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#719 : Le manoir de Van Ness

 

Ecrit par : Brad Buckner & Eugenie Ross-Leming
Réalisé par : Tim Andrew

UNE VIEILLE AMIE CHASSEUSE REPREND CONTACT AVEC SAM ET DEAN - Sam et Dean reçoivent un appel d'Annie Hawkins (Jamie Luner), une vieille amie et chasseuse, qui a besoin de leur aide sur une affaire. Lorsqu'ils arrivent en ville, ils découvrent qu'Annie a disparu. Ils retrouvent les dernières traces qu'elle a laissé dans une vieille maison abandonnée, hantée par un esprit puissant.

 

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Titre VO
Of Grave Importance

Titre VF
Le manoir de Van Ness

Première diffusion
20.04.2012

Vidéos

Sneak Peek #1

Sneak Peek #1

  

CHCH Promo 7x19 - Of Grave Importance

CHCH Promo 7x19 - Of Grave Importance

  

Preview by Robert Singer

Preview by Robert Singer

  

Plus de détails

 



 

 

 

Résumé des épisodes précédents.

Dean et Sam prennent un dîner frugal sur un flanc de route, quand le téléphone de Dean se met à sonner. Annie, une vieille amie chasseuse, s'apprête à prendre une affaire en main à Bodega Bay, et propose aux deux frères de la rejoindre pour un déjeuner. Dean accepte.
Plus tard, Annie arrive sur les lieux de la chasse, le manoir Van Ness, où deux adolescents se sont isolés pour partager un moment d'intimité. Lorsqu'ils entendent la voiture arriver dans la cour, ils prennent peur, croyant que les policiers sont sur place, et essaient de s'enfuir. Cependant, ils sont rattrapés par un esprit, et lorsqu'Annie pénètre dans le manoir, ce sont leurs cadavres qu'elle découvre. Soudain, sa lampe de poche se met à grésiller, et la porte d'entrée se ferme. Quelque chose arrive à grande vitesse sur Annie.


*****************************SUPERNATURAL***********************


Le lendemain, Dean et Sam sont au restaurant où Annie leur a donné rendez-vous. Dean lit le journal et découvre que Dick Roman récolte des fonds pour des fouilles archéologiques. Sam commence à s'inquiéter de ne pas voir Annie, qui n'a pas pour habitude d'être en retard, aussi Dean essaie de la rappeler. C'est alors que Sam évoque la relation intime que Bobby et Annie avaient partagé il y a longtemps. Dean semble surpris, puis avoue que lui aussi, avait partagé l'intimité de la chasseuse. Les révélations ne s'arrêtent pas là. Sam n'est pas en reste, et cela s'est passé lorsqu'il n'avait plus son âme. Dean se rend compte qu'Annie ne répond pas, et se demande s'ils ne se sont pas fait posé un lapin. Tout en versant le contenu de la flasque de Bobby dans son café, il avoue qu'il préfère ne pas voir son fantôme s'il devait être là, sachant que ça ne devrait pas se passer ainsi. Il pose la flasque à côté, mais ne la voit pas bouger.

Une fois sortis du restaurant, Dean tente une nouvelle fois d'appeler Annie, mais toujours rien. Les chasseurs ont le pressentiment que quelque chose ne tourne pas rond, et décide de jeter un oeil à ce qui aurait pu amener Annie à Bodega Bay. Dean prend la flasque de Bobby et se rend compte qu'elle est vide. Sam lui suggère de s'en séparer quelques temps, mais Dean n'y est pas prêt, bien qu'il y ai pensé. Dans la voiture, Bobby écoute.

Une fois au motel, les boys épluchent les articles et dossiers et découvrent plusieurs cas de disparitions d'adolescents dans les environs, apparemment liées au manoir Van Ness, qui, d'après Sam, est classé parmis les endroits les plus hantés du monde. Tandis qu'ils discutent, Bobby tente de manifester sa présence en faisant bouger le rideau, mais les boys sont concentrés sur leur sujet. Finalement, ils décident d'aller visiter le manoir, mais lorsqu'ils sortent, Dean oublie de prendre sa veste, où se trouve la flasque de Bobby. Ce qui fait alors que l'esprit du chasseur est coincé dans la chambre. Heureusement, Dean s'en rend compte et vient récupérer sa veste, au grand soulagement de son ami disparu.

Les boys arrivent dans le manoir. Ils ne peuvent le percevoir, mais Bobby lui, se rend compte que l'endroit est plein d'esprits errants, qui semblent d'ailleurs peu enclins à la communication. Dean et Sam explorent l'endroit, et se rendent compte que l'EMF s'agite. Dean tente de nouveau d'appeler Annie, et c'est alors qu'ils entendent son téléphone sonner.

Sam et Dean sont toujours à le recherche d'Annie, tandis que Bobby assiste à une conversation entre un esprit et un autre, qui s'appelle Dexter. Le premier prévient Dexter que s'il recommence ce qu'il a fait, il sera châtié. Puis, Annie débarque et rejoind Bobby, qui lui apprend alors que si elle est capable de le voir, c'est qu'elle a aussi rejoind l'autre côté de la barrière. La chasseuse semble surprise.

Annie réalise peu à peu qu'elle est morte, et se trouve choquée lorsqu'elle apprend que Bobby a volontairement rejeté son faucheur pour rester. Il explique qu'il devait aider Sam et Dean, mais ils ne savent pas qu'il est dans les environs. Puis ils discutent de leur état de fantôme quand les adolescents qu'Annie a découvert arrivent mais ne semblent pas les entendre. Bobby explique qu'il a disparu deux semaines durant après avoir simplement fait tomber un journal d'une table. Communiquer avec les vivants demande beaucoup d'énergie.

Dean et Sam écoutent la messagerie d'Annie, mais n'y trouvent rien de vraiment intéressant. Sam essaie de comprendre comment les corps des victimes des esprits vengeurs ont pu disparaitre. Ils n'ont trouvé aucune trace de sang ou autre non plus. Soudain, Dean repère un PVE sur la messagerie d'Annie.

