETS UP TO LEAVE, WALKING PAST THE BAR, WHERE CROWLEY SITS, ON HIS WAY OUT.


Crowley: I guess that makes me Agent Jay Z.


CASTIEL STOPS IN HIS TRACKS AND TURNS AROUND WITH AN ANGRY LOOK ON HIS FACE

 


MARY AND THE BOYS ARE AT THE CORONER'S OFFICE SHOWING THEIR FBI BADGES.


Mary: Agent Shirley Partridge, out of the Minneapolis field office. These are my partners, Agent Cassidy and Agent Bonaduce.


Coroner: This is a local case. Why would the FBI be interest–


Mary: They're new. Wanted their first case to have training wheels.


Coroner: Mm.


Mary: We wanted to have a look at the bodies.


Sam: Now you haven't filed a report. Has there been any problem determining the cause of death?


Coroner: Problem? No. No, no, no. I figured out the cause. Just doesn't make any damn sense.


DEAN WANDERS AROUND TO THE SIDE OF THE WOMAN'S BODY WHILE THE CORONER SPEAKS. HE NOTICES A MARK ON HER ARM.


Dean: Is this a burn?


Coroner: Frostbite. Yeah. Both victims died of acute hypothermia...in a 65 degree room.


MARY AND THE BOYS LOOK SURPRISED AT THE CORONER'S STATEMENTS


Coroner: When I opened them up, their hearts were literally – and I mean literally – frozen. Wanna tell me how to present that to the public? Or to their families? So much for training wheels huh?

 


CASTIEL WALKS OUT OF THE BUILDING TO HIS TRUCK WITH CROWLEY FOLLOWING HIM TALKING ABOUT TEAMING UP TO DEFEAT LUCIFER.


Crowley: Bumping into each other, working the same leads. What are the odds, Cassie? Fate brought us together.


Castiel: I'm not interested.


Crowley: Why not? We made a somewhat effective team against Amara. It's been months, I mean MONTHS since we last tried to kill each other. We both got very, very good reasons to want Lucifer dead.


THEY REACH CASTIEL'S TRUCK AND PROCEED TO TRY AND SPEAK TO ONE ANOTHER ALTERNATELY OVER THE HOOD OF THE TRUCK AND THROUGH THE FRONT WINDOWS.


Crowley: Besides...while you were gabbing with Vince's second fiddle, I was ransacking his room. Found these. Postcards from his beloved sister Wendy. Oh, lookie here. An address and everything. Worth a look.


CROWLEY TOSSES SOME POSTCARDS ONTO THE FRONT SEAT OF THE TRUCK. CASTIEL TAKES THE POSTCARDS AND LOOKS AT THEM.

 


MARY AND THE BOYS WALK INTO THE ABANDONED HOUSE FROM THE BEGINNING OF THE EPISODE TO HAVE A LOOK AROUND WITH SOME EQUIPMENT.


Dean: You sure you go the swing of that thing?


Mary: For the third time, yes. Dean, it's analog. I'm good.


Dean: Right.


MARY WANDERS INTO THE BEDROOM WITH THE CRIB AND DOLL INSIDE. SAM AND DEAN GO IN ANOTHER DIRECTION. MARY'S EQUIPMENT IS GOING OFF AND THE LIGHT ABOVE THE CRIB STARTS FLICKERING. SHE TURNS HER EQUIPMENT OFF AND PULLS BACK THE BLANKET ON THE DOLL.


Dean: Mom, we got something over here.


MARY POCKETS HER EQUIPMENT AND TURNS TO HEAD OUT OF THE ROOM. THE DOOR SLAMS IN HER FACE.


Mary: Sam?


Dean: Mom?


Mary: Dean?


MARY TRIES TO GET THE DOOR OPEN, BUT IT WON'T BUDGE.


Dean: Mom? Mom.


Mary: Sam! Dean!


Dean: Mom! Hold on, mom! We're coming!


MARY IS STILL TRYING TO GET THE DOOR OPEN


Dean: Mom, get away from the door.


