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#12.02 : Mamma Mia

Ecrit par : Brad Buckner & Eugenie Ross-Leming
Réalisé par : Thomas J. Wright

RICK SPRINGFIELD EN GUEST STAR - Dean, Mary et Castiel obtiennent une piste concernant Sam et montent un plan pour aller le secourir. Dean n'est pas à l'aise à l'idée de mettre Mary en danger, mais elle insiste pour faire partie de la mission. Pendant ce temps, Crowley apprend que Lucifer a pris possession de la rockstar Vince Vincente.

Popularité


5 - 6 votes

Titre VO
Mamma Mia

Titre VF
Mamma Mia

Première diffusion
20.10.2016

Vidéos

Diffusions

Logo de la chaîne 6ter

France (inédit)
Mercredi 07.11.2018 à 01:15

Logo de la chaîne The CW

Etats-Unis (inédit)
Jeudi 20.10.2016 à 21:00
1.61m / 0.6% (18-49)

Plus de détails

Résumé des épisodes précédents.

L'épisode s'ouvre sur Sam et Toni Bevell au lit, alors qu'ils viennent de faire l'amour. Toni a toujours quelques questions à poser à Sam.


SUPERNATURAL


Nouvelle séquence au lit entre Toni et Sam. L'atmosphère semble étrange, comme un rêve.

Pendant ce temps, au bunker, Dean téléphone à Cas'. Ce dernier tente de retrouver Sam et ses recherches l'ont conduit jusqu'à Aldrich, dans le Missouri, mais il n'a pas de traces concrètes à suivre pour le moment. Dean finit ensuite par demander quelques conseils à Cas', car avoir sa mère de retour est étrange et il ne sait pas comment gérer la situation, ni quoi dire, de peur de la bouleverser. Cas' ne se montre pas très utile à ce sujet et il raccroche. C'est alors que Mary rejoint Dean. Elle demande des nouvelles de recherches concernant Sam, mais Dean n'a pas grand-chose à lui apprendre. Puis, elle lui avoue qu'elle a entendu sa conversation avec Castiel. Dean lui assure qu'il est heureux de l'avoir de nouveau à ses côtés, mais il ne sait pas quelles règles s'appliquent à ce genre de situation. Mary lui assure qu'elle va bien, elle a juste besoin de temps pour s'habituer à ce nouveau monde. Puis, elle évoque sa crainte de retrouver Sam, car elle se sent coupable de ce qui est arrivé avec Azazel. Elle dit que c'est de sa faute et elle ne sait pas comment elle pourrait regarder Sam dans les yeux après ça.

Toni tente toujours de soutirer des informations de Sam, au lit. Mais Sam finit par revenir à la réalité et se retrouve de nouveau attaché à sa chaise, Toni assise en face de lui. Elle lui explique qu'elle a utilisé un sortilège pour créer une hallucination, mais elle ne peut le refaire, car le cerveau de Sam se liquifierai. Alors, elle décide d'avoir de nouveau recours à la torture. Elle s'approche avec une lame particulièrement tranchante.

Mary se réveille après une bonne nuit de sommeil. Elle rejoint Dean, toujours plongé dans ses recherches et lui explique qu'elle a rêvé cette nuit, à propos de choses amusantes que John faisait. Elle dit qu'il était un très bon père. Le regard de Dean donne une version différente, mais il ne parlera pas de cette histoire à sa mère. C'est alors que Castiel l'appelle. Il lui apprend qu'il vient de trouver l'endroit où Sam est probablement retenu. Il sait que la maison devant laquelle il se trouve a été louée récemment par une femme avec un accent britannique. Malheureusement, il n'a pas pu pénétrer à l'intérieur, car la maison est protégée. Cas' conclut en disant qu'il va envoyer l'adresse à Dean par texto et Dean s'apprête aussitôt à partir. Mary souhaite l'accompagner mais Dean se montre réticent à cette idée, car il pense qu'il ne peut pas faire son travail et s'inquiéter pour sa mère en même temps. Mary lui assure qu'elle sait très bien se débrouiller seule et Dean n'a pas d'autres choix que de se rendre.

Toni continue de torturer Sam. Elle souhaite connaitre les noms des chasseurs américains et les endroits où ils se trouvent, ainsi que le lieu exact du bunker du chapitre américain des Men of Letters, sans oublier qu'elle souhaite également discuter de la relation de Sam avec Ruby. Ses demandes sont interrompues par un coup de téléphone. C'est Mick, un autre Men of Letters britannique, qui prévient Toni qu'il est là pour la ramener, après qu'elle ai désobéi aux ordres. De plus, il lui apprend que sa partenaire sur ce dossier est morte.

Pendant ce temps, Rowena est en plein rendez-vous amoureux avec un homme riche. Crowley la débusque en se faisant passer pour un serveur. Ils s'éloignent et Rowena l'avertit de ne pas tout gâcher ; elle souhaite laisser derrière elle toutes les histoires surnaturelles. Crowley lui promet de la laisser tranquille, une fois qu'elle l'aura aidé avec Lucifer.

Vince Vincente et son groupe de rock terminent leur concert. Rick se rend ensuite en loge, retrouver sa bouteille d'alcool, et s'asseoit face au miroir et face à la photo d'une jeune femme. Tomy vient l'interpeler, en lui disant que de jeunes groupies viennent s'offrir à eux. Mais Vince n'est visiblement pas intéressé. Tomy renvoie la groupie un instant et essaie de secouer son ami, afin qu'il s'amuse. La jeune femme sur la photo est morte depuis longtemps, lui rappelle-t-il, il est temps que Vince tourne la page et continue de vivre sa vie. Vince le renvoie, Tomy n'insiste pas. Lorsque Vince se retrouve seul, un courant d'air parcourt la loge et fait tomber le cadre photo. Vince sursaute, surpris.

Dean et Mary discutent dans l'Impala. Mary avoue avoir été une bonne chasseuse. Mais elle craint aussi pour ses fils, car tous les chasseurs finissent de la même façon, selon elle. Dean finit par lui expliquer que sa disparition a transformé John et que la vie de chasseur a fini par le submerger. Dean s'est trouvé dans la même situation, mais Sam a tenté d'en sortir. Mary ne comprend pas pourquoi il est revenu dans cette vie. Dean explique que Sam et lui ont compris, lorsque John a disparu à son tour, que tous les deux, ainsi que la voiture, c'était tous ce qu'ils avaient.