Un autre fantôme arrive, et devant Annie et Bobby, déplace une chaise jusqu'au bar avec une facilité déconcertante. Bobby essaie alors de déplacer le coffre devant eux, persuadé qu'il peut aussi le faire, mais il tombe. Ce qui provoque le rire d'Annie, et une réplique sarcastique de l'homme. Aussi Bobby et Annie s'approchent pour lui demander conseil. L'homme, Askull Crane, se montre d'abord réticent, mais lorsqu'Annie lui demande, il décide de leur donner quelques astuces. Il leur demande de s'entraîner sur une chandelle. Il leur explique ensuite qu'il y a deux façons pour un esprit de déplacer des objets : soit en se concentrant et en étant le plus calme possible, soit en utilisant la rage profonde qu'ils ont en chacun d'eux, mais celle-ci est plus difficile à contrôler. Annie et Bobby comprennent qu'il s'agit là de la manifestation des poltergeists. Bobby essaie à plusieurs reprises de déplacer la chandelle, mais Askull ne l'aide pas à se concentrer. Soudain, ils entendent un cri affreux, et un esprit se précipite vers eux avant de disparaitre. Askull explique alors que tout les fantômes finissent par se détériorer, certains plus vite que d'autres.

Dean et Sam reviennent dans la pièce principale, espérant que, s'ils n'ont pas trouvé de corps, Annie est peut-être en vie. Mais ils ont du mal à croire qu'elle aille bien. Sans aucune piste à suivre, ils décident de s'en aller et de continuer à faire des recherches. Annie les appelle, mais bien évidemment, ils n'entendent rien. Soudain, Bobby et elle se rendent compte qu'on les observe. Ils s'approchent d'une jeune femme nommée Victoria. Elle est celle qui a provoqué le PVE sur la téléphone d'Annie, lui demandant de la libérer. Cependant, elle n'a pas le temps d'expliquer, Bobby disparaissant soudainement.

Bobby réapparait dans la voiture des boys, à cause de la flasque. Il tente de suggérer à Dean et Sam de retourner dans le manoir, mais les boys ne pouvant l'entendre, ils décident d'aller au musée de Bodega Bay, où ils pourront en apprendre plus sur l'histoire du manoir Van Ness. Là, un guide leur explique tout, et notamment le fait que Whitman Van Ness a été frappé par le malheur. Dexter O'Connell, son jardinier aurait tué la fiancée de Whitman, et d'autres personnes dans le manoir. L'homme prévient les boys, comme il a prévenu Annie de ne pas se rendre dans l'endroit, car c'est extrêmement dangereux. Pendant ce temps, Bobby se rend compte que Whitman et Dexter sont toujours présents dans le manoir, et tandis qu'il écoute le guide, il tente de faire bouger des objets, en vain.

Au motel, Sam explique à Dean que Dexter a également été accusé des meurtres de plusieurs prostituées dans le manoir, où il a été arrêté. Mais assez étrangement, Dexter s'est échappé pour revenir au manoir, où il est finalement mort après qu'on lui ait tiré dessus. Bobby tente de trouver un moyen de communiquer avec eux, et décide de profiter de la buée provoquée par la douche de Dean pour écrire un message sur le miroir. Mais d'abord, il doit se concentrer.

Pendant ce temps, deux adolescents s'apprêtent à pénétrer dans le manoir Van Ness, en enregistrant leur exploration par le biais d'une petite caméra.

Au motel, Dean sort de la douche, se rhabille, et découvre alors un message sur le miroir : Annie bloquée dans la maison. Il appelle Sam pour lui demander si c'est lui l'auteur du message, ce à quoi Sam répond que non.

Les deux adolescents ont pénétré dans le manoir. Annie se cache derrière un pan de mur, et observe.

Au motel, Dean demande qui est là. C'est alors que le robinet s'ouvre, la vapeur d'eau se dépose sur la glace, et alors des lettres se forment. Un B, puis un O... Dean comprend alors qu'il s'agit de Bobby.

Dans le manoir, les deux adolescents continuent d'avancer, tout en enregistrant, quand la porte se ferme.

Au motel, Dean ne comprend pas ce que Bobby fait là. Sam lui montre alors la flasque, et Bobby leur suggère fortement de retourner immédiatement au manoir, ce que Dean décide de faire.

Dans le manoir, Dexter fonce sur les adolescents pour leur dire de partir. Soudain, Whitman apparait, et lui ordonne d'arrêter. Les adolescents pensent d'abord qu'il leur a sauvé la vie, mais au lieu de ça, il les tue. Dexter se rebelle et lui dit qu'il a assez de fantômes, et que ce ne sont que des enfants. Whitman le punit alors en absorbant son énergie. De sa cachette, Annie a tout vu.

Une fois Whitman parti, Annie se précipite pour attraper la caméra des adolescents morts, mais elle n'y arrive pas. Victoria apparait alors, et explique que c'est Whitman qui a tué tout le monde, Dexter essayait juste de les prévenir. Whitman tue des gens, stocke leurs esprits et les absorbe pour devenir plus puissant. Elle hésite d'abord à aider Annie, mais accepte finalement d'attraper la caméra. Les deux femmes se cachent quand Whitman réapparait pour emmener les corps, dans un endroit secret dissimulé derrière une bibliothèque murale.

Au manoir, Dean et Sam sont décidés à retrouver Annie. Tandis que Sam est monté à l'étage, Dean voit une caméra lui glisser aux pieds. Il demande à Sam de descendre, et tout deux regardent l'enregistrement. C'est alors qu'ils aperçoivent l'image spectrale d'Annie et l'appellent. Ne pouvant répondre, Annie demande à Victoria de leur répondre à sa place. Réticente au début, elle finit par s'exécuter et explique aux boys que Whitman a tué Annie et qu'il contrôle tout les fantômes du manoir. Elle leur demande de les libérer, mais disparait dans les flammes avant d'avoir pu leur en dire plus. En effet, Whitman écoutait, et tandis que les boys s'apprêtent à repartir pour trouver la dépouille de Whitman et la brûler, il glisse une clé dans la poche de Sam. Les boys partent, et Bobby est impuissant tandis qu'il voit Van Ness à l'arrière de la voiture. En effet, le chasseur a subtilisé la flasque des poches de Dean pour la cacher dans un tirroir.

Profitant de l'absence de Van Ness, Annie et Bobby partent à la recherche des corps des victimes, afin de les libérer. Ils finissent par découvrir la cachette secrète derrière la bibliothèque du bureau de Whitman, et y trouvent tout les corps, y compris celui de Annie. Celle-ci demande à Bobby de mettre un terme à son existence, car elle ne souhaite pas passer son éternité à errer. Elle souhaite partir, bien qu'elle  ne sache pas ce qu'il se trouvera après.

