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#10.12 : La Fontaine de Jouvence


Ecrit par : Adam Glass
Réalisé par : Serge Ladouceur

DEAN REVIT SES 14 ANS - Cherchant à faire sortir Dean du bunker, Sam leur trouve une affaire sur laquelle enquêter - une série de disparitions étranges, où les disparus ne laissent rien d'autre derrière eux que leurs vêtements. Sam et Dean suspectent des fées, ou des anges, mais la vérité se montrera plus surprenante - Hansel, du conte d'Hansel et Gretel, kidnappe des gens et les transforme en adolescents de 14 ans, afin d'apaiser la méchante sorcière. Malheureusement, Dean découvre cette information de la pire des façons, puisqu'il devient à son tour la victime d'Hansel, et se voit redevenir l'adolescent qu'il était à 14 ans.

 

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Titre VO
About A Boy

Titre VF
La Fontaine de Jouvence

Première diffusion
03.02.2015

Première diffusion en France
14.09.2015

Vidéos

Diffusions

Logo de la chaîne The CW

Etats-Unis (inédit)
Mardi 03.02.2015 à 21:00
2.21m / 0.8% (18-49)

Plus de détails

**Vidéos**
**Captures**
**Musiques**
**Script VF**
**Script VO**
**Bonus**
**Cast**

 

Résumé des épisodes précédents.

Pendleton, Oregon. Deux hommes se disputent dans un bar. Le barman vire l'homme dénommé JP et lui interdit de revenir. JP, passablement saoul, rabroue un sans-abri avant de se diriger vers sa voiture. Là, il est accosté par un homme très grand, au visage couvert de cicatrices, et qui porte un sac à sort autour du cou. Le sans-abri entend JP crier, puis aperçoit une vive lumière blanche. Il court près de la voiture, mais JP n'est plus, seul ses vêtements sont sur le sol. Le sans-abri, perplexe, lève les yeux au ciel.




*****************************SUPERNATURAL***************************




Dean enchaine les recherches de toutes sortes, dans le but de trouver la solution au problème posé par la marque. Une semaine passe, et Sam décide de faire sortir son frère du bunker, en l'emmenant chasser. Il a trouvé l'affaire des mystérieures disparitions, comme celle de Pendleton. Dean refuse d'abord, mais Sam fait tout pour le soutenir, pour lui assurer qu'il a la force de surpasser le pouvoir de la marque, et lui dit qu'il a besoin de travailler pour son propre bien. Finalement, Dean accepte de le suivre.

Les boys interrogent le sans-abri qui a été témoin de la disparition de JP. Mais le sans-abri, hormis pour l'odeur de fleur qu'il a senti, n'est pas d'une grande aide, car il est persuadé que JP a été enlevé par les aliens. Une fois l'interrogatoire fini, les boys rayent quelques noms de la liste. Pas de démons, pas de fantômes. Ils pensent à des anges ou des fées. Puis, Sam décide qu'il serait bien qu'ils se séparent pour couvrir plus de terrain, et envoie Dean au bar afin d'interroger les connaissances de JP. En voyant le regard peu assuré de Dean, Sam revient sur ses idées et propose de rester ensemble, mais Dean lui assure que tout ira bien. Aussi font-ils comme prévu.

Au bar, Dean décide de reprendre les choses en main et de croire en lui-même, et se commande un whisky. Le barman ne portait pas JP dans son coeur, et avoue avoir viré ce dernier le soir de sa disparition, parce qu'il volait les pourboires. Le barman s'éclipse, Dean se décide à boire, et jette un coup d'oeil au bras où se trouve la marque. Puis, il est interpelé par une jeune femme prénommée Tina, qui connaissait JP. Elle explique que le gars était malhonnête, mais inoffensif. Dean décide d'inviter Tina à partager un verre avec lui, et ils se mettent à échanger des souvenirs d'enfance. Dean reçoit un appel de Sam tandis que Tina part. Sam n'a rien trouvé au domicile de JP qui puisse les aider, et Dean s'apprête à dire la même chose, mais il voit un homme costaud sortir du bar sur les talons de Tina, et il prévient son frère qu'il a peut-être une piste.

Dean sort du bar, à la recherche de Tina. Il l'entend crier, puis aperçoit une lumière blanche aveuglante provenant de l'arrière du bâtiment. Il se précipite, pour ne trouver que les vêtements de la jeune femme encore fumants sur le sol. Tandis qu'il les inspecte, le baraqué arrive derrière, et lorsque Dean se relève pour lui faire face, il appuie sur son sac à sorts. Dean se retrouve dans une cave, et lorsqu'il se regarde dans un miroir, il constate qu'il est redevenu adolescent.

Dean est interpelé par une adolescente, dans la pièce d'à côté, qui se trouve être Tina. Dean tente de la rassurer, bien qu'il n'a pas d'explications à ce qui leur arrive. Tina se trouve dans la même pièce qu'un autre garçon, qui n'est autre que JP. Soudain, le baraqué descend, ouvre la porte, et emporte JP, sans que ni Tina ni Dean ne puissent faire quelque chose.

Tandis que Dean trouve une part de gâteau dans l'assiette amenée par le baraqué dans sa cellule, Sam est entré dans le bar. Il tente d'appeler Dean, et il entend alors le téléphone de son frère sonner. Il se trouve dans la veste détenue par le barman. Ce dernier prétend qu'il l'a eu à sa barmitsvah, mais Sam n'a guère la patience et fait parler le barman, qui avoue qu'il l'a trouvé près des ordures.

Dean dévore sa part de gâteau, mais Tina préfère ne pas y toucher. Quand elle suggère que c'est peut-être empoisonné, Dean repose tout de suite l'assiette. Puis il se met à la recherche d'un moyen de sortir de là. Il décroche un barreau du lit, et travaille à ouvrir la lucarne de la cave.