Vince se retrouve dans sa chambre d'hôtel. Lorsqu'il se passe le visage sous l'eau, celle-ci se transforme en sang. Vince crie en voyant son visage ensanglanté mais la visions disparait rapidement. Puis, les lumières clignotent et les cadres représentant Jane se mettent à voler à travers la pièce. Enfin, c'est Jane elle-même qui apparait. Elle assure à Vince qu'ils peuvent être de nouveau ensemble, et qu'elle peut lui retirer toute sa douleur et lui amener la peau. Lucifer/Jane lui explique qu'elle un ange, très puissante, et que tout ce qu'il a à faire est de l'inviter à entrer. Vince n'hésite pas, et dis oui. Alors, Lucifer prend possession de son nouveau vaisseau.

Rowena tente de localiser Lucifer. Cela ne va pas assez vite au goût de Crowley qui perd rapidement patience. Tandis qu'une dispute éclate entre les deux, Rowena finit par obtenir quelque chose dans sa boule de cristal. Crowley souhaite d'abord savoir quel vaisseau Lucifer a pris, avant de savoir où il est, afin de bien se préparer à l'attaque. Il précise qu'il ne veut pas des Winchester comme aide, mais de Rowena. Cette dernière refuse et prend sa boule de cristal, prête à rejoindre son amant. Crowley la menace de tout révéler à son propos au dit amant, voire même de le tuer. Rowena n'a pas le choix.

Tandis que Sam est épuisé par tant de torture, Dean et Mary rejoignent Castiel devant la maison. Ce dernier assure à Dean qu'il n'a vu aucun mouvement, mais les protections dont bénéficient le bâtiment ne peuvent le tromper. Dean se dirige vers la maison, Mary s'apprête à le suivre, mais il la retient. Mary lui dit qu'il ne pourra pas l'empêcher de chasser. Castiel intervient, sous la demande de Dean. Il demande à Mary de lui tenir compagnie, étant donné qu'il ne peut pas entrer. Dean en profite pour s'éclipser.

Tomy rend visite à Vince dans sa chambre afin de lui rappeler que c'est l'heure des répétitions. Mais Vince/Lucifer a d'autres plans. Tomy, croyant qu'il plaisante, l'attrape par le bras afin qu'il puisse lui faire face. Mais cela ne plait pas à Lucifer ; ce dernier regarde Tomy de ses yeux rouges et l'envoie voltiger à travers la porte, tout le long du couloir. Il répète qu'il a d'autres plans.

Dean fait le tour de la maison afin de jeter un oeil à toutes les entrées potentielles. Tandis qu'il se trouve juste devant la trappe de la cave, un sigil se révèle à ses pieds en s'illuminant. Il comprend qu'il est piégé. Quelques minutes plus tard, Toni revient dans la cave, accompagnée de Dean. Elle annonce à Sam que, puisqu'elle n'obtient rien de lui en abîmant son corps, elle verra ce qu'il en sera lorsqu'elle abimera celui de Dean.

Lucifer rend une petite visite à Crowley en souhaitant reprendre le trône sur lequel le démon est assis. Crowley lui propose un deal ; Lucifer lui laisse le contrôle de l'Enfer, et l'archange peut reprendre le Paradis à la place. Mais Lucifer préfère écraser l'insecte que Crowley représente à ses yeux. C'est alors que Rowena intervient et jette sur Lucifer un sort paralysant. Lucifer prévient Crowley que le sort ne va pas durer longtemps. Crowley a d'autres armes ; Lucifer pense d'abord que c'est de l'eau bénite, mais Crowley lui annonce qu'il s'agit d'acide. Si cela ne fera pas de mal à l'archange, ce sera autre chose pour le vaisseau qu'il habite. Crowley lance alors l'acide sur Lucifer et son vaisseau se met à brûler.

Tandis que Toni commence à torturer Dean et lui parle de Benny, Lucifer se débat pendant que son vaisseau voit son visage ravagé par l'acide. Crowley ordonne alors à Rowena d'envoyer Lucifer dans sa cage, mais le sort qu'elle jette ne fonctionne pas et pire, le sort paralysant a cessé de faire de l'effet. Lucifer se relève et guérit son vaisseau. Puis, il est prêt à attaquer Crowley, mais ce dernier s'enfuie rapidement, laissant Rowena seule avec l'archange furieux, qui l'attrape par le cou.

Dean profite de l'absence de Toni pour retrouver son frère, qui ne savait pas qu'il était vivant. Dean a beaucoup de choses à raconter à Sam, et il lui promet de le faire quand ils seront sortis d'ici. De même Sam explique à Dean que Toni est des Men of Letters britanniques. Toni revient alors, prête à torturer les boys de nouveau, Dean en particulier. Mais Mary débarque et se bat contre Toni. Sam est abasourdi par la présence de sa mère. Pendant ce temps, Dean se libère et reprend son arme. Il tire un coup en l'air, stoppant la bagarre entre Mary et Toni. Mais Toni utilise un sort contre Mary, menaçant de la tuer si Dean ne lui donne pas le flingue. Dean s'exécute, mais lorsque Toni attrape l'arme, Dean lui envoie un coup de poing, stoppant le sortilège et libérant Mary. Alors, Mick arrive, accompagné de Castiel. Il assure aux deux frères qu'il n'a rien contre eux et qu'il souhaite simplement travailler avec eux. Il explique, pour prouver sa bonne fois, qu'il est venu non armé et qu'il a détruit les protections de la maison afin que Castiel puisse entrer, puis assure que Toni sera ramenée à Londres pour être jugée sur son comportement qui a dépassé les bornes. Puis, il donne sa carte avec son numéro de téléphone à Castiel, au cas où les Winchester changeraient d'avis et voudraient le contacter.

Les Winchester, de retour au bunker, partagent le dîner commandé par Mary. Dean apprend, dépité, que Mary n'a jamais cuisiné. Mais lorsqu'elle lui demande s'il aime toujours autant les tartes, Dean, pour toute réponse, se jette dessus immédiatement. Sam ne peut s'empêcher de scruter sa mère, ce qu'elle remarque. Pour ne pas le gêner, elle commence la conversation concernant les British Men of Letters. Les boys sont tous deux d'accord pour dire qu'ils ne peuvent pas leur faire confiance, ni croire à leur offre d'amitié. Mary propose alors "d'appeler" l'internet afin de trouver le plus d'informations possibles sur eux. Les boys ne relèvent pas son erreur et encouragent ses efforts pour s'intégrer à ce nouveau monde.

Pendant ce temps, Lucifer fait de Rowena sa prisonnière.