MARY BACKS AWAY FROM THE DOOR, WHILE HOLDING HER FLASHLIGHT UP. A SMALL HAND GRABS HER ARM. SHE TURNS TO LOOK AND SEES A SMALL BLONDE BOY. DEAN FINALLY BREAKS THE DOOR OPEN. SAM GRABS MARY AND DEAN SWINGS HIS CROWBAR THROUGH THE GHOST OF THE BOY, CAUSING HIM TO DISSIPATE. DEAN LOOKS AROUND AT MARY. SHE HOLDS HER ARM UP TO THE LIGHT OF SAM'S FLASHLIGHT AND SEES THAT THERE IS A RED HANDPRINT ON HER ARM.


Sam: Mom, you're hurt.


DEAN COMES OVER AND LOOKS AT MARY'S ARM


Dean: Let's go. Come on. Come on.


Mary: Okay.


CAMERA PANS OUT ON THE DOLL'S FACE, THEN THE CRIB.

 


NEXT DAY, BOYS ARE WORKING ON THEIR COMPUTERS, MARY COMES INTO THE ROOM.


Mary: Okay, ready to head out? Go knock on some doors?


Dean: Doors?


Mary: Yeah. Talk to the neighbors, hit up the Hall of Records, work the...case? We still do that right?


Dean: Sometimes. But the, uh, the internet has made a lot of that legwork...obsolete.


Sam: I mean, I'm already in the St. Paul Police Department database.


Dean: Anything?


Sam: Yeah, a lot. I got police reports filed form 2004...uh, '91, '89. '85, '78. All deaths. All kids. Looks like it started with this girl here. Elizabeth Moriarty.


Mary: You got all that from THAT...


Sam: Yeah.


MARY BACKS UP TO SIT DOWN ON ONE OF THE BEDS LOOKING OVERWHELMED BY THE NEW TECHNOLOGY


Sam: Mom...don't worry about it. We'll teach you how to do this.

 


CASTIEL AND CROWLEY GET OUT OF THE TRUCK IN FRONT OF WENDY'S HOUSE. CASTIEL USES THE SIDE MIRROR TO CHECK AND FIX HIS HAIR, WHILE CROWLEY STANDS AND WAITS IMPATIENTLY FOR HIM. THEY KNOCK ON WENDY'S DOOR.


Castiel: Hello. I'm Agent Beyonce, and this is my, um...my partner, Agent Zee. Um, we wanted to ask you a few questions about your bro...


WENDY CLOSES THE DOOR IN CASTIEL'S FACE


Castiel: ...ther. Do you think that happens to Sam and Dean?


Crowley: Oh, all the time.


CUT TO INTERIOR OF HOUSE WHERE WENDY IS ON THE PHONE LEAVING A MESSAGE FOR VINCE


Wendy: Vinny, please call me. I got two federal agents asking for you. Don't know what was with you yesterday, but you're in trouble.


CROWLEY MATERIALIZES INSIDE THE HOUSE


Crowley: How right you are, Wendy.


CROWLEY WALKS TO THE FRONT DOOR AND OPENS IT FOR CASTIEL


Crowley: Ah. So...Vince was here. Yesterday.


Castiel: Odd. She's been recently healed.


Crowley: Is that so? Let me guess – your brother got you up and walking again. And how are you enjoying the use of those legs? You know, the gift he gave you, I can take away like –


CROWLEY LIFTS HIS HAND TO SNAP HIS FINGERS, BUT CASTIEL GRABS HIS HAND BEFORE HE CAN.


Castiel: The thing that healed you, that wasn't your brother. Something...something else, something old and evil. I...I think a part of you knows that. We don't want to hurt Vince. We wanna help him.


Wendy: He showed up out of the blue and he fixed me like a miracle. But he did it cold, like...it was nothing to him. Like he was running an errand. Barely said a word. And then he just took off with his groupie friend.


Castiel: His groupie friend?


Wendy: Red-headed broad. Didn't say much.