Sur la route, Sam découvre où Whitman est enterré. Soudain, la voiture accélère, et après s'être rendu compte qu'il ne s'agit pas de Dean, Whitman apparait et tente de provoquer un accident. Heureusement, Dean est bon pilote et freine avant qu'il ne soit trop tard. Les boys sortent de la voiture, et Sam se rend compte alors qu'une clé se trouve dans sa poche, mais Whitman s'attaque à lui. Dean tire alors sur la clé, ce qui fait disparaitre le fantôme, mais ils doivent maintenant se dépêcher de trouver le corps et de le brûler.

Tandis que les boys arrivent au mausolée, Whitman est de retour dans le manoir et se précipite dans son bureau. Annie et Bobby sont cachés après avoir brûlé plusieurs cadavres. Whitman les cherche, et les retrouve dans le hall. Il tente alors d'absorber Bobby, mais heureusement, Dean et Sam viennent de brûler ses os, et il n'a pas le temps de finir son travail. Après avoir accompli leur mission, Dean et Sam retournent au manoir. Ils ne peuvent toujours pas voir Annie, en revanche, les choses ont changé pour Bobby.

Les boys sont choqués, mais maintenant qu'ils peuvent parler à Bobby, ils demandent quelques explications. Bobby leur fait comprendre, en rendant la flasque à Bobby, qu'il était lié à ça. Sam comprend alors pourquoi il n'avait pas reçu de réponses lorsqu'il avait essayé la planche oui-ja, Dean ayant gardé la flasque sur lui tout ce temps. Bobby explique ensuite qu'il devait rester pour aider, mais les boys ne se montrent pas trés heureux de savoir que maintenant, il est coincé sur terre. Bobby n'en n'a cure, et leur demande de l'aider lui et Annie à brûler le reste des corps, mais il les prévient de ne pas jeter la flasque dans le feu.

Après avoir brûlé tout les corps, y compris celui d'Annie, Bobby rejoind les boys à la voiture. Dean en vient très vite à reprocher à Bobby de ne pas être parti. Il aurait dû aller au Paradis, au lieu de rester bloqué sur Terre, errant sans but. Bobby n'est pas d'accord, et vexé, disparait. Dean range la flasque dans le coffre, et les boys se mettent en route.

Sur la route, Sam se demande ce qu'ils doivent faire, et si finalement, avoir Bobby autour d'eux pourrait fonctionner. Dean n'est sûr de rien, mais il ne sait que trop bien que c'est contraire à l'ordre naturel des choses, que tout a une fin, et qu'en général, lorsque l'équilibre est perturbé, ça ne finit jamais bien. Bobby, sur la banquette arrière, se sent soudainement coupable en entendant les paroles de Dean.

 

Ecrit par Deanlove35.

EXT. – DESERTED STREET – NIGHT


SAM is leaning against the hood of a car. DEAN carries a tray of take-out food.


DEAN
All right, here we go.


DEAN sits down next to SAM and puts the tray down on the hood between them.


DEAN
You know... even though the world is going to crap, there's one thing that I can always count on – these things tasting the same in every drive-through in every state in our great nation.


DEAN takes a bite of a taco.


DEAN
Mmm.


A phone rings. SAM pats his pockets and DEAN takes out his cell.


DEAN
Annie.


ANNIE (V-O)
Hey, Dean.


DEAN
A nice surprise. How you been?


CAR – NIGHT


ANNIE, who appears to be in her late 30s, is driving. The scene alternates between DEAN on the hood of his car and ANNIE driving.


ANNIE
Oh, I'm still kicking. So, good, I guess. Heard about Bobby. I'm sorry.


DEAN
Yeah. Us too. What's up?


ANNIE
Well, I got some of his old books. I thought maybe you'd want ’em.


DEAN
Yeah. Sure. Where you at?


ANNIE
Bodega Bay. Crow's Nest Inn.


DEAN
You working?


ANNIE
Always. You guys anywhere nearby?


DEAN
Near enough.


ANNIE
Cool. Why don't we meet at the Pier Front Restaurant – lunch?


DEAN
1 o’clock?


ANNIE
Yeah. Bye.

 

EXT. – HOUSE – NIGHT


INT. – HOUSE – NIGHT


Two TEENAGERS are kissing on a sofa. The room is lit by candles.


GIRL
We shouldn't be here.


BOY
Yeah. I know.

 

CAR – NIGHT


ANNIE is driving. She pulls up to the house.

 

INT. – HOUSE – NIGHT


The GIRL sits up at the sound of ANNIE’s vehicle.


GIRL
Cops?


ANNIE’s car door slams. The TEENAGERS grab flashlights and get up from the sofa.

 

EXT. – HOUSE – NIGHT


ANNIE walks towards the front door, shining a flashlight.

 

INT. – HOUSE – NIGHT


The TEENAGERS hurry through the house. Their flashlights flicker and go out. A large MAN is standing in the doorway.


MAN
You shouldn't have come here.


The MAN runs towards the TEENAGERS.


CUT TO: ANNIE enters the house, shining a flashlight. She discovers the teenagers’ bodies on the floor. There is blood on their faces and blood pooled underneath them. ANNIE’s flashlight flickers and goes out. The front door slams.

 

SUPERNATURAL (Title Card)

 

ACT ONE

INT. – PIER FRONT RESTAURANT – DAY


SAM and DEAN are sitting at a table overlooking the pier. SAM is looking at the menu and DEAN is reading a newspaper.


DEAN
Hey, get this. Dick Roman is funding another archaeological dig. Guy moves more dirt than "The Drudge Report."


SAM
Well, any – anything on what he's digging for?


DEAN
Don't you think I would have led with that?


SAM sighs and looks at his watch.


SAM
Annie's not usually this late, is she?


DEAN
No, never. She's totally compulsive. I'll try her cell.


SAM
You know, uh, you know she and Bobby had a thing, right?


DEAN
Yeah. Yeah, I knew that. Really?


SAM
Yeah. Kind of a foxhole thing – very Hemingway.


DEAN
Huh. She and I kind of went Hemingway this one time, too.


SAM
All right, well... that happens.


SAM makes a face.


DEAN
What, you too?


SAM
Look, it was a while back. We ended up on the same case. She was stressed. I-I-I... I didn't... have a soul.


DEAN
That's a lot of foxholes. She's not answering. Well, here's to ghosts that aren't there.


DEAN pours some whiskey from his flask into his coffee mug.


SAM
You sound kind of disappointed.


DEAN
Ah, it's better this way. I mean, even though I wish we could see him again doesn't mean that we should.


They clink their coffee mugs together and drink.


DEAN
Ahh. Are we being stood up?


SAM
Yeah, let's hope that's all this is.