Sam rend visite à Mary dans sa chambre. Il lui remet une tasse de thé, ainsi que le journal de John, en espérant que cela l'aide à combler les trous laissés par son absence, en partie en tout cas. Puis Sam dit à Mary que l'avoir de nouveau à ses côtés, cela rempli le plus grand vide qui était présent dans sa vie. Mary, touchée, le prend dans ses bras. De son côté, Dean boit des bières en regardant des photos de famille, avant que les tragédies ne les poursuivent. Sam est allongé sur son lit et contemple le plafond, pensif. Mary, enfin, se plonge dans le journal de John, les photos et est bouleversée par tout ce qu'elle voit et lit.

Mick et Toni sont en route pour l'aéroport. Toni ne veut pas repartir mais Mick lui dit qu'elle n'a pas le choix ; elle avait été envoyée en Amérique pour gagner la confiance des chasseurs, pas pour les torturer. Il lui assure que si les Winchester deviennent une menace, ils seront éliminés. Il lui annonce ensuite qu'il a déjà envoyé M. Ketch afin de faire le sale boulot quand c'est nécessaire.

Dans une chambre d'hôtel face au Tower Bridge, à Londres, un homme dont on ne voit pas le visage prépare ses bagages, constitués notamment de nombreuses armes en tout genre. Il boucle sa dernière valise et part. La caméra nous montre le Tower Bridge une dernière fois.

 

 

Ecrit par deanlove35.

INTERIOR: SAM’S IN BED BREATHING HEAVILY. CAMERA PANS TO TONI NEXT TO HIM, CANDLES LIT IN THE BACKGROUND.

SAM: Wow.

TONI: Isn't this much more pleasant, Sam?

SAM (STILL BREATHING HEAVILY): I got to say, I did not see that happening.

TONI (CHUCKLES): Well, you know what they say. Opposites attract.

SAM MOVES OVER TONI

TONI: Oh, we'll get there, Sam. Just another couple of questions.

SAM MOVES HIS HEAD WHILE LOOKING DOWN AT TONI

SAM: Hmm.

TITLE CARD

ACT 1

INTERIOR: SAM AND TONI ARE IN BED RELAXING AND HOLDING GLASSES OF WINE.

TONI: Fascinating. But surely you exaggerate. American Hunters can't be as bad as you say.

SAM: Yeah. Uh, yeah, they can. What, they're not in the U.K.?

TONI: No. No, they work for us. Tools. They kill. They don't think.

SAM: Huh.

TONI: Who recruited you and your brother? To whom do you report?

SAM SCOFFS AND SIGHS THEN TAKES THE GLASSES AWAY TO PLACE THEM ON THE NIGHTSTAND.

SAM: We, uh... We're not just gonna talk all night, right? AS SAM MOVES OVER PULLING THE SHEET UP, DEAN’S VOICE IS HEARD.

INTERIOR: THE BUNKER. DEAN’S SITTING DOWN TALKING ON HIS PHONE.


DEAN: I haven't found anything on these surveillance cameras. I mean, it's like they just disappeared. How about you? Any of the local beat cops see anybody that shouldn't be there?

EXTERIUOR: NIGHT, CASTIEL IS OUTSIDE ALDRICH, MISSOURI STANDING LEANING AGAINST THE TRUCK.

CASTIEL: It's pretty rural. Not a lot of beat cops. I've checked all the motels, abandoned buildings. No sign of Sam.

THE SCENE SWITCHES BACK AND FORTH BETWEEN DEAN AND CASTIEL DURING THE CONVERSATION.

DEAN: All right. I don't know. You know, check... real-estate offices. See if anybody bought a place or rented a place. I mean, these people had a freakin' plane. Maybe they do things legit.

CASTIEL: Okay, I understand. I'll call you in the morning.

WHILE TALKING, DEAN RISES AND STARTS PACING.

DEAN: Cass, hey. So, here's the thing. It's been kind of weird here with, you know, Mom being back. It's like we don't know how to act around each other, so we just kind of make this small talk and act normal, but it's – it's so not normal.

CASTIEL: Um, I'm – I'm not sure. What – what has she said to you?

DEAN: Well, nothing. That – that – that's the whole point.

CASTIEL: Okay, what have you said to her?

DEAN: Well, nothing. I'm – I don't know what to say to her, you know? It – it's – it's like it's all just too much, and...I don't want to overwhelm her.

CASTIEL: Don't make things needlessly complicated, as you humans tend to do. I'll call you.

CASTIEL HANGS UP.

DEAN: Yeah. Great. That's helpful. Thanks.

WEARING ONE OF THE ROBES, MARY WALKS IN.

MARY: Any news on Sam?

DEAN: Um, so somewhere outsi– here. Somewhere outside of Aldrich, Missouri. Cass is going through it with a fine-toothed comb, and I've cracked every database I could.

DEAN SITS DOWN IN FRONT OF HIS LAPTOP TO SHOW MARY WHAT HE’S DOING.

MARY: Every what?

DEAN: Right. No Internet your first time around.

MARY: Our house didn't have an electric typewriter. So...are you really afraid of overwhelming me?

DEAN LOOKS AT MARY AND SHAKES HIS HEAD SLOWLY.

DEAN: Mom, look, I am... thrilled that you're back. I mean, I'm so damn happy, I-I-I can't even stand it.

MARY: I just... it's just gonna take me a second to catch up, you know?

DEAN: Yeah, no, no. Look, take – take all the time you need, all right? It's – it is what it is.

MARY: And when we do find Sam... how am I gonna face him?

DEAN: What do you mean?

MARY: That yellow-eyed thing would never have come for him that night if I... I started all of this.

INTERIOR: SAM IS LAYING ON HIS STOMACH WITH TONI BEHIND HIM STROKING HIS BACK.

TONI: It's just surprising that for all your efforts, yours and all the Hunters, monsters remain rampant in this country.

SAM: Yeah, we just, uh – just keep plugging away, I guess.

TONI: Do you ever think – and don't take this the wrong way – that some of your soldiers may have been compromised? Or bought.

SAM TURNS ON HIS SIDE WITH A CONTEMPLATIVE LOOK ON HIS FACE.

SAM: I mean... No, I-I don't, um...

TONI: Is everything all right?

SAM SEES THE DOOR OPEN IN THE CELLAR AND THEN TONI’S FACE CLOSE TO HIS.

TONI’S VOICE ECHOING: Is everything all right?

SAM SEES THE WATER COMING DOWN FROM THE HOSE AND HIS ATTEMPT TO ESCAPE THE CELLAR.

SAM: No!

SAM SEES THE BLOWTORCH, HE’S LOOKING TOWARD THE STAIRS AT A TONI.

TONI: Is everything all right?

SAM SEES MORE OF WHAT HAPPENED IN THE CELLAR.

TONI’S VOICE ECHOING: Is everything all right?

THE BLOWTORCH HITS SAM’S FOOT AND HE SCREAMS.