CASTIEL TURNS AROUND TO LOOK ANGRILY AT CROWLEY. CROWLEY LOOKS SHEEPISHLY DOWN.


CUT TO CASTIEL AND CROWLEY WALKING OUT OF WENDY'S FRONT DOOR.


Crowley: So Vince's cabin in Sagamore Hills...apparently, all of his greatest records were written there – "Serpentine," "Theatre of Mercy" …


Castiel: I should've known there was something you weren't telling me. Rowena?


Crowley: So mother and I had an unfortunate, if not rather embarrassing, run-in with Lucifer. You're just mad because you're only my second choice for a Lucifer-hunt team-up.


Castiel: (said sarcastically) No, actually I think it's sweet. I thought your motivation was ambition and revenge, but now I know you just wanna save your mother.


Crowley: It's not about saving her. Lucifer has made off with a colossally powerful witch who, by the way, is the only person alive who can slam him back in the cage. He will either kill her, control her, or she will offer her services to the biggest bad in town in order to save her neck, like she always does. Do any of those sound like particularly good outcomes to you?


CASTIEL DOESN'T LOOK VERY HAPPY ABOUT THE OPTIONS PRESENTED BY CROWLEY, BUT LOOKS AS THOUGH HE KNOWS CROWLEY IS RIGHT.

 


VIEW OF OLD TRUCK PARKED IN FRONT OF VINCE'S CABIN.


Lucifer: You got any beauty spells locked up in that witchy brain of your?


CUT TO INTERIOR OF CABIN. LUCIFER IS LOOKING AT HIS DEGRADING VESSEL IN THE MIRROR, ROWENA IS STANDING BEHIND HIM IN CHAINS


Lucifer: Huh? Thought this one would last a bit longer before going all Keith Richards on me. This vessel hopping's getting old. Just as I get used to the limitations of one meatsack, I gotta cut bait and jump to the next flawed lump.


Rowena: Then you want me to make this vessel permanent? Strong enough to hold you?


Lucifer: Does look good on me. Show me what you got, Red. Huh?


Rowena: I-I-I'd help, I would, but I don't have the Book of the Damned. I lost it.


Lucifer: You know damned well where you put it. Did you see what I did there? "Damned." Besides, you don't NEED the book. Clever girl like you must have it all UP HERE by now.


Rowena: And if I refuse?


Lucifer: I snap your neck again. Only this time, I'll rip your head clean off afterwards. Hmm?


LUCIFER LOOKS QUITE PLEASED WITH HIMSELF, ROWENA LOOKS VERY UNHAPPY ABOUT HER CURRENT SITUATION

 


THE BOYS AND MARY ARE BACK AT THE HOTEL ROOM DOING MORE RESEARCH ON THE CASE


Dean: Mylings?


Sam: Yeah, from Scandinavian lore. Uh, children's spirits, vengeful ones. "Their cries to help lure adults to their death."


Mary: Anything about frozen hearts?


Sam: Uh, no, not yet. But this is just from old, incomplete folk accounts. We all know the lore isn't always 100%.


Mary: Hmm. Mm, maybe, but...all I know is, that little boy who grabbed me, I...he didn't wanna hurt me. He was scared.


Sam: Yeah, um...it must've felt that way, but, mom, the victims were all lured to their death by a baby's cry. Uh, the spirit marked Natalia right before she was killed, the same way the spirit marked you. I mean, if we hadn't gotten there in time...


Dean: Well, look, we know all the kids' names, right? We know that they're all buried locally, so I say we salt and burn 'em. That’s the safe bet.


Sam: Agreed.


Dean: All right. Well, let's do that.


MARY DOESN'T SEEM CONVINCED BY THE CONCLUSION THE BOYS HAVE COME TO.


INTERNAL SCENE: MARY.


FLASH OF HANDPRINT ON HER ARM. CUT TO MARY KISSING LITTLE DEAN GOODNIGHT.


Dean: Sammy!


FLASH OF OUTSIDE OF WINCHESTER HOUSE, CUT TO CRIB INSIDE OF ABANDONED HOUSE WITH SOUNDS OF BABY CRYING. GHOST OF LITTLE BOY LUCAS APPEARS


Lucas: Help me.