The flask rocks slightly on the table. Neither DEAN nor SAM notice.

 

EXT. – PIER FRONT RESTAURANT – DAY


SAM and DEAN are walking towards their car. DEAN is holding his phone to his ear.


SAM
Nothing?


DEAN
Straight to voicemail. Something's not right.


SAM
What's she doing on Bodega Bay?


DEAN
She's working some kind of job. She didn't really say.


DEAN takes out his flask, unscrews the lid and tips it upside down – it’s empty.


DEAN
I got to get a refill.


SAM
You know what, man? Why don't you, uh, just pack it away for a while? All it does is remind us of him, you know?


DEAN
Yeah, I thought about that, but, uh... not yet.


DEAN walks around the car to the driver’s side. BOBBY is sitting in the back seat of the car, but SAM and DEAN don’t appear to see him.


DEAN
Let's go check out Annie's hotel room.

 

INT. – MOTEL – DAY


DEAN is sitting on the bed looking at some of Annie’s research.


SAM
These go back years – disappearances never solved.


SAM is at the table looking at more papers.


SAM
They stop a few decades back, then pick up again just recently. All teenagers.


DEAN
Looks like Annie found a spot a lot of them liked to poke around just before they went missing.


SAM
Yeah?


DEAN
Yeah. Old Van Ness house.


DEAN gets up to show the information about the house to SAM. BOBBY is now sitting at the table across from SAM, but SAM and DEAN don’t appear to see him.


DEAN
It's, uh, cheery.


SAM
Well, the police combed the place. They always come up dry.


The curtain next to SAM moves, but SAM and DEAN are both looking in the other direction.


DEAN
Yeah, local law. Always on the ball.


BOBBY
Guys...


SAM and DEAN don’t hear him.


SAM
So, built in 1862 by the Van Ness family...


BOBBY
I just made that curtain shimmy.


SAM
...who lost it in the early 1900s.


BOBBY
Could you look in the right place at the right time?


SAM
Put up for sale a few years back. No takers.


DEAN
Probably 'cause it creeps their queso.


BOBBY
Balls, this is exhausting.


SAM
It's just been sitting there, boarded up, for ages. Oh. Get this. I guess a couple months back, someone put it on one of those, uh, "most haunted houses in America" lists.


DEAN
Let me guess – that's when the, uh, teenagers started to go missing.


SAM
Yep.


BOBBY
Okay. Now let's get rolling.


DEAN
Ah, I say we get rolling.


SAM and DEAN leave the room. BOBBY stands up and looks at the closed door.


BOBBY
Idjits.


DEAN’s jacket, with the flask in the pocket, is hanging over a chair. The door opens and DEAN reaches in to get his jacket.


BOBBY
Thank you.


BOBBY flickers and disappears.

 

INT. – DESERTED HOUSE – DAY


DEAN and SAM enter the house, shining flashlights. BOBBY is behind them.


DEAN
Honey, I'm home.


BOBBY
Geez. My people.


BOBBY can see other ghosts in the room, which are not visible to DEAN and SAM.


DEAN
All right, let's go.


DEAN and SAM go upstairs.


BOBBY
Hi. I'm Bobby, and I'm a ghost. Hoping for a little ghost orientation here. Je m'appelle Bobby.


None of the ghosts respond.


BOBBY
Chilly.


CUT TO: DEAN and SAM entering an upstairs room.


DEAN
Annie?


DEAN dials a number and holds his phone to his ear. SAM is holding an EMF reader, which is flashing and making noise.


SAM
There's a whole lot of something going on.


A phone rings somewhere nearby. DEAN and SAM walk in the direction of the sound and find a phone on the floor.


CUT TO: BOBBY watching the TEENAGERS walk slowly past him. On the stairs, a MAN IN A SUIT is admonishing the LARGE MAN who ran towards the TEENAGERS.


MAN IN A SUIT
I know what you did last night, and you know it was forbidden! I don't brook that sort of thing in my home. Don't do it again, Dexter, or there will be consequences.


CUT TO: DEAN and SAM walking through the house. They go up the stairs as BOBBY watches.


DEAN
The call to me was the last one she made. So where the hell is she?


ANNIE
Bobby?


BOBBY
Annie! We've been looking for you.


ANNIE
I can't believe you're here.


BOBBY
Yeah. I'm a doornail. Bad news here. If you can see me, you are, too.

 

ACT TWO

INT. – DESERTED HOUSE – NIGHT


ANNIE and BOBBY are sitting on a sofa.


ANNIE
Wow. Dead. Ghost. Me. Three words you never want to use in a sentence. I feel like I was drugged.


BOBBY
I get it. I figure it was a month before I even knew I was still here. You're doing well.


ANNIE
Terrific.


BOBBY
So, uh... So, you duck your reaper, too?


ANNIE
What? No. I never even saw one. You – Bobby. You ran away from your reaper? On purpose? That's why you're still here? You stupid, crazy old –


BOBBY
Hey. I remember a time when you liked how crazy I was.


ANNIE
Oh, shut up! I can't believe you. You know what? As a regular ghost with no choice in the matter, screw you.


BOBBY
Hey. I got unfinished business here, same as you.


ANNIE
Uh-huh. And there's my unfinished business right now.


The TEENAGERS are walking slowly through the room.


ANNIE
Kids! Hello? You're dead.


BOBBY
Well, they're not the brightest bulbs on the string.


ANNIE
I came in, they were roadkill. Then this big guy charges me. And now I'm... Crap. Is there a fun aspect to this?


BOBBY
Not really. And so far, I can't crack the code on any of it. I mean, I've seen poltergeists bench a piano as a warm-up. I tried to help the boys out once by knocking a book off the table and blacked out for two weeks.


ANNIE
So, Sam and Dean don't even know you're here? Wow. That is messed up.


CUT TO: DEAN and SAM walking through the house. DEAN is listening to ANNIE’S phone messages. SAM’s EMF reader is flashing and making noises.


WOMAN’S VOICE ON ANNIE’S VOICE MAIL
Hey, Annie, I'm e-mailing you those news clippings that you asked for. I…


SAM
We're redlining all over the place. Assume the worst?


DEAN
Yeah, I always do.


SAM
Okay. Vengeful spirit, maybe lots of them. Killing kids. Look around. No blood. No anything. Certainly no bodies.


DEAN
Well, if evil is partying here, it's got a hell of a cleanup crew. Wait, wait, wait.


SAM
What?


DEAN
Here's something.


DEAN pushes buttons on ANNIE’s phone.


DEAN
From earlier this week.