SAM: No! I shouldn't – I shouldn't be talking to you. THE SCENE SWITCHES BETWEEN THE CELLAR AND THE BEDROOM AND END IN THE CELLAR WHEN SAM RAISES HIS HEAD. SAM IS CHAINED AND IN THE CHAIR. TONI IS SITTING IN HER USUAL SPOT.

TONI: You'll have to admit, it was fun while it lasted.

SAM: What did you do to me?

TONI: An hallucination created by potion and powerful spell work. So...was it good for you? Hm. Sadly, I can't do the spell again. Your brain would liquefy, which we don't want. Yet. So... I'll have to resort to less... pleasant methods.

TONI PICKS UP A KNIFE AND PLIERS.

TONI: Enhanced interrogation was never part of my job description.

TONI SCRAPES THE KNIFE ALONG SAM’S NECK.

TONI: But as it turns out... ...I'm a quick study.

TONI PLUNGES THE KNIFE INTO SAM.

ACT 2

INTERIOR: BUNKER, DEAN IS SITTING IN KITCHEN IN FRONT OF THE LAPTOP WHEN MARY WALKS IN.

DEAN: Hey, how'd you sleep?

MARY: I had dreams all night.

DEAN: Good dreams?

MARY: Stuff I'd forgotten about. Funny stuff your dad did. He was a great father.

DEAN NODS SLOWLY AND LOOKS DOWN. HIS CELLPHONE RINGS.

DEAN: Hey, Cass, what do you got?

EXTERIOR: DAY, CASTIEL IS STANDING SLIGHTLY BEHIND A VERY LEAFY TREE.

CASTIEL: I think I may have found Sam's location. It's a farm. It appears empty, but it was rented two weeks ago to a woman with an English accent.

DURING THE CONVERSATION THE SCENE SWITCHES BETWEEN THE BUNKER AND THE EXTERIOR OF THE FARMHOUSE.

DEAN: Did you have a look inside?

CASTIEL: No No, it's – it's powerfully warded.

DEAN: Powerfully warded? Okay, see, buddy, that – that was your headline right there.

CASTIEL SHAKES HIS HEAD AND LOOKS DOWN.

CASTIEL: Are we still discussing the same thing?

DEAN: Where are you?

CASTIEL: I'll text you the address.

DEAN: Okay, got it. I'm on my way.

DEAN HANGS UP AND MARY RISES.

MARY: I'll get my coat.

DEAN: Wait. Uh Okay. Why don't I take this one solo, okay? We just – we don't know what we're walking into here.

MARY: We never know. We're Hunters.

DEAN: Right. Um... Okay, I-I can't do my job if I'm worried about you.

MARY: Dean. You won't have to be. I can handle myself. Okay? All right, good talk.

DEAN: Oh, boy.

INTERIOR: WATER IS THROWN INTO SAM’S FACE.

TONI: Good morning, Sam. Let's start again, shall we? Take our time. I've cleared my calendar. I would like names and locations of every Hunter... the passcodes to each and every Men of Letters database held in the bunker, and then – oh, yes – let's do discuss your relationship with the demon Ruby.

WHILE TONI IS TALKING THE CAMERA PANS OVER THE TORTURE DEVICES. TONI’S PHONE RINGS.

TONI: Mick.

EXTERIOR: DAY, MICK IS WALKING AROUND MS. WATT’S CAR. SHE’S LAYING INSIDE.

MICK: You've been a bad girl, Toni. And I've come to fetch you.

TONI: I have Sam Winchester. He's close to breaking. Just leave me be.

MICK: No can do. You disobeyed orders. Oh, and you should know, your Ms. Watt – quite dead. Courtesy of Dean Winchester and friends.

INTERIOR: INSIDE A RESTAURANT. ROWENA IS SITTING AT A TABLE WITH A MAN.

ROWENA: Sent me to the grandest boarding schools, but I was a wee imp and ran away for a life in the arts. Mother didn't speak to me until I became a star.

BEN: A star? Of?

ROWENA: Uh, do you follow the Royal Ballet?

BEN SHAKES HIS HEAD.

BEN: Not a bit.

ROWENA: The Royal Ballet.

BEN: You know, it reminds me a lot of my story. I left school to work in a steel mill. I rose up through the ranks, and now I own half a dozen.

ROWENA: You're not serious?

FOOTSTEP’S APPROACH AND A WAITER COMES UP WITH A BOTTLE OF WINE.

CROWLEY: More wine, madam?

CROWLEY LOOKS AT ROWENA AS HE POURS. SCENE SWITCHES TO A STAIRWAY IN THE RESTAURANT WHERE ROWENA AND CROWLEY ARE TALKING.

ROWENA: You're like a boil that keeps coming back no matter how many times I have it lanced.

CROWLEY: Let me guess. Your dinner date is loaded, single, and possibly in delicate health.

ROWENA: What of it?

CROWLEY: Well, just a stab, but you probably don't want me to reveal that his snookums is 300 years old and a witch.

ROWENA: Fergus, the man treats me like a queen. It's my chance to leave behind monsters and demons and moldy hideouts. So help me, if you muck this up.

CROWLEY: Oh, I wouldn't dream of it, Mummy... if you do me one tiny favor. Help me with Lucifer.

ROWENA: Lucifer?

CROWLEY: I have a score to settle.

INTERIOR: THERE’S THE SOUND OF CHEERS AND APPLAUSE. HARD ROCK MUSIC IS PLAYING. THE CAMERA PULLS BACK AND WE SEE A LOGO FOR VINCE VINCENTE’S WORLD TOUR.THE BAND BECOMES VISIBLE AS THE SONG ENDS AND THE CROWD CHEERS.

ANNOUNCER: Let's hear it for Vince Vincente and the rest of the band! See you the next time around. Good night, Cleveland!

THE BAND BOWS AND THE CAMERA TIGHTENS ON VINCE.

WOMAN #1: Whoo! I love you guys!

ANNOUNCER: Good night, Cleveland! We love you!

VINCE OPENS AND CLOSES THE DOOR TO HIS DRESSING ROOM. SCENE CHANGES TO WHERE VINCE IS SITTING IN FRONT OF THE VANITY OPENING A BOTTLE. TOMMY COMES INTO THE ROOM WITH A GROUPIE.

TOMMY: Hey, Vinny, we're hitting the town tonight. Come with us. Check out the wonders of Cleveland.

VINCE: Yeah, um... I'm good, thanks.

BAND MEMBER: Tommy, Tommy, come on!

TOMMY: Yeah. Hey, I'll catch up with you guys later.

THE GROUPIE LEAVES AND TOMMY WALKS PARTIALLY INTO THE ROOM.