Pendant ce temps, Sam se met à inspecter les environs des ordures. Il trouve une chaussure, et l'arme de son frère. Sur l'arme s'est déposé une fine couche de poudre vert anis, et lorsque Sam la sent, il se rend compte qu'elle émet une odeur florale.

Dean parvient enfin à ouvrir la fenêtre, mais c'est à ce moment que le baraqué redescend pour venir le chercher. Afin de permettre à Dean de s'enfuir, Tina hurle pour attirer l'attention de leur geôlier. Dean en profite, et s'extirpe à l'extérieur. Il retrouve le motel où Sam fait des recherche sur l'achillée, la fleur jaune dont provenait la poudre qu'il a retrouvé. Lorsque Sam ouvre la porte, il lui faut quelques secondes pour se rendre compte que c'est Dean qu'il a en face de lui.

Sam, toujours abasourdi, essaie de comprendre, mais Dean n'a pas le temps pour discuter. Il prévient Sam qu'une fille est en danger et qu'il leur faut agir. Sam n'a pas d'autres choix que de suivre. Ils se mettent au volant, mais c'est Sam qui prend le contrôle, étant donné que Dean ressemble à un adolescent de quatorze ans.

Sur la route, Dean raconte toute l'histoire à Sam. Il est toujours lui, mais dans un corps d'adolescent, avec tout ce que ça implique de goûts musicaux particuliers et de travers de la puberté. Sam lui apprend qu'ils ont affaire à une sorcière. Ils doivent trouver un moyen de ramener Dean dans son corps actuel. Cependant, Dean a une autre information : la marque n'est plus sur son bras. Peut-être que rester un adolescent peut résoudre le problème. Sam émet quelques objections et Dean finit par acquiescer.

Tandis que Dean pénètre dans la maison par la cave, Sam trouve une porte par l'arrière. Dean est attaqué par Hansel, le baraqué, mais Sam arrive à temps. Hansel explique que l'histoire de sa soeur et lui est adaptée d'une histoire vraie, sauf qu'elle s'est mal terminée : la méchante sorcière a forcé Hansel et Gretel à faire du mal aux gens en son nom, et quand ils ont voulu s'enfuir, elle a torturé Hansel, puis l'a forcé à manger le coeur de Gretel. Lorsque Sam lui annonce ce pour quoi ils sont là, Hansel souhaite les aider. Il explique que Dean pourra retrouver son corps en appuyant sur le sac à sorts, et il promet de leur donner le sac une fois qu'ils se seront débarassé de la sorcière.

La sorcière touille la soupe dans laquelle JP mijote, puis prépare le four dans lequel elle compte cuire Tina. Hansel entre, accompagné de Dean et Sam, et ils apprennent alors qu'Hansel n'est pas la victime qu'ils croyaient. Hansel prévient la sorcière qu'ils ont affaire à des chasseurs. La sorcière fait voler l'arme des mains de Dean, et une arme à la main, Hansel oblige les boys à s'agenouiller.

Voyant que Sam tente d'attraper son couteau caché dans sa poche arrière, Dean fait diversion en faisant parler la sorcière. Elle explique que le seul moyen de manger en paix est de faire revenir des hommes et des femmes à l'âge d'un enfant, car la société moderne est trop protectrice envers les véritables enfants. Puis, elle révèle qu'elle a été envoyée aux USA par le Grand Coven pour s'occuper d'une certaine Rowena. Non sans enregistrer cette information, Dean et Sam passent à l'attaque. Mais la sorcière est puissante, et Hansel est trop fort pour le jeune Dean. Heureusement, ce dernier parvient à subtiliser le sac à sorts d'Hansel, et redevient l'adulte qu'il était. Il neutralise Hansel, et pousse la sorcière dans le four.

Après avoir libéré Tina, celle-ci découvre le job des Winchester. Seulement, le sac à sorts a brûlé avec la sorcière. Cependant, Sam pense qu'il y a une solution. Mais Tina préfère rester adolescente. Elle considère qu'elle a raté sa vie d'adulte, et voit dans son malheur une opportunité de recommencer à zéro, et de faire mieux. Elle accepte néanmoins que les boys l'emmènent quelque part.

Les boys déposent Tina à la gare routière et la laissent là avec un peu d'argent. Puis, ils s'apprêtent à repartir, en pensant aux épreuves qui les attendent. Le Grand Coven, mais aussi, la marque, qui est de retour. Sam remercie son frère de l'avoir sauvé et d'avoir sacrifié sa seconde chance pour le sauver lui, et Tina. Il admet avoir voulu plus que tout que son grand frère revienne, mais il promet qu'ils trouveront une solution pour la marque, et pour le reste, parce qu'ils y sont toujours parvenus. Malgré ses doutes, Dean approuve, et ils remontent en voiture. Dean allume la radio, qui diffuse une chanson de Taylor Swift. A la grande surprise de Sam, Dean apprécie l'écoute. Sur ces quelques notes pop, il démarre, et l'Impala reprend la route.

 

Ecrit par deanlove35.

INT. BAR-NIGHT

PENDLETON, OREGON

[A man is getting pushed out of the bar by the BARTENDER. They continue to argue.]

MAN

It wasn’t me, man! I didn’t take it!

[The BARTENDER forcibly pushes him]

BARTENDER

You keep on coming and stealing from me! Huh? Where’s my money?

MAN

It was that—

BARTENDER

Where’s my money? Where’s my money?! You give me my money!

[The BARTENDER pushes him out the back the door. The MAN falls on the pavement.]

BARTENDER

Swear on my mother, J.P., I see your face in here again…I’ll kill you.

[A homeless man by the dumpster over looks the whole fight.]

[J.P stands up.]

J.P.

Like Hell. This is freakin’ America, man. You can’t just –

[The BARTENDER walks back into the bar and closes the door.]

[J.P glares at the homeless man]

What you looking at?

[J.P walks to his car and is jumped from behind by a large man with a scar on his face. The man grabs the hex bag that is hanging from his neck, causing a beam of light to illuminate the parking lot. J.P. screams. The homeless man runs over to the noise and encounters a pile of clothes where J.P. used to stand and looks up at the sky.]