SAM
Okay.


WOMAN’S VOICE ON ANNIE’S VOICE MAIL
Free me. Free me.


SAM
Where'd that come from?


The display on the phone reads “(…)…-….”


DEAN
You ever seen a phone number look like that?


CUT TO: ANNIE and BOBBY sitting on the sofa. A ghost, HASKEL CRANE, materializes through a wall in front of them and moves a chair closer to a bar.


ANNIE
All right, that's cool.


BOBBY
Excuse me. Hey! Boss!


HASKEL CRANE ignores them. He sits down and opens a book.


ANNIE
Dick.


BOBBY
Yeah, well... Ghosts ain't the most sociable type to come down the pike. But if he can do it...


BOBBY tries to move the table in front of him, but falls through it onto the floor. HASKEL CRANE laughs.


BOBBY
Balls.


ANNIE
Graceful.


HASKEL CRANE
Novices. You all make the same mistakes.


BOBBY and ANNIE walk over to HASKEL CRANE.


BOBBY
I suppose you know all about it.


HASKEL CRANE
Well, I've been at it 80 years.


ANNIE
Yo, uh, fresh meat here. Not even sure what happened.


HASKEL CRANE
Really?


BOBBY
I got shot right in the melon, never felt a thing. You?


HASKEL CRANE
I was stabbed, brutally, right here at this bar, April 17, 1932.


BOBBY
Who done ya?


HASKEL CRANE
I'm really very busy.


BOBBY
How come there's so many dead folk in this place, anyway? You know anything about that?


ANNIE
I guess we're not supposed to talk about that.


HASKEL CRANE starts to stand up.


ANNIE
I'm sorry. I'm sorry. [HASKEL CRANE sits back in his chair.] Uh, my friend is a little nosy, mister...?


HASKEL CRANE
Crane – Haskel Crane.


ANNIE
Haskel... you're right. We are novices, so, could you do me a solid and show me how to move that chair? It's one stupid chair.


HASKEL CRANE
Baby steps, gorgeous. Try this first.


HASKEL CRANE pushes a candle across the bar towards ANNIE. She tries to grab it, but her hand passes straight through. BOBBY tries and the same thing happens.


HASKEL CRANE
You're angsting at it. You know what getting frustrated will get you? [Chuckles] Nothing. You've got two ways to move things. What I did – which you obviously must – is calm yourself.


BOBBY
You're saying we should move crap with the power of Zen.


HASKEL CRANE
I'm telling you to let go of all that. Calmly tell the thing what to do.


BOBBY reaches a hand towards the candle.


HASKEL CRANE
You're getting tense.


BOBBY
You're not helpful.


BOBBY tries to grab the candle, but his hand passes through it again.


BOBBY
What's option two? You said there were two ways.


HASKEL CRANE
Oh, you could use explosive anger and pure, red-hot rage, but that's impossible to manufacture. Sorry.


ANNIE
Makes sense. Like poltergeists – vengeful spirits.


BOBBY
I am vengeful. You think I don't have red-hot rage?


HASKEL CRANE
I think you're a sad excuse for one of us, and I'm unsurprised that you're failing. Take my help or don't, but if you want to move a flea, surrender.


BOBBY
For the record, I hated that Swayze flick – romantic bullcrap.


BOBBY reaches a hand towards the candle again. A woman screams. BOBBY and ANNIE turn and see that the screaming is coming from one of the ghosts in the room. The ghost then rushes towards them, before turning into dust and vanishing.


BOBBY
What in cold hell was that?


HASKEL CRANE
That's you one day. That's all of us. We deteriorate at different rates – some sooner, some later. And eventually all... like that.


HASKEL CRANE looks towards a female ghost with gray hair and a partly decomposing face.


HASKEL CRANE
Nothing left at all.


BOBBY
Ghost Alzheimer's.


ANNIE
I'm liking this less.


DEAN and SAM walk into the room.


DEAN
Well, that is every square inch of this place. No bodies, no pieces of bodies – no Annie. A whole lot of sizzle and no steak.


SAM
Well, maybe no news is good news.


DEAN
Meaning?


SAM
Meaning maybe she's just not here. Maybe she's still okay.


DEAN
Yeah, and what does your gut say?


SAM
Let's just see if there's anything else in her research.


ANNIE
Sam! Dean!


BOBBY
Honey, don't you think I've tried that? I shouted myself hoarse.


ANNIE
But I'm right here!


BOBBY
Well, now you know how all the ghosts who have ever tried to talk to us feel. You just have to wait until they find you.


ANNIE
But I don't even know where I'm at. And I've searched every room five times. No wonder they're walking away.


BOBBY
Is it me, or am I being checked out?


A female GHOST in a red dress is looking at BOBBY and ANNIE.


ANNIE
No, stud. I'm being checked out.


ANNIE and BOBBY walk over to the GHOST.


ANNIE
Can I help you?


GHOST
I'm Victoria.


ANNIE
Annie.


VICTORIA
I saw you here the other day. I know the kind of work you do. Did.


ANNIE
Hey, I'm still doing it. I mean, other-dimensionally speaking.


BOBBY
Atta girl.


ANNIE
Wait. Your voice. You're the one on my phone.


VICTORIA
When you were here, I was able to call out to you that way.


ANNIE
Ah, spectral voice transference.


BOBBY
Right. Ghost juju.


ANNIE
Sure. So... W-what exactly did you mean when you said, "free me"? Victoria, free you from what?


BOBBY vanishes and VICTORIA gasps.


ANNIE
Bobby!

 

CAR – NIGHT


DEAN and SAM are sitting in the car outside the deserted house.


DEAN
Where'd Annie get her intel? Do we know?


DEAN drinks from the flask. BOBBY is in the back seat.


BOBBY
Stupid flask.


SAM
Bodega Bay Heritage Society.


SAM holds up a Bodega Bay Heritage Society booklet.


BOBBY
Boys, come on. All the action's back in the pool. Let's go!


DEAN starts the engine.


BOBBY
Damn it.

 

INT – BODEGA BAY HERITAGE SOCIETY – NIGHT


We see a large black-and-white photograph of the Van Ness house and information about early residents of Bodega Bay.


HISTORIAN
The house dates back to the mid-19th century. Miles Van Ness made his fortune in the gold rush, eventually settling his family in Bodega Bay.


SAM
Anything...unusual ever happen in the house?


HISTORIAN
Oh, over the course of a century, things are going to happen in a house.


BOBBY is looking at a hanging lamp.


BOBBY
"Tell it what to do."