TOMMY: Dude, you – You got to start living your life, man. You perform, you drink, you sleep, perform, drink.

VINCE: I-I get it. I get it.

VINCE LOOKS OVER AT A PICTURE OF A WOMAN AS HE DRINKS.

TOMMY: Look. Vince, it's been years since Jen died. All I mean, brother, is, don't you think she'd want more for you than just –

VINCE: Get out of here, Tommy. Go see Cleveland.

TOMMY LEAVES AND CLOSES THE DOOR. VINCE WIPES HIS EYES. THERE’S A SIGH AND THE LIGHTS START FLICKERING. VINCE TAPS ON THE VANITY LIGHTS AND THEY STOP FLICKERING. THE PICTURE OF JEN FALLS OVER AND VINCE GASPS.

EXTERIOR: NIGHT, THE IMPALA IS DRIVING AWAY FROM THE CAMERA. THE SCENE CHANGES TO THE INSIDE OF THE IMPALA.

DEAN; I can't believe I let you talk me into this.

MARY: I'm your mother. You have to do what I say. Look. They targeted the bunker. They obviously know a lot about you and Sam. They'll be expecting you. I'm the last person they'd expect.

DEAN: You were good at this, weren't you?

MARY: Very. The thing is, Hunters... no matter how good they are, they all end up the same way.

DEAN: You know when you died, it changed Dad. I mean, he was Hell-bent on finding out what happened. The Hunter life, it just took him over. I guess I was the same. But Sammy – Sammy, he was different. He wanted out. He went to school. He went to Stanford.

MARY: Sam had a chance to get out? And he came back?

DEAN: When Dad disappeared, Sam and I looked around, and something became very clear. That the only thing we had in this world – the only thing, aside from this car – was each other.

THERE’S THE SOUND OF THUNDER AS THE SCENE SWITCHES TO A HOTEL.

INTERIOR: VINCE OPENS THE DOOR TO HIS ROOM AND ENTERS. THERE ARE SEVERAL PICTURES OF JEN. VINCE GOES INTO THE BATHROOM AND TURNS ON THE WATER. THE WATER RUNS OVER VINCE'S HANDS AS HE LOOKS INTO THE MIRROR. THE WATER CHANGES TO BLOOD. NOT LOOKING, VINCE BRINGS HIS HANDS TO HIS FACE AND WIPES. HE OPENS HIS EYES TO SEE THE BLOOD ON HIS FACE AND SCREAMS.

ACT 3

INTERIOR: VINCE’S HOTEL ROOM. VINCE LOOKS AROUND THE CORNER INTO THE BATHROOM. THE WATER IS STILL RUNNING BUT IT’S JUST HOT WATER. VINCE CHECKS HIS FACE TO FIND NO BLOOD. THE ELECTRICITY CRACKLES AND LIGHTS BEGIN TO FLICKER. VINCE MOVES TOWARDS THE LIVING ROOM AND TURNS THE LIGHTS ON AND OFF. THEY’VE STOPPED FLICKERING. THUNDER CRASHES IN LOUDLY. THE TV TURNS ON BUT JUST SHOWS STATIC.

FEMALE VOICE: Vince. Vince.

VINCE PICKS UP THE PHONE AND BEGINS DIALING.

VINCE: Hello, front desk? Hello?

THE PHONE IS DEAD AND VINCE THROWS IT AT THE WALL.

FEMALE VOICE: Vince. Vince.

THERE ARE VOICES IN THE ROOM. THUNDER CONTINUES AS THE PICTURES OF JEN BEGIN TO FLY AROUND AND THEN HURTLE TOWARDS VINCE WHO DODGES THEM. HE STEPS BACK INTO THE NEXT ROOM AND LOCKS THE DOOR.

FEMALE VOICE: Vince. Vince.

VINCE TURNS AROUND TO SEE A WOMAN STANDING THERE.

VINCE: No. Jen.

JEN: Yes, Vince.

VINCE: How? Why?

JEN WALKS FORWARD AND STANDS IN FRONT OF VINCE.

JEN: I needed to say I'm sorry. Swallowing those pills was selfish.

VINCE: I've had to live all these years knowing how I treated you.

JEN: At the time, leaving you seemed fair since you left me so many times.

VINCE: All I want is you.

JEN: That can happen, Vince.

VINCE: What can happen?

JEN: You and me together.

VINCE: Are you a ghost?

JEN: No. I'm an angel.

VINCE: Those are real?

JEN: Real and very powerful, Vince. I can take away your pain. Bring you peace. You only have to do one easy thing.

VINCE: What?

JEN: Will you invite me in?

VINCE: Yes.

JEN’S EYES GLOW RED AS SHE KISSES VINCE. THE SCENE DISSOLVES IN VERY BRIGHT LIGHT.

INTERIOR: SCENE CHANGES TO ROWENA IN A ROOM LIGHT BY CANDLES. SHE’S STANDING IN FRONT OF A TABLE WITH HER HANDS HOVERING ON THE SIDES OF A CRYSTAL BALL.

ROWENA: Ostende illum mihi quen quaero.

CROWLEY WALKS TOWARDS HER.

CROWLEY: What's the bloody hold-up? He's the one and only Satan in the phonebook.

ROWENA: It's witchcraft, not Google Maps. And normally I'd have a piece of hair or a belonging to lock on to. You don't even know what he looks like!

CROWLEY: He has an aura. Supreme evil. Lo on to that. Do I have to do everything?

ROWENA: I can't believe I'm once again down some dank hole seeking the devil! When does it end? It's exactly why I'm retiring to Boca Raton. With Ben.

CROWLEY: Ben? Who makes oatmeal look fascinating.

ROWENA: He's successful, stable, and I'll outlive him.

A CRACKLING STARTS INSIDE THE CRYSTAL BALL.

CROWLEY: Lucifer?

ROWENA: I think so. Yes. I'll give you the location.

CROWLEY: No, no, no. Not now. I just want to know who we're dealing with before we attack.

ROWENA: By "we," I presume you mean the Winchesters and their pet angel?

CROWLEY: I don't need them. Just you.

ROWENA SIGHS.

CROWLEY: Look, it's obvious. We got to put Lucifer back in the cage. You're the only one that can do it.

ROWENA GRABS THE CRYSTAL BALL AND SIGHS.

ROWENA: Should've known. No, Fergus! I'll not be involved in that nonsense again!

CROWLEY: Maybe I should tell Ben about you. Maybe just kill him. Either way, it's bye-bye, Boca.

ROWENA: You are a hateful snake. In any case, Lucifer can't be sent back to the cage while he's in a vessel.

CROWLEY: He won't be. Not by the time we're ready.