TITLE CARD

ACT ONE

[The scene fades in on DEAN in the Men of Letters Bunker researching on how to extract the Mark of Cain from his arm. James Gang’s, “Ashes, The Rain And I” play in the background during the montage.]

V.O. CROWLEY

After Cain killed Abel, He became a demon.

V.O. CAIN

I felt connected to you right from the beginning. You and I are very much alike. I can give you the mark, Dean, if it’s what you truly want.

V.O. DEAN

But when I kill, I kill for a reason. I’m nothing like Cain.

V.O. CROWLEY

Why are you fighting what you really are?

MUSIC

♫ Sometimes I sit and I stare at the rain. ♫

♫Isn’t rain filled with sorrow? ♫

♫Wonder if I’ll see my home again. ♫

♫Will it be dry tomorrow? ♫

[DEAN is in the library on the computer on a website titled “Scar removal”.]

♫Time passes softly, and I’m a day older. ♫

♫But still I’m living days gone by. ♫

♫Ashes to ashes, the rain’s turning colder. ♫

“ABOUT A BOY”

♫Finding tomorrow, the ashes, the rain and I. ♫

INT. DEANS BEDROOM-DAY

[DEAN is on the floor of his room and is reading a large book with ancient inscriptions written in it.]

[A knock on the door. SAM enters]

SAM

Hey.

DEAN

Hey

SAM

Caught a case.

[SAM hands over a tablet]

Apparently something is taking people.

[DEAN takes the tablet. The screen is on a News site with the title “Mysterious Disappearances Baffle Police”]

And leaving their clothes.

[DEAN enlarges the picture of J.P. on the tablet]

DEAN

Hmm. About time this gig got an “R” rating.

[SAM scoffs]

All right. Why don’t you check it out? I’ll hold down the fort.

SAM

Dean, you haven’t left the bunker in a week.

[DEAN tosses the tablet behind him on the bed.]

DEAN

And?

SAM

And you can’t just live the rest of your life locked up in this room.

DEAN

I don’t know. I got three hots and a cot. Could be worse.

SAM

Look, I know you’re worried about the mark.

DEAN

Yes, Sam. I am. Between what I did to Charlie—

SAM

Charlie forgave you. How about you forgive yourself?

DEAN

Because I’m not exactly batting 1,000 here, you know?

SAM

Yeah, I do know that, but staying locked up in here, sitting on the ground reading the same lore books over and over and over again, it’s not helping you. You need to get back in the game for your own good. You can beat this, Dean.

DEAN

Do you really believe that?

SAM

Yeah, you’re damn right I believe that.

DEAN

You know, you also believed in the Easter bunny till you were 12.

SAM

No I didn’t.

[SAM pauses]

Look, I was 11.

DEAN

And a half.

SAM

And a half. Right.

[SAM sighs]

So?

[DEAN closes the book]

DEAN

Okay.

EXT. BAR – DAY

[SAM and DEAN are outside of the bar in their Fed suits talking to the homeless man]

HOMELESS MAN

And then—then—then there was this bright light, and—bam—the dude’s just gone. Nothing left but, uh…

DEAN

Cheap suit and a pair of florsheims?

HOMELESS MAN

Pretty much.

[DEAN nods.]

SAM

You see anyone else?

HOMELESS MAN

No, sir, officer.

DEAN

And what about, uh, a chill? Or did you smell any rotten eggs?

HOMELESS MAN

What? No, man. Uh… I smelled flowers, though.

SAM

You smelled flowers? What kind of flowers?

HOMELESS MAN

Flowerly Flowers.

SAM

[Annoyed]

Flowerly Flowers.

HOMELESS MAN

Look. We all know what’s [sighs] going on here, okay?

DEAN

[He closes his eyes]

Don’t say it.

HOMELESS MAN

Aliens.

DEAN

He said it.

SAM

Yeah he did.

HOMELESS MAN

Dude was abducted. Believe me, I know. [looking up at the sky] May 2003. Those suckers, they grabbed me, and they probed me everywhere.

DEAN

Okay.

[SAM and DEAN get disgusted looks on their face and begin to walk away from the man.]

SAM

Thanks for your time.

HOMELESS MAN

I’m talking everywhere.

SAM

[Gives him a thumbs up]

Yup.

[Clears his throat]

Okay. Okay.

DEAN

Well, the wheels just came flying off the bus.

SAM

Yeah. No cold spots means it probably wasn’t a ghost.

DEAN

No sulfur means no demons, so that leaves us with what? Couple of little green dudes and a bucket of lube?

SAM

[Scoffs] or fairies. Or…angels.

[They stop walking in front of the bar]

DEAN

Ugh. I’d rather have the little green dudes.

SAM

All right, I’ll go scope out J.P.’s place. You, uh—you ask around inside.

[DEAN gets a very concerned look on his face. SAM notices.]

Or you know what? We don’t have to split up.

DEAN

No, no, no. It’s cool. I can handle a little 20 questions with the locals, okay?

SAM

You sure?

DEAN

Yeah, hey, look, it’s a dive bar. It’s my comfort zone, hmm?

[DEAN dangles the Impala’s car keys in front of SAM.]

SAM

All right.

[SAM grabs the keys]

Good. Great.

[SAM walks past DEAN, patting him on the shoulder. He then proceeds to get in the car. DEAN walks into the bar looking a little nervous. Headwater’s “Only A Matter Of Time” plays in the background.]

INT. BAR - DAY

MUSIC

♫It’s only a matter of time. ♫

♫It’s only a matter of time. ♫

[DEAN walks up to the bar and takes a seat.]

BARTENDER

[Sighs] What can I do you?

DEAN

[Sighs] Screw it. I’m gonna believe in myself.

BARTENDER

Attaboy.

DEAN

Give me something dark and strong. Hey, did you know that guy that went missing – J.P.?