BACK TO EXTERNAL SCENE. MARY SITS DOWN HEAVILY ON THE BED HOLDING HER HEAD


Dean: Mom?


THE BOYS GET UP FROM THE TABLE AND GO OVER TO MARY


Dean: Hey, you okay?


Sam: Mom?


Mary: Yeah, fine. I'm fine. I'm fine.


MARY STANDS UP WITH THE BOYS


Mary: I'm fine.


Sam: May – Maybe, uh, you should stay here.


MARY LOOKS RATHER DISPLEASED AT THE SUGGESTION. DEAN PULLS OUT HIS PHONE AND HANDS IT TO HER.


Dean: Here. Call if you need us.


MARY TAKES THE PHONE


Mary: Okay.


Dean: All right?


Sam: Back soon.


SAM AND DEAN GRAB THEIR STUFF AND HEAD OUT THE DOOR. MARY LOOKS AROUND THE ROOM AND THE LOOKS CONFUSEDLY AT THE CELL PHONE BEFORE PUTTING IT ON THE DESK AND PICKING UP THE CORDLESS PHONE TO USE.


Phone: Ramsey County. Register of Deeds.


Mary: Hello, I'm looking for contact information for the last owner of 1781 Chamberlin Street, please.


Phone: Uh...Okay, can't you just use the website like everyone else?


Mary: I'm not everyone else. Please? And...thank you.


CUT TO MARY ON THE PHONE WITH PREVIOUS OWNER OF HOUSE, CHERYL


Cheryl: Lucas...was so cold. I still don’t understand what happened. I checked on him just a minute before I found him. How'd he get so cold so fast? Gosh, sorry for going on like this.


Mary: Oh, don't apologize. What did Lucas look like?


Cheryl: Well, he was so handsome. Blonde hair and these crystal blue eyes.


Mary: Anything else?


Cheryl: He had a scar on his cheek. From the neighbor's dog.


Mary: Thank you, Cheryl. I'm sorry for dredging all this up again.


Cheryl: Oh, it's okay. Actually, it's kinda nice. No one talks on the phone anymore, you know?


Mary: I've noticed. Thank you again.


MARY HANGS UP THE PHONE

 


THE BOYS ARE AT THE GRAVEYARD DIGGING UP THE GRAVES OF ALL THE CHILDREN AND SALTING AND BURNING THEIR BONES.


Sam: Grim work.


Dean: Yeah.


Sam: You know, I'm worried about mom.


Dean: Why?


Sam: You're not?


Dean: She's back. I mean, yeah, she's still working out the kinks. We're all still working out the kinks. But, I mean, can't we, for once, just not turn everything into a problem? You know, can we, for once, just have ONE good thing?


Sam: Mom's not a thing.


Dean: Okay.


Sam: Look, I'm happy, too, Dean. I am. I'm overjoyed. But...there's something about her. I mean, something's going on with her.


Dean: Yeah, she's adjusting.


Sam: No, she's struggling. I mean, she's trying to bury herself in hunting to avoid dealing.


Dean: And how do you know that?


Sam: Years of personal experience. I don’t know man. Uh...like mother, like sons.


DEAN LOOKS PISSED AT THE CONVERSATION, BUT DOESN'T SAY ANYTHING MORE.

 

 


THE BOYS COME BACK TO THE HOTEL ROOM WHERE THEY LEFT MARY AND FIND THAT SHE'S GONE


Dean: Mom?


THE BOYS LOOK ALARMED THAT MARY ISN'T THERE


Sam: Weapons bag is missing.


THEY BOTH REALIZE THAT MARY HAS GONE BACK TO THE HOUSE

 


MARY ENTERS THE CHAMBERLIN HOUSE, WALKING TOWARDS THE BACK BEDROOM. LUCAS APPEARS IN FRONT OF HER.


Mary: Lucas. That's your name, isn't it? I talked to your mommy. She misses you so much.