INTERIOR: IN THE CELLAR SAM HAS BEEN BLOODIED BY TONI’S KNIFE. THE CAMERA PULLS BACK TO SHOW HIM ALONE IN THE CELLAR.

EXTERIOR: DAY, OUTSIDE THE FARMHOUSE. THE IMPALA PULLS UP. CASTIEL IS LEANING AGAINST THE TRUCK. DEAN AND MARY EXIT THE IMPALA AND WALK UP TO CASTIEL.

DEAN: Where's all this warding you mentioned?

CASTIEL: It's cloaked. It's very powerful. You brought your mother?

MARY: Hello, Castiel. Yes, he did.

DEAN: You sure there's anyone inside?

CASTIEL: No. The agent said the lease was handled long distance, but someone warded the house.

DEAN: I'm gonna go have a closer look.

MARY STARTS TO FOLLOW DEAN.

DEAN: Mom, I got this.

MARY: You can keep me from driving, Dean. Not from hunting.

DEAN SHAKES HIS HEAD IN ACKNOWLEDGEMENT THEN LOOKS TO CASTIEL FOR HELP.

CASTIEL: I'm locked out by the warding. I could use the company.

DEAN: Thanks.

DEAN LOOKS AT CASTIEL GRATEFULLY AND WALKS AWAY.

INTERIOR: HALLWAY OF VINCE’S HOTEL. TOMMY KNOCKS ON THE DOOR.

TOMMY: Dude, it's noon. Let me in. Whoa. Look at you.

VINCE OPENS THE DOOR AND LETS TOMMY IN.

TOMMY: Pretty dressed up for rehearsal, don't you think?

LUCIFER: Rehearsal.

TOMMY: Brother, are you okay?

LUCIFER: Yeah, I just can't make it to rehearsal.

TOMMY: Yeah, you got better plans?

LUCIFER: I do.

TOMMY: Vince, I'm serious.

VINCE: So am I.

TOMMY: All right. Look, stop screwing around.

VINCE TURNS TO LOOK AT TOMMY AS HIS EYES GLOW RED. HE PUSHES TOMMY IN THE CHEST. TOMMY GOES FLYING THROUGH THE DOOR AND INTO THE HALLWAY WHERE HE LANDS AND DOESN’T MOVE.

VINCE: I said I had plans.

EXTERIOR: THE FARMHOUSE. DEAN IS WALKING OUTSIDE AND HEARS A THUD IN THE DISTANCE. HE GOES TO INVESTIGATE AND ENDS UP OUTSIDE THE CELLAR. HE TRIES TO OPEN IT, LOOKS UP, AND STEPS ONTO A SYMBOL THAT BEGINS TO GLOW.

DEAN: Son of a bitch.

THERE’S A WHOOSHING SOUND AND A VERY BRIGHT LIGHT.

ACT 4

INTERIOR: TONI OPENS THE DOOR TO THE CELLAR. BREATHING HEAVILY, SAM LOOKS UP AT HER.

SAM: Screw yourself.

TONI REACHES OVER AND DRAGS A BOUND DEAN INTO SAM’S VIEW.

SAM: Dean.

TONI: I'm as happy to see him as you are, 'cause while you may be able to withstand my snapping apart your body joint by joint, can you watch it happen to Dean?

TONI BRINGS DEAN DOWN THE STAIRS AND PUSHES HIM IN FRONT OF SAM.

INTERIOR: SCREAMS ARE HEARD IN THE DISTANCE AS LUCIFER WALKS DOWN THE HALL. HE ENTERS HELL’S THRONE ROOM TO SEE CROWLEY SITTING ON THE THRONE READING A COMIC BOOK.

LUCIFER: They told me you'd be here.

CROWLEY: Really?

LUCIFER GRABS THE ARMS OF THE THRONE AND LEANS DOWN.

LUCIFER: Get off my furniture, squatter.

CROWLEY: Lucifer. Wearing Vince Vincente, second-tier star. I would've thought Bieber was more your style.

LUCIFER: You're either mad or dim.

LUCIFER STANDS UP AND BEGINS TO WALK AWAY.

CROWLEY: I have a proposal. I mean, why in Hell would you want to rule over a motley, witless crew of demons? God's on sabbatical again. You could reclaim Heaven. Now, that's real estate that's worth ruling. I can handle the branch office.

LUCIFER STANDS LOOKING AT CROWLEY WITH HIS ARMS CROSSED.

LUCIFER: Hmm. Or...I could raise my hand, smite you into oblivion.

ROWENA: Manete. Manete. Manete. Manete. Manete. Manete. Manete.

ROWENA COMES FROM OFF SCREEN CHANTING. IT APPEARS TO BE AFFECTING LUCIFER.

CROWLEY: Problem?

ROWENA: Manete. Manete. Manete. Manete.

CROWLEY: Mummy's little paralyzing spell. Trust me, it works.

LUCIFER: Trust me.

LUCIFER’S EYES GLOW RED.

LUCIFER: Not for long.

CROWLEY: Oh...

CROWLEY SHOWS LUCIFER A CONTAINER OF CLEAR LIQUID.

LUCIFER (SCOFFS) Holy water? Yeah? Ooh, ouch. Don't bore me.

CROWLEY: Well, actually, it's top-shelf sulfuric acid. Harmless to you, I know, but to your vessel, not so much.

CROWLEY THROWS THE ACID ON LUCIFER WHO SCREAMS.

INTERIOR: THE CELLAR, TONI LOOKS OVER HER TORTURE TOOLS AND PICKS UP BRASS KNUCKLES. SHE WALKS OVER AND SLUGS DEAN.

TONI: Passcodes, Sam. Not yet?

TONI LOOKS OVER AT DEAN WHO’S CHAINED WITH HIS HANDS OVER HIS HEAD.

TONI: Anything to add?

DEAN: No. No, I just came by for some tea and a beating.

TONI: PUTS DOWN THE BRASS KNUCKLES AND PICKS UP A CUP OF TEA.

TONI: Really? See, I thought you might be on for a little chat about your mate, Benjamin Lafitte. I'm sorry. You called him Benny. You know, the vampire whom you released from Purgatory and befriended. I see. Well... the English are nothing if not patient.

TONI PUTS DOWN THE TEA AND PICKS UP THE BRASS KNUCKLES. TONI WALKS TOWARDS DEAN.

INTERIOR: HELL, LUCIFER SCREAMS AS THE ACID DISSOLVES HIS FACE.

CROWLEY: Now. His essence, send it back to the cage.

ROWENA: Wah tay, fay roh lah!

ROWENA ENDS THE SPELL BUT IT DOESN’T WORK.

CROWLEY: Mother!

ROWENA: Manete! Manete! Manete!