[The BARTENDER pulls out a shot glass and begins to fill it with whiskey. Meanwhile, a woman at the bar overhears DEAN's conversation.]

BARTENDER

Who’s asking?

DEAN

Just an old pal.

BARTENDER

Look, I’m sorry to hear about what happened. But… guy’s a lowlife. That night, I had to kick his ass out of here for stealing my tips. Whatever J.P. got… probably had it coming.

DEAN

Ouch.

You feel that separation.

Will put a stop to all you’ve seen to

[DEAN holds the drink and hesitantly throws it back.]

♫The same old situation♫

♫Through you struggle through life♫

♫In the end, it defeats you♫

[DEAN’s heart is pounding. He touches his arm where the Mark of Cain lies.]

Oooooh

WOMAN

J.P. wasn’t that bad.

DEAN

You knew him?

WOMAN

This isn’t exactly “Cheers,” but yeah.

[DEAN walks over to the woman]

And don’t get me wrong, I would not buy a used car from the guy. [Chuckles] But he was harmless.

DEAN

So, what was his problem?

WOMEN

[Chuckles] What wasn’t? You’re in here getting stunned while the sun’s still up, your life’s a regular Charlie Foxtrot. Trust me.

[A man sitting at the tables in the bar listens in on their conversation.]

DEAN

I’m Dean.

TINA

Tina.

[Dean signals the BARTENDER for two more drinks.]

INT. BAR - NIGHT

[DEAN and TINA have moved from the bar to a table. They’ve been there for a while, drinking, for there are various empty glasses on the table. A waitress drops off two more shots.]

WAITRESS

There you go.

TINA

[Laughs] How do you know the Royale Motel in Scranton?

DEAN

My Dad, me and my bro – we got snowed in there for a week.

TINA

Well, I was there for about three months after my father drank all our money away. Lived on white rice and Tic Tacs until they kicked us out. Good times.

[DEAN chuckles]

DEAN

My Dad was always working, so I came up with about 101 different ways to make macaroni and cheese.

TINA

Serious?

DEAN

Oh, yeah. Now, add ketchup for spice, hmm? Uh, tuna, hot dogs, fluff marshmallow mix.

TINA

Ugh! That sounds disgusting.

DEAN

Yeah, well, my brother thought it was exotic.

[TINA laughs]

[TINA holds up her shot glass]

TINA

Well, here’s to, uh, crappy childhoods.

[DEAN holds his up as well and they clink glasses.]

DEAN

Hey. All right.

[DEAN clears his throat]

Oh. [Cell phone rings] Oh. Sorry.

[DEAN fishes for his phone in his suit jacket.]

TINA

I should go.

[DEAN pulls out his phone and SAM is calling him]

DEAN

Uh…

[TINA gets up from the table and grabs her jacket.]

TINA

Before you fall hopelessly in love with me.

DEAN

You gonna be okay?

TINA

I always am.

[TINA leaves]

[Cellphone ringing continues]

[DEAN answers]

DEAN

How we looking?

EXT. J.P.’s APARTMENT - NIGHT

SAM

Not great. Turns out J.P. was about three days from getting evicted.

OFF SCREEN SAM

His landlord said the guy blasted Neil Diamond 24/7

[TINA is giving the BARTENDER a hug goodbye. DEAN eyes them suspiciously.]

SAM

And that his bathroom was, “Like staring into the Devil’s butt.”

DEAN

That’s vivid.

OFF SCREEN SAM

And accurate. I saw it.

DEAN

You saw the John, or, uh—

OFF SCREEN SAM

Don’t.

[DEAN smiles, amused at his joke]

SAM

So, you got anything?

DEAN

Yeah. I got, uh, jack with two scoops of squat.

[TINA leaves the bar]

I don’t know, man. I think we ought to just call it a night and, uh—

[DEAN sees a large mysterious man walk out of the bar right after TINA]

OFF SCREEN SAM

And what? Dean? Hello?

DEAN

Sammy, I think I got something.

[DEAN hangs up the phone]

EXT. BAR – NIGHT

[DEAN follows the same path TINA and the mysterious man went.]

DEAN

Tina?

[TINA screams off screen and the same white light appears. DEAN pulls out his pistol and rushes over to a smoking pile of clothes by the dumpster. As he examines it, the mysterious man comes up behind him. Feeling someone else’s presence, DEAN turns around. The man then grabs the hex bag hanging around his neck and a white flash appears.]

INT. WITCH’S BASEMENT – NIGHT

[DEAN opens his eyes and looks around the room. There are bars on the windows. He’s changed clothes as well. He’s now wearing an oversized yellow hoodie.]

DEAN

[Confused] What the hell?

[He tries to open the door, but it is locked from the inside. He then pulls on the bared windows but they don’t budge. He notices his hands look different and quickly turns to a dusty mirror. After wiping the dust off with his shirt it’s revealed that DEAN has reverted into his 14 years old self.]

Son of a bitch.

ACT II

DEAN

[Dean looking at himself in the mirror]

[Sighs] Seriously?

[He checks out his new clothes.]

[Groans] Seriously?

[TINA clears her throat off screen]

TINA

Hey

[She too has reverted into a younger version of herself. She’s in the cell next to Dean but is separated by a broken wall.]

What’s your name?

DEAN

Dean.

TINA

Dean? It’s me – Tina.

DEAN

What?

TINA

Please tell me you know what the hell is going on.

DEAN

Honestly, I’m not sure yet.

TINA

Because I left the bar and then there was this…

DEAN

A light? A bright light?

TINA

Yes, and then I was here, and I thought this was a nightmare, but… Oh, God, if you’re here…It can’t be real. This doesn’t –

DEAN

I know. Just try to stay calm, okay?

TINA

Stay calm? I’m a freakin’ tween, and you look like some One Direction reject. And we’re in some freaky serial-killer basement. I can’t—

DEAN

Tina, Tina, just—I’m not gonna let anything happen to you, okay? Well, anything else happen to you.