LUCAS TURNS AND TALKS OVER TO POINT AT THE BASEMENT DOOR, THEN DISAPPEARS. MARY PRIES OPENS THE DOOR AND HEADS DOWN WITH A FLASHLIGHT. LUCAS APPEARS BEFORE HER AGAIN.


Mary: Lucas, why did you bring me here?


Lucas: Help...us.


MARY'S PHONE RINGS, SHE ANSWERS AND IT'S THE BOYS.


Mary: Hello?


Sam: Mom, where are you?


Mary: I'm at the Chamberlin house, on a hunch.


Dean: Yeah, we salted and burned all the remains.


Mary: Yeah. Didn't work.


Dean: Okay, get out of the house and wait for us.


THE PHONE CALL STARTS BREAKING UP


Mary: What? Hello?


Dean: Mom?


Mary: Hello?


Sam: Mom?


Dean: Let's go.


THE BOYS LEAVE TO GO FIND MARY AT THE CHAMERLIN HOUSE

 


LUCIFER IS STANDING WITH HIS SHIRT OFF, ROWENA IS PUTTING MARKING ON HIS CHEST.


Rowena: Ash of the Hawthorn Tree.


Lucifer: The pattern?


Rowena: A Druidic glyph. I'm using a hybrid spell of my own device – Book of the Damned and Celtic magic. Should give your vessel the resiliency and strength of the mightiest tree.


Lucifer: Oh. There's a woody joke in there somewhere. Let's get back to that nagging little word – "should."


LUCIFER GRABS ROWENA THREATENINGLY


Rowena: I-I can't promise the spell will last forever. There's no known magic for that. But it will last.


LUCIFER RELEASES ROWENA AND SHE TURNS AROUND TO GATHER THE REST OF THE SPELL LOOKING ANGRY.


Rowena: The final step.


ROWENA LIGHTS SOME INCENSE AND WALKS BACK TOWARDS LUCIFER AND STARTS WALKING A CIRCLE AROUND HIM.


Rowena: Permission to speak, Dark Lord? If – WHEN the spell succeeds and you are restored to your full glory...


Lucifer: Will I just kill you?


Rowena: I can be of value beyond this spell.


Lucifer: We'll see.


Rowena: Thank you, my Liege.


SHE FINISHED HER CIRCLE OF LUCIFER AND PLACES HER HAND ON HIS CHEST OVER THE GLYPH SHE'S DRAWN. SHE LOOKS UP AT LUCIFER AND SPEAKS THE ACTIVATION WORD.


Rowena: FES..TI..NA!


THERE IS A FLASH OF LIGHT, ROWENA BACKS AWAY AND LUCIFER SEEMS TO REALIZE THE SPELL IS NOT WHAT HE THOUGHT IT WAS.


Lucifer: Red, what did you do?


Rowena: Sped up the decaying process, my Lord. You thought Keith Richards was bad? Try Iggy Pop.


Lucifer: Oh, decapitation is far too merciful for you, Ginger Bitch!


ROWENA THROWS SOMETHING INTO HER CAULDRON. THERE A FLASH OF FIRE AND LUCIFER YELLS AND BACKS AWAY SLIGHTLY.


Lucifer: Aah! No! You can't destroy me!


Rowena: Not yet, but I can send you far, far away. Try finding a new vessel at the bottom of the bloody ocean. ABI!


Lucifer: Aah!


LUCIFER DISAPPEARS IN A FLASH OF PURPLE LIGHT.

 


CUT TO MARY BACK AT THE CHAMBERLIN HOUSE


Mary: What's keeping you here?


LUCAS POINTS TO THE CORNER OF THE BASEMENT


Lucas: Him.


THE HOUSE STARTS SHAKING AND MARY RUNS BACK UPSTAIRS. SHE TURNS AROUND AND THE GHOST OF A MAN IS BEHIND HER.


Mary: You're the father of that little girl. You killed them ALL, all those ch–


THE GHOST USES HIS POWERS TO PULL MARY TOWARDS HIM AND PLACES HIS HAND ON HER CHEST AND STARTS TO FREEZE HER. THE BOYS HAVE JUST ARRIVED AT THE HOUSE.