CROWLEY: It's not working.

ROWENA: Manete! Manete!

LUCIFER STANDS AND SIGHS. HE STRAIGHTENS, LIGHT BEGINS TO GLOW AND IN THE BACKGROUND HIS WINGS BEGIN TO UNFURL. LUCIFER HEALS HIS FACE.

LUCIFER: Bad, bad Crowley.

LUCIFER STEPS TOWARDS CROWLEY WHO VANISHES.

ROWENA: Seriously?

LUCIFER LOOKS AT ROWENA, REACHES OUT AND SHE’S UNWILLING DRAGGED FORWARD TO WHERE LUCIFER GRABS HER NECK.

LUCIFER: You spoil that boy.

INTERIOR: THE CELLAR.

SAM: Dean.

DEAN: Hey.

SAM:I thought you were dead.

DEAN: I'm not sure that I'm not.

SAM: So?

DEAN: I'll tell you. I'll tell you everything, okay? First off, who's Angry Spice?

SAM: She, uh – she's – she's Men of Letters. Uh, British Men of Letters.

DEAN: Is that a thing? What the hell? Aren't we supposed to be on the same team?

THE DOOR OPENS AND TONI STARTS DOWN THE STAIRS.

DEAN: Oh, God.

TONI: Gentlemen. So, to recap – you live in the Men of Letters bunker, awash in the world's greatest collection of occult knowledge, and yet you know "nothing."

DEAN: Right. What a waste.

DEAN CHUCKLES AND THEN COUGHS.

TONI: It seems you apes have never read a single book. The Men of Letters has a long tradition of intellectual excellence. In London, we've undertaken exhaustive studies of even the most arcane topics.

TONI REACHES DOWN TO GRAB AN ICE PICK-LIKE DEVICE. DEAN LOOKS AT SAM.

TONI: For example, parts of the body most sensitive to intense pain.

TONI GRABS DEAN’S FACE.

TONI: The ear drum. Decaying tooth. Below the belt, of course. And my favorite – under the eyelid.

DEAN GRUNTS AS SAM WATCHES AND TRIES TO GET OUT OF THE CHAIR.

TONI: Did you know it's possible to die from pain?

DEAN STARES STRAIGHT AHEAD. SAM STRUGGLES TO GET OUT OF THE CHAIR.

THERE’S THE SOUND OF A GUN COCKING. TONI TURNS TO LOOK AND SEES MARY.

MARY: Get away from my boys.

SAM: Mom?

DEAN: Yeah.

MARY WALKS INTO THE ROOM AND GRABS A SET OF KEYS FROM THE TABLE. SHE WALKS TOWARDS TONI AND DEAN.

MARY: Drop it. Ground.

TONI DOESN’T MOVE. MARY SMACKS HER IN THE FACE. MARY HANDS THE KEYS TO DEAN WHO BEGINS TO WORK ON HIS SHACKLES.

MARY: That's the ground.

TONI REACHES UP AND KNOCKS THE GUN AWAY AS IT FIRES. TONI SMACKS BOTH SAM AND DEAN. TONI PUNCHES MARY IN THE THROAT AND STOMACH BEFORE THROWING HER INTO A WALL. DEAN UNLOCKS HIS SHACKLES AS THE FIGHTING CONTINUES.

DEAN: Holy crap.

MARY COMES BACK FIGHTING. DEAN FIRES A SHOT INTO THE AIR. TONI PICKS UP A PIECE OF GLASS AND CUTS HER HAND. DEAN TURNS THE GUN ON TONI AS SHE TURNS WITH HER BLOODY HAND OUT.

TONI: Xi.

MARY BEGINS TO GASP AS SHE HOLDS HER THROAT. DEAN WALKS TOWARD TONI AS HE POINTS THE GUN.

DEAN: Kill the spell now. I'm not kidding.

TONI: Shoot me, and your mother has no chance.

DEAN LOOKS OVER AT MARY WHO’S GASPING.

TONI: The gun.

SAM LOOKS OVER AT DEAN WHO UNCOCKS THE GUN AND GIVES IT TO TONI. DEAN THEN PUNCHES TONI IN THE FACE.

SAM: Dean!

MARY BEGINS TO BREATHE.

DEAN: It's okay. She was using a Chinese mind-control technique. Hard to do when you're unconscious. Turns out this ape did read a book or two.

AFTER CHECKING ON MARY, DEAN GOES OVER TO UNLOCK SAM.

MICK: Well played.

SAM, DEAN, AND MARY LOOK UP TO SEE MICK STANDING AT THE BOTTOM OF THE STAIRS WITH CASTIEL BEHIND HIM A FEW STEPS HIGHER UP.

ACT 5

THE SCENE CONTINUES WITH THE THREE WINCHESTERS STANDING TOGETHER NEAR SAM’S CHAIR AND CASTIEL STANDING NEAR MICK BUT WATCHING HIM.

MICK: What you were told is basically true. We were keen on knowing about the two of you, seeing as you seem to be partially carrying on the Men of Letters' work here now that the American chapter is defunct.

TONI GETS UP OFF THE FLOOR.

DEAN: So you sic your attack dog on us to what, say hi?

MICK: Well, part of our group suspect some kind of malfeasance amongst you American Hunters. No argument – Lady Bevell went too far. I deeply apologize.

SAM SHAKES HIS HEAD INCREDULOUSLY.

SAM: Mm.

MICK: She'll face consequences in London.

DEAN: I'll tell you what, why don't you take a walk, and she can face those consequences right here and now?

MICK SHAKES HIS HEAD.

MICK: She's ours. We'll take care of her. Now, I'm here to extend an olive branch. We want to work with you.

SAM: Let me ask you a question, uh, Mick is it? Why would we believe any of this?

MICK: Lads...if I wasn't sincere, if I meant you harm, there's a dozen ways I could've come in here and taken you all prisoner instead of being unarmed. Not to mention I powered down all the wardings in this shack so your attack dog could come in. I reckon you could finish me off without breaking a sweat. Am I right?

CASTIEL: I don't sweat under any circumstances.

MICK: My number.

MICK HANDS HIS CARD TO CASTIEL.

MICK: Take your time, cool down, and just think it over. And what have you got to lose, except your worst nightmares?

INTERIOR: BUNKER AT THE MAP TABLE. THERE’S A BUCKET OF SANDY’S CHICKEN TO GO ON THE TABLE AND IT’S CLEAR THE WINCHESTERS JUST FINISHED A MEAL.

DEAN: Oh, that was fantastic. Thank you, Mom.

MARY WALKS IN CARRYING A PIE AND CHUCKLES.