TINA

This is crazy. How are you so calm?

[DEAN chuckles]

DEAN

Practice. Who’s your friend?

TINA

I’m not sure.

[A black haired kid in TINA’s cell is sitting on the cot, staring at the ground with his arms crossed]

He doesn’t talk.

DEAN

J.P.?

[The kid slowly looks up. Dean smiles and nods, realizing that was the man they were searching for. The basement door creaks open and the mysterious man from before comes down the stairs leading to their cells. The man opens J.P. and TINA’s cell. J.P. begins to scream.]

J.P.

Ahh! No!

[The man grabs J.P. from the bed.]

DEAN

Hey. Hey!

[DEAN begins tearing into the broken wood that separated TINA from DEAN.]

TINA

[Screaming] Don’t!

[TINA grabs the man taking J.P. away but he merely swats her away, causing her to fall on the floor and continues to walk out carrying J.P.]

J.P.

This is freakin’ America, man! You can’t do this!

[The cell door slams]

No!

INT. BAR – NIGHT

[SAM walks into the bar, pulls out his phone and calls DEAN.]

INT. WITCH’S BASEMENT - NIGHT

[In Dean’s cell, a covered food tray is slid under the door.]

TINA

What is it?

[DEAN hesitantly takes off the cover to reveal a rather large slice of cake.]

INT. BAR – NIGHT

[SAM is still trying to call his brother. He then hears DEAN’s phone ringing behind the counter at the bar. The BARTENDER goes into DEAN’s jacket and silences the phone.]

SAM

Hey, buddy? Where did that jacket come from?

[The BARTENDER chuckles silently]

BARTENDER

My Bar Mitzvah.

[He comes around in front of the counter]

It was a magical night.

SAM

Yeah, I bet.

[SAM smashes the BARTENDER’s head on the counter]

Why don’t you try that again?

BARTENDER

Dumpster. Found it by the dumpster.

SAM

All right.

[SAM lets go of the BARTENDER]

INT. WITCH’S BASEMENT – NIGHT

[DEAN is eating the cake with his hands, enjoying every bite.]

DEAN

Mmm.

[TINA stares at her piece of cake]

TINA

They probably poisoned it.

[DEAN stops eating.]

DEAN

Right.

[He sucks the remaining frosting off his finger]

Obviously

[He puts his cake to the side]

TINA

What do you think they’re doing to J.P.?

DEAN

[Sighs and hits the wall] Nothing good.

[DEAN feels around on the walls looking for a weak spot, or someway of getting out there. He then begins to pull fiercely on the bars from the bed. He starts kicking it. TINA watches him.]

TINA

What are you doing?

[He kicks off one of the bars from the bed and picks it up.]

DEAN

Getting us out of here.

[He pulls the bed in front of the window as leverage. After getting on top of the bed he begins to hack away at the cement holding the bars in the window in place.]

TINA

You know, before…I thought you were just another drunk.

[DEAN stops hacking to look at her.]

DEAN

I prefer functional alcoholic.

[He goes back to work]

TINA

Seriously, who – What are you?

[DEAN stops and sighs. He looks at her again.]

DEAN

That... is a long-ass story.

[And once again goes back to chisel away the cement.]

EXT. BAR – NIGHT

[SAM is walking around where DEAN disappeared with a flashlight. Under the dumpster where DEAN was seen last, SAM sees DEAN’s shoe and pistol. On the pistol SAM dusts off a yellow dust off the handle. He sniffs it.]

SAM

Flowers.

INT. WITCH’S BASEMENT – NIGHT

[DEAN continues to hack away at the window. He finally pulls one of the bars free.]

DEAN

Yahtzee.

[DEAN and TINA hear a door creak in the distance. The mysterious man is starting to come down the basement stairs.]

[TINA turns to DEAN]

TINA

Get out.

DEAN

What?

[The man is walking down the hallway]

TINA

Hurry. I’ll keep him busy.

[DEAN jumps down from the window and over to TINA.]

DEAN

Screw that. You’re coming with me.

TINA

There’s no time. Go. Get help.

DEAN

Tina—

TINA

I know you will.

[The man begins to unlock DEAN’s cell door. They’re running out of time. TINA starts screaming at the top of her lungs. The man gets distracted by her screaming and stops unlocking DEAN’s door.]

TINA

HELP ME! HELP ME PLEASE! I NEED A DOCTOR! I NEED A DOCTOR NOW!

[While TINA’s screaming, DEAN uses the opportunity to exit out of the window. The man enters TINA’s cell.]

HANSEL

What are you screaming about, girl?

[TINA whimpers]

INT. MOTEL ROOM- NIGHT

[SAM is on his laptop researching Yarrow and Transfiguration Spells when he hears a knock on the door. Suspicious of who could be at the door, he grabs his gun and cocks it back. After a moment he opens the door to a young DEAN, now wearing a red hat but doesn’t recognize him right away.]

SAM

Yeah?

DEAN

[Smirking] Hiya, Sammy.

[SAM lowers the gun realizing it’s his brother. He stares at him shocked.]

SAM

Dean?

ACT III

[DEAN enters the motel leaving SAM stunned at the door.]

DEAN

Yeah.

[DEAN calmly crosses the motel room and goes in the bathroom. SAM closes the motel room door. DEAN goes under the bed and pulls out a duffle bag and dumps it on the kitchen table. SAM is still staring at him with his mouth agape.]

SAM

[Stammering]

W-wait a second. Y-you’re a—

DEAN

Uh-huh.

SAM

How?

DEAN

No clue

[DEAN loads and unloads his gun]

Some scarface-looking dude, bright light.

[DEAN loads his gun and cocks it.]

Next thing I know, I wake up looking like Bieber.

SAM

Why would someone turn you into—

DEAN

Don’t know. [Putting the gun under his pants] Don’t care. Hey, we got any grenades?

SAM

What?