HISTORIAN
Some locals swear it's haunted.


BOBBY takes a deep breath and tries to touch the lamp with a finger.


BOBBY
Move.


BOBBY’s finger passes right through the lamp.


HISTORIAN
Every village has its idiots.


DEAN
We only want the real scoop, of course.


BOBBY
Balls!


HISTORIAN
Whitman Van Ness. Son and heir. Handsome, charming, dogged by tragedy all his life. He lost the family fortune, then the house. It became a bordello. He lived in isolation till his death at age 40.


BOBBY
He's still there.


DEAN
Who's the, uh, the bruiser there?


The HISTORIAN points to a photograph of DEXTER standing next to VAN NESS.


HISTORIAN
Dexter O'Connell. A convict. An extremely violent man.


BOBBY
He's there, too.


HISTORIAN
Mr. Van Ness was socially progressive and took pity on him. He worked as grounds keeper. Dexter was convicted for murdering Whitman's fiancée on the eve of their wedding. Another calamitous event in the poor man's life.


SAM
Hmm.


DEAN
Well, thank you.


HISTORIAN
The house is popular this week.


SAM
What do you mean?


HISTORIAN
A lady came by the other day asking all sorts of questions.


DEAN
Uh, 30s, red hair, good-looking?


HISTORIAN
Mm. I gave her the same advice I'll give to you. Stay away from the place. It's extremely unsafe.


SAM and DEAN nod and leave.

 

CUT TO: BOBBY trying unsuccessfully to move coins on a table.

 

INT – MOTEL – NIGHT


BOBBY looks exasperated.


SAM
So, besides Whitman's fiancée…


SAM is reading a photocopy of a newspaper near the open bathroom door. The shower is running.


SAM
…Dexter O'Connell was also convicted of killing a bunch of hookers who worked at the brothel.


The newspaper headline reads “Woman slain on eve of wedding was fiancee of Whitman Van Ness.”


SAM
He escaped before they could hang him. But then he returned to the house, where he was found shot to death. Why would he escape and then go right back to the house where he got arrested?


BOBBY tries again to move a coin.


DEAN
[from the shower] I don't know. Add that to a list of things don't know.


SAM
So what's the next move?


BOBBY
You know, if I could, I'd be getting old waiting on you two to figure this out.


DEAN partly opens the shower curtain and grabs a towel, then closes the curtain again. BOBBY is looking at the steamed-up bathroom mirror.


BOBBY
All right, now. I can kill werewolves, fix a Pinto, and bake cornbread. I will be damned if I can't get Zen.

 

EXT. – VAN NESS HOUSE – NIGHT


Two TEENAGE BOYS are standing outside the house. One holds a video camera and is recording himself.


TEENAGE BOY 1
We're posting this video as a warning about...


TEENAGE BOY 2
Or possibly a memorial to...


TEENAGE BOY 1
Our friends Debbie Tellen and Dudley Scott, last known whereabouts...


TEENAGE BOY 2
The Van Ness house...


TEENAGE BOY 1
Since the cops haven't done crap...


TEENAGE BOY 2
In what may be the final moments of their love story.


TEENAGE BOY 1
They've been together since like eighth grade.


TEENAGE BOY 2
Yeah. They entered this house and texted us.


TEENAGE BOY 1
We're going in.


TEENAGE BOY 2
Ooh-ooh-ooh.

 

INT – MOTEL – NIGHT


DEAN runs his hands through his wet hair. He looks at the mirror.


DEAN
Sam?


SAM
What?


DEAN
Tell me you wrote that.


“Annie trapped in house” is written in the condensation on the mirror.


SAM
Uh... No. No, I didn't.

 

INT. – VAN NESS HOUSE – NIGHT


The TEENAGE BOYS enter the house.


TEENAGE BOY
They came into the house...


ANNIE watches them.


DEAN (V-O)
Well, then, who's there?

 

INT – MOTEL – NIGHT


DEAN
I said, who's there?!


The hot water faucet on the sink turns and steam rises. An invisible BOBBY writes “B” and then “o” on the mirror.


DEAN
Bobby?

 

INT. – VAN NESS HOUSE – NIGHT


TEENAGE BOY 1
They walked through... these halls...


TEENAGE BOY 2
Seeking a grotto of love.


TEENAGE BOY 1
Seriously?


TEENAGE BOY 2
What?


The front door slams and the TEENAGE BOYS jump.

 

INT – MOTEL – NIGHT


DEAN
Bobby?


“Bobby” is now written in full on the mirror. BOBBY is standing next to the mirror.


BOBBY
Yes.


DEAN and SAM can’t hear him.


DEAN
This whole time, we've been trying to talk ourselves out of it, he's been – what's he doing here?


SAM picks up the flask and holds it out to DEAN.


SAM
Dude.


BOBBY
We don't have time for this! Get your asses back to that house!


DEAN
We got to get back to that house, stat.

 

INT. – VAN NESS HOUSE – NIGHT


TEENAGE BOY 2
What happened?


DEXTER is standing in the next room.


TEENAGE BOY 1
Hello?


DEXTER walks purposefully towards the TEENAGE BOYS.


DEXTER
You shouldn't have come here!


The TEENAGE BOYS start to run from DEXTER, but stop as VAN NESS is now in front of them.


VAN NESS
Dexter. I expressly forbid you! Enough!


TEENAGE BOY 1
Thank you.


VAN NESS plunges a hand into each of the TEENAGE BOYS’ chests. They gurgle blood as ANNIE watches. VAN NESS withdraws his hands and the TEENAGE BOYS fall to the floor.


VAN NESS
Dexter, you tried to warn them away.


DEXTER
You have enough of us. They're just children, Whitman. I can't watch this happen all over again.


DEXTER turns to leave, but VAN NESS appears in front of him and plunges a hand into his chest. White light flares as ANNIE watches.


VAN NESS
Shut up.


DEXTER appears to burn up in white light, which also appears in VAN NESS’s eyes. DEXTER disappears and the light is absorbed into VAN NESS’s hand. ANNIE presses her back against the wall.

 

ACT THREE

INT. – VAN NESS HOUSE – NIGHT


ANNIE walks over to the TEENAGE BOYS’ bodies and tries to take the camera from TEENAGE BOY 1, but ANNIE’s hand passes right through it. She stands up and gasps: VICTORIA is standing right next to her.


ANNIE
Ah, Victoria. Grab the camera.


VICTORIA
No. I can't. We don't meddle in Whitman's affairs.