MARY: All I did was point at some stuff on a take-out menu. I would've cooked, but I, uh...don't.

DEAN: Well, now, wait. Your meat loaf was amazing.

MARY: Came from the Piggly Wiggly. Sorry to burst your bubble.

MARY TAPS DEAN ON THE ARM.

MARY: But do you still like pie?

DEAN (CHUCKLES): I mean...

DEAN SMILES AND GRABS THE PIE.

MARY: Sam. You keep looking at me like I'm going to explode.

SAM (CHUCKLES): I'm sorry.

DEAN IS HAPPY AS HE DISHES OUT A PIECE OF PIE.

DEAN: Oh

MARY: But what do we think? Are we buying that Brit's whole "Let's be friends" routine?

SAM: No. No way.

DEAN: No. Mmm.

DEAN STARTS TO EAT THE PIE.

MARY: Could you eat that any faster?

DEAN (MUFFLED, MOUTH FULL): No. No, I cannot.

MARY SMILES, SAM GIVES A “WHAT CAN YOU SAY” MOVE WITH HIS HAND.

MARY: Well, we should call the Internet and find out as much as we can about these people. Did I say that right?

DEAN: So close.

SAM: Yeah, it was close.

DEAN: You want any?

DEAN ASKS SAM ABOUT THE PIE.

SAM: No. Uh, not now.

DEAN SHAKES HIS HEAD AND CONTINUES.

INTERIOR: HELL, LUCIFER IS SITTING ON THE THRONE. WITH A FLICK OF HIS HAND, HE TURNS ROWENA TOWARD HIM.

LUCIFER: You know, I got to say, Rowena, I took one look at you, and all I wanted was to snap your miserable neck again. And keep it snapped this time. But I think I've decided against it.

ROWENA STANDS.

ROWENA: You won't regret it, sir. I'm done with all this. I'll stay far, far away, sipping martinis with republicans at my tennis club.

LUCIFER: (CHUCKLES): You're missing my point. A witch as gifted as yourself, with access to the Book of the Damned to boot, would be much more valuable as a prisoner.

ROWENA: What?

LUCIFER: How's that saying go? Mm, friends close... ...enemies closer.

LUCIFER GRABS ROWENA.

ROWENA: No. No!

BOTH LUCIFER AND ROWENA VANISH.

INTERIOR: BUNKER, MARY TURNS WHEN SHE HEARS A KNOCK ON THE DOOR.

MARY: Yes?

SAM OPENS THE DOOR AND ENTERS HOLDING A CUP.

SAM: Hey. Hi. Sorry. I hope I didn't wake you up. I-I, uh...wanted to bring you this.

SAM PLACES THE CUP DOWN ON THE DESK.

MARY: Thank you.

SAM: You're welcome. I don't know if you drink tea, but...

MARY: I do.

SAM: Good. Uh, and I wanted to say... if you ever want to talk, I know what it's like to come back and not feel like you really fit.

MARY: I just have so much about you boys to catch up on. Mother stuff. You know, first tooth, first crush.

SAM LOOKS AROUND.

SAM: Yeah.

Mary: I just have a lot of blanks to fill in.

SAM: Right, uh...

SAM PULLS JOHN’S JOURNAL FROM UNDER HIS ARM AND HANDS IT TO MARY.

SAM: Dad's journal. His writing, his words. Helped me fill in some blanks, answer some questions I didn't know I had. And, you know, it – it – it keeps him with us, sort of.

MARY: Thank you.

SAM: Good night.

MARY: Dean said you got out of hunting.

SAM PUTS HIS HANDS INTO HIS POCKETS.

SAM: Yeah.

MARY: And yet here you are.

SAM: Well, this is my family. My family hunts, you know? It's what we do.

MARY SHAKES HER HEAD AND LOOKS AWAY AT THE JOURNAL.

SAM: Mom. For me... just, um... having you here... fills in the biggest blank.

SAM’S EYES FILL AS MARY STEPS TOWARDS SAME. THEY HUG TIGHTLY.

SCENE CHANGES TO DEAN IN THE KITCHEN, SITTING ON THE FLOOR. HE’S SLIGHTLY DRUNK AND LOOKING OVER HIS COLLECTION OF PICTURES.

MARY LOOKS THROUGH JOHN’S JOURNAL AND SHAKES HER HEAD.

SAM IS IN HIS ROOM, LAYING ON HIS BED LOOKING UP AT THE FAN.

HEART'S "LOST ANGEL" plays OVER THE SCENES: ♪ As it was before, Shall it ever, ever be. Hear it on the crying wind. Hear it weeping on the sea. Lost angel, find us now, From the clouds above, Right down to the ground, Lost angel ♪

EXTERIOR: NIGHT, DRIVING IN A CAR.

TONI: I will not get on that plane.

MICK: Yes, you will. Your mission was to identify American Hunters and gain their trust. That's what the home office wants. Honey, not vinegar.

TONI: I have a dossier, and I am just getting started.

MICK: They've also had their fair share of successes.

TONI: If our goal is to end the supernatural threat here, we need to destroy every obstacle. The Winchesters, these American Hunters, they're no better than the monsters they fail to control. They need to be eliminated, Mick.

MICK: If push comes to shove, your ladyship, I'm prepared for that.

TONI: You'll get your hands dirty?

MICK: Well, we have Mr. Ketch for that.

TONI: You'll send for him?

MICK: I already have.

INTERIOR: A ROOM IN LONDON. A MAN (MR. KETCH) IS PACKING UP HIS KIT (LOTS OF GUNS). FINAL SHOT IS LOOKING OUT THE WINDOW AT THE TOWER BRIDGE.

 

Source : SuperWiki

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Au total, 77 membres ont visionné cet épisode ! Ci-dessous les derniers à l'avoir vu...

magrenat 
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Derniers commentaires

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schumi  (30.10.2017 à 09:19)

La scène du thé à la fin... j'en tremble encore d'émotion! Je crois que le plus grand rêve des garçons est en train de se réaliser... plus dure sera certainement la chute!

Contributeurs

Merci aux 2 rédacteurs qui ont contribué à la rédaction de cette fiche épisode

Activité récente

Wanted dead or alive
Aujourd'hui à 10:40

Survivor (suite)
Aujourd'hui à 09:48

Petit jeu (suite)
Hier à 23:17

Jack Kline
19.04.2019

Rowena
19.04.2019

Billie
18.04.2019

Arthur Ketch
18.04.2019

Eileen Leahy
17.04.2019

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14.20 : Moriah (inédit)
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14.18 : Absence (inédit)
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14.17 : Game Night (inédit)
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14.16 : Don't Go in the Woods (inédit)
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14.15 : Peace of Mind (inédit)
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