Dean: Mom!


MARY COLLAPSES TO HER KNEES AND DEAN RUSHES FORWARDS


Dean: Mom. Hey. Come on.


MARY THROW HER ELBOW AT DEAN, SENDING HIM INTO THE WALL.


Dean: Uhh!


Sam: Dean? She's possessed.


CLOSE UP OF MARY'S FACE

 

 


SAM AND DEAN LOOK UNSURE OF WHAT TO DO. SAM REACHES FOR SOME CHAIN, BUT MARY SENDS HIM FLYING INTO A SHELF IN THE WALL. SHE RUSHES DEAN AND PUSHES HIM AGAINST THE WALL, CHOKING HIM AND FREEZING HIM.


Mary/Ghost: MY house. MY children. Forever.


Dean: Mom? You can fight this.


Sam: Mom?


Mary: Aah!


MARY DROPS DEAN AND COLLAPSES TO HER KNEES.


Sam: Mom.


Mary: The basement. Go!


SAM RUNS OUT OF THE ROOM DOWN TO THE BASEMENT. THE GHOST REGAINS CONTROL OF MARY AND THROWS DEAN AGAINST THE WALL.


Dean: Mom?


Mary/Ghost: Mommy's gone.


SAM LOOKS AROUND THE BASEMENT. LUCAS APPEARS IN FRONT OF HIM AND POINTS TO WHERE SAM NEEDS TO GO.


DEAN IS STILL FIGHTING THE GHOST POSSESSING MARY. HE ROLLS AWAY AND GRABS THE SHOTGUN AND POINTS IT AT HER.


SAM IN THE BASEMENT, FOUND SOME TOOLS HE CAN USE TO BREAK DOWN THE WALL.


DEAN STILL HOLDING THE SHOTGUN AT MARY.


Dean: Don't. Don't make me.


MARY/GHOST LOOKS AMUSED AND USES ITS POWER TO TOSS THE SHOTGUN OUT OF DEAN'S HANDS


SAM IS KNOCKING DOWN THE BRICKED UP SECTION OF THE BASEMENT


MARY LOOKS AROUND AT THE NOISE SAM IS MAKING IN THE BASEMENT


SAM TEARING MORE OF THE WALL DOWN.


MARY LOOKING PISSED AND STARTING TO TURN TO GO TO THE BASEMENT.


SAM DISCOVERING THE SKELETAL REMAINS OF MORIARTY IN THE WALL


DEAN QUICKLY GRABBING THE CHAIN OFF THE FLOOR AND HOLDING MARY IN THE ROOM


SAM SALTING AND SQUIRTING THE BONES WITH LIGHTER FLUID


MARY STRUGGLING WITH DEAN


Dean: I got you, mom.


SAM LIGHTS THE BONES IN THE WALL ON FIRE


THE GHOST IS THROWN OUT OF MARY WITH A SHOUT AND STARTS SCREAMING AS HE BURNS UP. AS HE BURNS, HE IS SURROUNDED BY THE CHILDREN THAT HE KILLED, WHO WATCH HIM DISAPPEAR. DEAN AND MARY LOOKED SHOCKED. THE GHOST DISAPPEARS JUST AS SAM COMES RUSHING BACK INTO THE ROOM. ALL THREE WATCH IN AWE AS THE CHILDREN LEAVE IN BURSTS OF WHITE LIGHT. LUCAS TURNS FOR ONE LAST LOOK AT MARY BEFORE DISAPPEARING.

 

 


OUTSIDE SHOT OF VINCE'S CABIN. CAMERA GOES INSIDE AND PANS AROUND LANDING ON CROWLEY AND CASTIEL COMING IN LOOKING AROUND FOR LUCIFER WHEN THEY HEAR ROWENA'S VOICE. SHE IS SITTING IN A CHAIR ON THE BACK PORCH HAVING A DRINK.


Rowena: If your looking for Lucifer, you JUST missed him.