ANNIE
Hold it. Let's get real. You sent me the S.O.S., and now I'm here. So, give me a hand.


VICTORIA
But now he can get you, too.


ANNIE
Get me how? I'm already dead. Okay, you want to help me understand? Exactly what did he do to Dexter?


VICTORIA
Punished him. He was trying to warn them. He tried to warn you, too. He drained him.


ANNIE
Drained? What does that mean?


VICTORIA
That's why he's so strong and why you should stay out of sight. We're merely food to him – food and perverse entertainment.


ANNIE
So, when he does that, what happens? Just... poof?


VICTORIA
Forever.


ANNIE
See, I thought that Whitman was some poor guy, and Dexter killed his fiancée.


VICTORIA
No. Whitman framed him. Whitman killed all of us. When this house was a brothel, I worked here as a fancy lady. He slit my throat.


ANNIE
"Fancy lady"? A hooker?


VICTORIA
Please. And now, even in death, every soul he traps here makes him stronger.


ANNIE
Okay, so, where does he keep the bodies?


VICTORIA
I don't know.


ANNIE
Victoria, you've been here forever.


VICTORIA
You don't follow him around.


ANNIE
Listen, we are going to pull the plug on this bastard. Now grab the damn camera.


VICTORIA
Oh, dear.


VICTORIA takes the camera from TEENAGE BOY 1’s hand.


VICTORIA
[Gasps] It's him!


VICTORIA and ANNIE hide as VAN NESS drags the TEENAGE BOYS’ bodies away. VAN NESS pulls a lever and a bookcase opens, revealing a hidden door. VAN NESS drags the bodies into the concealed room.

 

EXT. – VAN NESS HOUSE – NIGHT


DEAN and SAM are taking guns out of the trunk.


DEAN
We combed the crap out of this place. If Annie's in there and we didn't find her...


SAM
It's 'cause something didn't want us to.


DEAN
Awesome. Well, let's walk right into that.


They go inside the house.

 

INT. – VAN NESS HOUSE – NIGHT


DEAN and SAM look around using flashlights. BOBBY is behind them.


SAM
All right, I'll check upstairs.


DEAN
Yeah.


BOBBY takes the flask out of DEAN’s jacket pocket.


DEAN
Annie?


BOBBY
Sorry, boys. I'm leaving the pack.


DEAN
Annie! It's Dean! And Sam.


SAM
[in the distance] Annie?


The camera falls to the ground at DEAN’s feet.


DEAN
That's not odd.


DEAN picks up the camera. BOBBY puts the flask in a drawer.


DEAN
Sam, get back down here! Annie?


SAM comes down the stairs. ANNIE and VICTORIA are standing behind DEAN.


DEAN
Slimer?


SAM
What?


DEAN
Check it out.


DEAN plays the recording on the video camera.


TEENAGE BOY 2
The final moments of their love story.


TEENAGE BOY 1
They've been together since like eighth grade.


TEENAGE BOY 2
Yeah. They entered this house and texted us.


DEAN
Oh, I hate these indie films. Nothing ever happens.


TEENAGE BOY 1
They came into the house. They walked through these halls.


SAM
Wait, wait. Pause it. Frame back a little bit. Stop.


ANNIE is visible on the recording.


DEAN
She's here, and not in a good way.


BOBBY is now standing next to ANNIE and VICTORIA.


BOBBY
Give them a moment. They've got a little slower since I left.


DEAN
Annie?


ANNIE
Got to let them know that I'm here.


SAM
Anything?


ANNIE
[to VICTORIA] You have to do it.


SAM
Annie!


ANNIE
We can't.


DEAN
Annie!


VICTORIA
It's too dangerous.


ANNIE
These guys can help. They just need to know that we're here.


SAM
Annie!


VICTORIA appears behind SAM and DEAN. They turn, see her and raise their guns.


SAM
Whoa!


VICTORIA
Please. I'm Victoria – Victoria Dodd.


SAM
Where'd you come from?


VICTORIA
Here. I was a fancy lady.


DEAN
A hooker?


SAM
Uh, is Annie here?


VICTORIA
Yes. You can't see her. No, you're not standing on her.


ANNIE
You want to just tell them?


VICTORIA
I will. In my day, we believed in polite conversation. Annie's in terrible danger. We all are.


SAM
From?


VICTORIA
Whitman Van Ness.


VAN NESS is watching from upstairs.


DEAN
But he's dead.


VICTORIA
I thought you said they were good.


DEAN
Hey, I'm just processing, okay, lady? He's dead. You're dead.


VAN NESS flickers and disappears.


DEAN
Define "terrible danger."


VICTORIA
Whitman has great power over all of us in the house. He killed Annie. She says you can free us. Please, you must –


VICTORIA screams and burns up in flames.


SAM
Victoria?


DEAN
I'm gonna say she was telling the truth, considering that she just... got ghost-killed.


SAM
So, what? Whitman Van Ness?


DEAN
Now we know whose bones to salt and burn. Let's go.


DEAN walks away. SAM adjusts his gun. VAN NESS slips a key into SAM’s pocket. SAM then follows DEAN and VAN NESS disappears.

 

EXT. – VAN NESS HOUSE – NIGHT


DEAN and SAM get into their car. BOBBY and ANNIE watch from the window. VAN NESS is in the back seat.


BOBBY
Aw, hell no.


DEAN, SAM and VAN NESS drive away.

 

ACT FOUR

EXT. – VAN NESS HOUSE – NIGHT


INT. – VAN NESS HOUSE – NIGHT


BOBBY and ANNIE are walking up the stairs.


BOBBY
If I hadn't stashed that flask here, I'd still be glued to Sam and Dean. Real clever.


ANNIE
Actually was.


BOBBY
Son of a bitch. I figured our one ace was that bastard Whitman couldn't leave the house either.


ANNIE
Must have pulled a number like you and the flask. Probably planted something on the boys.


BOBBY
Terrific.


ANNIE
Hey, listen, sweetie – you could beat yourself up all day about this, or we could take advantage of the fact that Whitman's gone, do what we're supposed to do. Let's go figure this out. Coming, Robert?


ANNIE and BOBBY walk down a hallway and stand in front of a door.


BOBBY
Well, we searched everywhere else.


ANNIE
I'm telling you, Whitman guards his room like Fort Knox.


ANNIE and BOBBY walk through the door into a sitting room. There is a fire burning in the fireplace.


BOBBY
Last time I checked, ghosts didn't get cold.


A skeleton and the remains of a red dress are in the fire.