[SAM clearly not focused on the same thing DEAN is. DEAN tries to walk past SAM. SAM stops him.]

Don’t—Wait, wait, wait. Wait a second. Talk to me.

DEAN

Really, Sam? Now? I got no grass on the infield, and a girls’s gonna die. Sorry if I’m not in a chatty mood. Look, you wanted me back in the game. I’m back in the damn game.

[DEAN walks past SAM.]

Come on.

EXT. MOTEL – NIGHT

[A middle aged women holding grocery bags drops her motel key]

DEAN

Well…Ma’am, allow me.

[DEAN bends down and picks up the key. The woman is shocked at the young man’s manners. He hands them over to her with a nod and walks to the car. The woman smiles at him. Sam walks out of the motel room.]

WOMAN

[To SAM] Your son is so polite.

SAM

[Awkwardly] Thanks.

[DEAN hits the top of the Impala to get SAM into the car.]

SAM

Where are we heading?

DEAN

Tell you on the way.

INT. IMPALA - NIGHT

[DEAN gets in on the driver's side and SAM on the passenger's. DEAN automatically pulls the seat up in the car so he could reach the petals. SAM’s legs get squashed on the dash in the process.]

[SAM grunts.]

SAM

Okay, okay. Hey, hey, hey, hey. Wait, uh… maybe I should drive?

DEAN

Yeah. Yeah.

SAM

Okay. Seat. Seat. Seat.

[DEAN pushes the seat back.]

[Grunts] Ooh.

INT. IMPALA ON THE ROAD – NIGHT

SAM

Cake. Why would they give you cake?

DEAN

Well, don’t know. It wasn’t even good cake. Too dry.

[SAM scoffs.]

[SAM keeps glancing over at DEAN, freaked out]

DEAN

What?

SAM

Nothing. Okay, not nothing. Look, this is bizarre. Even for us, Dean. This is insane. You—you’re like—what, you’re like 14? How does it even feel?

DEAN

[Sighs] Well, I’m me. I’m—I’m old me, but I’m a kid. It’s freakin’ weird, dude. And…

SAM

What?

DEAN

[Sighs] There was a Taylor Swift song on the bus that I hopped to the motel, and, uh…I liked it, Sam. I liked it a lot.

SAM

Okay.

DEAN

My voice is weird, and I’ve got like nine zits, and I have zero control over this. [DEAN gesturing to his crotch area.] I mean, it’s up. It’s down. It’s up for no reason.

SAM

That’s enough. Yeah, thanks. Uh [Clears throat] let’s just call it puberty.

DEAN

Yeah, which sucks. Again.

SAM

Well, listen, I checked out the alley where you got jumped, and I found yarrow.

DEAN

Which means what?

SAM

Means we’re probably dealing with a witch. Yarrow’s a flower. They use it in a ton of spells.

DEAN

Okay. We still got some of that witch-killing crap in the trunk?

SAM

Hell, yeah. So, we’ll get you changed back, and then light Sabrina’s ass up. [Pause] Right?

DEAN

Uh, yeah, about that. It turns out, this whole freak show has an upside. [DEAN pulls up his sleeve to reveal he doesn’t have the Mark of Cain.] The mark is gone.

SAM

How?

DEAN

Well, I figure if this hoodoo slammed me back into the body I had when I was 14—

SAM

You didn’t have the mark then.

DEAN

Yeah, and if we reverse the spell—

SAM

Then it’s gonna come back.

DEAN

That’s what I’m thinking. So…maybe we don’t.

SAM

Wait a second. Are you saying you want to stay like this?

DEAN

No! [Sighs] No, but…if it’s between being a psycho rage monster/borderline demon or a teenager, well…

SAM

Really?

DEAN

[Sighs] Look, I’m not a fan, either, but…Sam, this is problem solved. And I’m still me. I can still hunt. I’m just, you know…dewier.

SAM

Okay, look, y-you have a point, kind of, but, dude—

DEAN

I know. Some good news, though—virgin liver [DEAN smiles]. So, what do you say when we’re done doing our hero thing, we take her for a test-drive?

SAM

Yeah, sure. I mean…you can drink again in, what, like seven years?

DEAN

That’s not funny.

SAM

[SAM smiles] That’s kind of funny.

DEAN

That’s not funny.

SAM

Oh, come on, man. It’s kind of funny.

[The IMPALA drives off into the night.]

EXT-WITCH’S HOUSE- NIGHT

[SAM and DEAN approach the WITCH’s house with flashlights in hand. A light is on in the house.]

SAM

Looks like someone’s home.

DEAN

Okay. Let’s go in through the basement. Get Tina out first.

SAM

All right.

[DEAN leads the way]

INT. WITCH’S BASEMENT- NIGHT

[HANSEL walks down the stairs and TINA is frightened in her cell.]

EXT. WITCH’S HOUSE- NIGHT

[DEAN and SAM get closer to the house]

INT. WITCH’S BASEMENT- NIGHT

[HANSEL continues to walk down the hallway leading to TINA’s cell. TINA looks over at the window]

EXT. WITCH’S HOUSE- NIGHT

[SAM and DEAN pass a bunch of yarrow flowers growing by the house]

INT. WITCH’S BASEMENT-NIGHT

[HANSEL opens TINA’s cell]

EXT. WITCH’S HOUSE- NIGHT

[DEAN and SAM approach the small window that DEAN escaped from.]

DEAN

Still open

[DEAN lifts the window open looking for TINA.]

Tina?

[TINA is not in her cell]

All right, let’s go.

[SAM points at the small window]

SAM

Dean, I’m way too big to fit in that.

DEAN

[Smirks] First time you ever had to say that, huh?

SAM

Big talk coming from the dude wearing underoos.

DEAN

Okay, good one. Here, why don’t you go around back for another way in?

SAM

Yeah.

[SAM goes around back and DEAN goes through the window, back into his old cell. DEAN walks around in the basement with his gun and flashlight pointed ready to strike. He spots an uneaten piece of cake, like the one he received earlier. As he gets further in he pushes aside a bucket and behind it is a human skull covered in cobwebs.]