CASTIEL AND CROWLEY LOOK AT EACH OTHER


Rowena: Cup of tea?


ROWENA, CASTIEL AND CROWLEY ARE WALKING AROUND AND OUT OF THE CABIN.


Rowena: Until you forced me to get back in the game, I'd tried to forget about Lucifer. I loathe him, and I loathe that I had any part in letting him out of the pit he belongs in.


Castiel: So you'll help us, then?


Rowena: Good God, no. That whole FBI pantsuit look? Not my hex bag. But if you get Lucifer cornered and find yourself in need, I'm there.

 


BACK AT THE BUNKER. CLOSE UP OF JOHN'S JOURNAL, CAMERA PANS UP TO SEE MARY AND DEAN WALKING UP.


Dean: Well, you gonna take a shower? Take a nap? You really went through it today.


Mary: No, I'm okay.


Dean: And, um..listen, apologies if, uh, me and Sam hijacked or sidelined you in any way. I mean, this was your case, you know? And...well, you kicked ass. Again.


Mary: I kicked ass? YOU saved ME. I –


Dean: Yeah, but you were right. You know, those kids WERE innocent. I mean, hell, we didn't even know what Moriarty's deal was.


Mary: I do.


DEAN LOOKS SURPRISED TO HEAR THIS


Mary: When he possessed me, I saw..I felt it. All of it. When Hugo lost his child, he went mad. Buried himself alive in his basement and walled himself in and starved to death.


Dean: Damn.


Mary: But when new families moved in, families with children, he coveted those children. So he took them. Killed them. And somehow that bound their spirits to his. That’s where he got his power. He was so...greedy. Twisted.


Dean: Mom, it's okay. All right? You're home now.


MARY PAUSES AND LOOKS SADDENED.


Mary: No.


DEAN LOOKS CONFUSED AND HURT BY HER WORDS


Mary: I'm not. I miss John. I miss my boys.


SAM WALKS IN AND JOINS DEAN AND MARY


Sam: We're right here, mom.


Mary: I know. In my head. But I'm still mourning them as I knew them. My baby Sam. My little boy Dean. Just feels like yesterday, we were together in heaven, and now...I'm her, and John is gone, and they're gone. And every moment I spend with you reminds me every moment I lost with them.


MARY LOOKS AROUND AT THE BOYS TRYING TO GET THEM TO UNDERSTAND.


Mary: And I thought hunting, working, would clear my head.


Sam: Mom...w-what are you trying to say?


Mary: I have to go.


THE BOYS LOOK HEART-BROKEN BY THIS NEWS.


Mary: I'm sorry. I'm so...so sorry. I just need a little time.


MARY STEPS TOWARDS DEAN, BUT HE BACKS AWAY FROM HER AND CONTINUES LOOKING DOWN. MARY STOPS AND LOOKS AT HIM FOR A MOMENT BEFORE TURNING AND PICKING UP JOHN'S JOURNAL. SHE STEPS UP TO SAM.


Mary: I love you.


SHE HUGS SAM TIGHTLY. THEN TURNS TO LOOK ONCE MORE AT DEAN.


Mary: I love you both.


MARY TURNS AND PUTS JOHN'S JOURNAL IN HER BAG AND THEN STARTS UP THE STAIRS TO THE EXIT. SAM WATCHES HER LEAVE, BUT DEAN REFUSES TO LOOK UP. SAM JUMPS AS THE SOUND OF THE DOOR OPENING ECHOES THROUGH THE BUNKER. EPISODE ENDS WITH CLOSE UP OF DEAN'S FACE.

 

Source : SuperWiki

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Au total, 47 membres ont visionné cet épisode ! Ci-dessous les derniers à l'avoir vu...

schumi 
07.12.2017 vers 10h

Fenrrir 
18.10.2017 vers 09h

France8181 
09.10.2017 vers 02h

bloom74 
03.10.2017 vers 15h

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schumi  (07.12.2017 à 10:09)

La fin de cet épisode m'a tout simplement brisé (glacé?) le coeur....

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