[DEAN exhales deeply]

[There is a dark figure watching him from behind. DEAN feels somebody watching him and turns around quickly, but the figure is gone. DEAN slowly advances and is then attacked by HANSEL. He has DEAN in a chokehold when SAM hits HANSEL on the head with his gun, causing him to fall on the floor. DEAN and SAM have their guns pointed at HANSEL]

SAM

Don’t!

DEAN

Where’s the girl?

HANSEL

Upstairs. Alive.

DEAN

What did you do to us?

HANSEL

Nothing. I’m no witch. I just work for one.

SAM

Crappy gig. Where is he?

HANSEL

She. And she is the worst person in the world.

DEAN

Is that so?

HANSEL

I’ve been with her for centuries. Things I’ve see her do. My sister and I, she made us hurt people, kill people, and when we tried to escape, she caught us and tortured me, [Gestures to his mutilated face] and then she made me eat poor Gretel’s heart.

SAM

Wait. Witch? Gretel? [Scoffs] What, are you saying that you’re…

HANSEL

Hansel. My name is Hansel.

SAM

Hansel? And—and…and Gretel. Hansel and Gretel, like the—like the fable. Like Brothers Grimm?

[HANSEL stands up.]

HANSEL

It wasn’t a fable. It was based on a true story. They just gave it a happy ending.

DEAN

Oh, okay. We get to barbecue a celebrity. Cool.

HANSEL

You can’t kill her. You’re just men.

SAM

We’re more than that.

[SAM grabs a Molotov cocktail off the floor]

We’re hunters.

HANSEL

Ah. Then let me help.

DEAN

Help? What’s in it for you?

HANSEL

Because if you’re going to fry that candy-coated bitch, I want in.

SAM

You want to help? [SAM directs his gun at HANSEL] Tell me how to turn him back.

DEAN

Sam, it can wait.

SAM

Tell me how!

HANSEL

The hex bag that I’m wearing. It will reverse the spell. Squeeze it, and you’ll return to your proper age.

[SAM lowers his gun]

Look, we waste the witch, I give you the cure. Deal?

INT. WITCH’S KITCHEN- NIGHT

[Upstairs the witch, KATJA, is chopping onions at the kitchen table and TINA is tied to the chair with a gag in her mouth, watching her. The witch throws the onions in a very large pot of boiling soup that has other vegetables in it.]

KATJA

Your friend J.P. didn’t have much meat on his bones. [She sprinkles some herbs into the stew]

[KATJA chuckles]

But a good cook works with the ingredients she’s given.

[KATJA takes the ladle and spoons out some soup with bones in it. She slurps it. TINA struggles in her seat]

KATJA

Mmm. Oh. Wunderbar. [Chuckles.] [She turns around and looks at a terrified TINA] Oh, don’t worry, liebchen. You’re too good for soup. I’m thinking [KATJA wipes her mouth with a napkin] a nice, sweet chili glaze, a few hours roasting in the oven. And an apple in your mouth. [Chuckles]

[KATJA opens the large fiery oven and feeds it firewood. HANSEL opens the door into the kitchen.]

Hansel.

[DEAN and SAM enter behind him.]

DEAN

And pals.

[DEAN and SAM point their guns at KATJA]

KATJA [To DEAN]

Well, our lost lamb. I thought we’d have to go looking for you. Maybe even abandon our home sweet home here. I never dreamt you’d be stupid enough to come back on your own. [Chuckles] Hansel, take care of them.

[HANSEL doesn’t respond.]

DEAN

Yeah, he’s not exactly your biggest fan. [DEAN is now holding the Molotov cocktail]

SAM

Maybe you shouldn’t have made him chow down on his sister.

KATJA

I never made Hansel do anything.

[DEAN looks at the witch confused. HANSEL quickly grabs SAM’s gun and knocks him to the ground with his elbow.]

DEAN

[Grunts] Damn it!

[DEAN tries to light the Molotov cocktail but has no luck. HANSEL points SAM’s gun at DEAN.]

HANSEL

They’re hunters!

[DEAN finally gets the lighter working]

KATJA

Rumpatur!

[The Molotov cocktail flies out DEAN’s hand, smashing on the wall behind him. DEAN surrenders and gets on the ground next to his brother.]

Now…. Who’s hungry? [Evil grin]

ACT IV

HANSEL

[Gun pointed at the brothers] Don’t move.

[KATJA walks up to DEAN and feels his arm.]

KATJA

Ooh. Oh, scrawny. We’ll have to fatten you up.

[DEAM forcefully pulls his arm away from her grip]

DEAN

Don’t freakin’ touch me.

KATJA

Oh, I’m going to do more than that. [Grabs DEAN’s jaw] Children. Oh, they’re so sweet and innocent. [Licks her fingers] And delicious. You’ll see.

[HANSEL chuckles]

When I cook him up, I’ll give you some, hmm?

SAM

If you like kids so much, why not go after kids? What’s with this whole fountain of youth?

KATJA

[Unraveling garlic] Hmm, in the olden days, if a child went missing—ah, the young died all the time. Now, though, with all your amber alerts and your milk cartons, a person fillets one rugrat, and people get so angry.

DEAN

Yeah, I blame Obama.

[SAM gives DEAN a look and he shrugs it off]

KATJA

So, I improvise. I take adults no one will miss and give them back their youth.

DEAN

And then Kentucky-fry ‘em.

KATJA

It’s the only way I can eat in peace.

[SAM secretly feels for the pocketknife in his back pocket. DEAN sees what SAM is doing and distracts the witch.]

DEAN

So, uh, is it worth it? I mean, word on the street is people kind of taste like chicken.

KATJA

A bit. European children are more, uh, free range, gamier. Americans, [SAM continues to try to grab his knife] though -- ooh – they are heaven. [Laughs] Fattier. The meat, so finely marbles, it’s almost buttery. I just can’t get enough.

DEAN

Mmm. Awesome.

KATJA

No! I am in awe. This is my first visit to your country. And I have to say God Bless the U.S.A.

DEAN

Oh, so, you’re a tourist.

KATJA

No. It’s business, not pleasure. An old friend is causing trouble, and the Grand Coven asked me to take of her. Poor, stupid Rowena.

DEAN

Wait, Rowena?

[SAM gets his knife out of his pocket]

She got red hair, a thing for ritzy hotels?

[KATJA drops the vegetable she was cooking with]

KATJA

How do you know that?

[SAM springs up and punches HANSEL in the face, knocking him to the ground. DEAN tackles him. KATJA attacks SAM with the knife, but SAM knocks it out of her hand. She in return knocks his knife out of SAM’s hand. She then uses her power to throw him against the bookcase. DEAN is still on top of HANSEL when he elbows DEAN in the face, knocking him off of him. HANSEL gets on top of DEAN and bangs his body repeatedly on the ground. TINA gives off a muffled scream. KATJA opens the fiery oven. SAM is trying his best to get up but is too weak. HANSEL throws DEAN up against the side of the refrigerator. ]

Now you’ll burn!

[DEAN’s hit one more time and slides to the ground.]

HANSEL

Stay down, boy.

[DEAN’s face is blooded up and is too weak to move.]

KATJA

Turn him!

[HANSEL chuckles]

[DEAN spots the kitchen knife on the ground.]

[HANSEL goes to touch the hex bag around his neck and it’s gone.]

HANSEL

The hell?

[He turns around and DEAN is holding it by its string. DEAN grabs it and the whole room is illuminated in a bright light. DEAN turns back into an adult. He grabs the knife and plunges it through HANSEL’s chest. He then stomps over to KATJA holding the hex bag]

[KATJA stammers]

[DEAN forcefully stuffs the hex bag in KATJA’s mouth.]

KATJA

No!

[DEAN begins pushing her into the oven. Once he successfully gets her into it, he closes the door and lets her burn.]

[KATJA screams and bangs on the iron door in agony. DEAN locks it shut. He looks over at his brother, who is still on the floor and weak, but is relieved the witch is dead.]

ACT V

EXT. WITCH’S HOUSE- NIGHT

[SAM, DEAN and TINA are outside of the witch’s house]

TINA

That was crazy. Like psycho crazy. And you do this all the time?

DEAN

All the freakin’ time.

SAM

Not all the time.

TINA

So… can you turn me back?

DEAN

The hex bag went up in flames. I’m so sorry, Tina.

[TINA looks disappointed]

SAM

We may be able to reverse engineer the spell, though.

[TINA looks at her reflection on the window of the house.]

TINA

Or maybe you don’t.

SAM

Come again?

TINA

I got three ex-husbands, 50 grand in debt, and not much else. I was… kind of a crappy adult. Maybe I’ll do better this time around. Get out of town, get a fresh start. This is my second chance. Everybody wants a second chance, right?

[DEAN gives a small smile]

DEAN

Sure you’re gonna be all right?

TINA

Like I told you, I always am.

SAM

Can we at least give you a ride somewhere?

[TINA thinks and then nods. She turns to walk towards the IMPALA]

[DEAN holds out his hand]

DEAN

Give me the keys.

EXT. GREAT PLAINES BUS LINES- DAY

[TINA, DEAN and SAM are standing outside at the bus station. SAM thumbs through some money.]

SAM

All right, here you go. It’s all the cash we got.

[SAM hands off the cash to TINA]

TINA

Thanks for everything.

DEAN

You stay safe out there, you hear?

TINA

I will.

[TINA gives DEAN a hug and kiss on the cheek]

And hey, we’ll always have the Royale motel, right?

[SAM doesn’t get it but DEAN smiles and nods. TINA walks into the bus station. SAM and DEAN walk toward the IMPALA]

DEAN

So…Grand Coven. Any ideas?

SAM

Doesn’t sound good.

[They reach the IMPALA]

DEAN

Well, sounds like an 80’s hair-metal band. You know, lot of hair spray, lot of eye shadow, lot of keytar.

[SAM stares blankly at him]

No? Nothing? Come on, man. I’m painting a word picture here.

SAM

Is it back?

[DEAN lifts his sleeve up to reveal the Mark of Cain is back on his arm.]

DEAN

Look, I know what you’re going to say, okay? But you were in deep.

SAM

I know. I know. You saved me, and you saved Tina, and…pulled a Dean Winchester.

[DEAN is taken back by SAM’s statement]

Thank you.

DEAN

Anytime.

SAM

Look, man… do I wish the mark was gone? Yes, of course. Absolutely, I do, but… I wanted you back. And now here you are, and you didn’t Hulk out, so… [SAM shrugs] I’ll take the win. As for the rest of it—the mark, everything else…we’ll figure it out. We always do.

DEAN

Damn right. Let’s get out here.

[DEAN and SAM get in the car. DEAN smiles]

DEAN

[Sighs] Oh. I’m back baby.

[He turns the engine over and puts on the radio. Taylor Swift’s “Shake it Off” plays.]

MUSIC

♫Players gonna play, play, play play, play♫

[SAM gets a disgusted look when he hears the song.]

♫And the haters gonna hate, hate , hate, hate, hate♫

[DEAN on the other hand doesn’t change the station and seems to enjoy the song. SAM looks at his brother for him to change it.]

♫Baby, I’m just gonna shake, shake, shake, shake, shake♫

[DEAN shrugs at him and leaves the song on.]

♫Shake it off, shake it off♫

[DEAN steps on the gas and drives off with Taylor Swift playing in the background]

♫Heartbreakers gonna break, break, break, break, break♫

♫And the fakers gonna fake, fake, fake, fake, fake♫

♫Baby, I’m just gonna shake, shake, shake, shake, shake♫

♫Shake it off, shake it off’♫

END

 

Source : SuperWiki

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