ANNIE
Yeah. That's Victoria. That is how he took her out. But where did he get her corpse?


BOBBY
Well, you said he dragged those two dead kids away. Where'd he take them?


ANNIE
Yeah, I don't know. I couldn't risk following him.


BOBBY
What else did you say this place was, other than a whorehouse?


ANNIE
It was a lot of things. It was a boarding house, a school... a speakeasy.


BOBBY
Yeah, well, thing about speakeasies – hell of a lot to hide.


BOBBY and ANNIE search the room. BOBBY pulls the lever that VAN NESS used to open the bookcase, and it swings open.


BOBBY
I still got it.


BOBBY and ANNIE enter the room behind the bookcase. It contains skeletons and corpses in various stages of decomposition, ANNIE’s body and the TEENAGE BOYS’ bodies. ANNIE looks stricken upon seeing her body.


BOBBY
Well, this pretty much tells the story, don't it? You know, you and me – we burned our fair share of bones, sent a lot of ghosts packing.


ANNIE
It's a little different when you're on the receiving end. So, uh... what do you think happens to 'em – Heaven, Hell, or... none of the above?


BOBBY
I don't know. Just... gone, most likely.


ANNIE
Yeah, that's what I think, too. That's what I want. I want a hunter's funeral. Oh, come on. It's better than this – stuck to this house, somewhere between existing and not. No, I'm... ready for some peace. Wasn't much of a life. It was lonely, what we do.


BOBBY
Yeah, well, the life I had is the one I picked.


ANNIE
Yeah, but you had the boys. All I had was work. It's gone now.


BOBBY
Yeah, well, I ain't done.


ANNIE
Okay, fine, but I am. You're stronger than I am now, Bobby, so, uh, you got to do this for me.

 

CAR – NIGHT


DEAN is driving while SAM is online.


SAM
All right. Here we go – cemetery, edge of town. The Van Ness family has its own mausoleum.


DEAN
All right, we light up the bastard and finish him off.


The car accelerates from about 50 miles an hour to about 80.


SAM
Take it easy. We'll get there.


DEAN
Uh, that's not me.


DEAN struggles to hold onto the steering wheel as it moves. VAN NESS appears next to DEAN and tries to turn the wheel, causing the car to swerve. DEAN manages to bring the car to a stop and he and SAM get out.

 

EXT. – STREET – NIGHT


SAM
Why's he with us?!


DEAN
I don't know. There's got to be something on us!


DEAN and SAM pat down their clothing.


SAM
Hey, hey.


SAM takes out the key that VAN NESS put in his jacket pocket. VAN NESS appears behind SAM and plunges a hand into his back.


SAM
Ugh!


DEAN
Sam!


DEAN grabs the key from SAM, tosses it onto the ground and shoots it. VAN NESS vanishes in a cloud of dust. SAM gasps and DEAN puts out a hand to steady him.


SAM
Did that do it? Did that get rid of him?


DEAN
I don't know. I got a bad idea we just snapped him back to his favorite house.


SAM
Where Annie's a sitting duck.


DEAN
We got to find those bones. Come on.

 

INT. – VAN NESS HOUSE – NIGHT


BOBBY
Let's build up the fire. We can put some of these poor bastards to rest, at least.

 

EXT. – CEMETERY – NIGHT


DEAN and SAM are walking through the cemetery with flashlights. They find the Van Ness mausoleum.

 

INT. – VAN NESS HOUSE – NIGHT


VAN NESS runs up the stairs. BOBBY and ANNIE are standing in front of the fireplace in VAN NESS’ room.


BOBBY
Well, let's get to cremating. We ain't got all day.


VAN NESS strides down the hallway and walks through the door to his room. BOBBY and ANNIE are hiding around a corner. When VAN NESS looks around the corner, they are gone.

 

INT. – VAN NESS MAUSOLEUM – NIGHT


DEAN uses a hammer and chisel on a plaque that reads “Whitman Van Ness – October 16th 1895 - November 14th 1935”.

 

INT. – VAN NESS HOUSE – NIGHT


BOBBY and ANNIE hurry down the stairs to the ground floor. VAN NESS appears in front of them.


VAN NESS
Enjoy the view from my room? Planning to thin out the population? Is this how you repay my hospitality?!


VAN NESS plunges a hand into BOBBY’s chest. BOBBY starts to burn up in white light, which also appears in VAN NESS’ eyes.

 

INT. – VAN NESS MAUSOLEUM – NIGHT


DEAN lights a match and throws it into VAN NESS’ coffin.

 

INT. – VAN NESS HOUSE – NIGHT


VAN NESS jumps and the white light retreats from BOBBY. Flames start to appear on VAN NESS’ clothing.


VAN NESS
No! I will not be taken!


Flames engulf VAN NESS and he vanishes. BOBBY falls to the ground with a thud.

 

INT. – VAN NESS MAUSOLEUM – NIGHT


SAM and DEAN watch VAN NESS’ skeleton burn.

 

INT. – VAN NESS HOUSE – NIGHT


ANNIE is kneeling next to BOBBY, who is unconscious on the floor in the entryway of the house.


BOBBY
How long was I out?


ANNIE
A while. Are you okay?


BOBBY
Sure. [He sits up.] I mean... I'm dead, I'm a ghost... but, basically, swell.


DEAN and SAM enter the house. ANNIE is no longer visible next to BOBBY.


BOBBY
Hi, boys.


DEAN and SAM stare at BOBBY.


DEAN
Bobby?


BOBBY
Wait. You can see me?

 

ACT FIVE

INT. – VAN NESS HOUSE – NIGHT


DEAN and SAM continue to stare at BOBBY, who is now standing.


BOBBY
You're staring, you know. Annie's here, too, by the way.


DEAN
Hi, Annie.


SAM
H-hi, Annie.


ANNIE is now visible again, standing behind BOBBY.


ANNIE
Hi, guys.


BOBBY points a thumb in ANNIE’s direction. SAM and DEAN look around, but can’t see her.


BOBBY
She says you both look uglier than she remembered.


ANNIE hits BOBBY lightly on the back. The camera shifts to SAM and DEAN, and when it returns to BOBBY, ANNIE is no longer visible beside him.


SAM
Bobby, h-how'd you stay here?


BOBBY
Yeah, well, uh...


BOBBY walks to the drawer and takes out the flask. He tosses it to DEAN.


BOBBY
Suck on that, Swayze.


SAM
That's why you never answered me. I tried calling you – the, uh, talking board, the works – but I was always alone. Dean always had that thing in his pocket. That's why the EMF only went off half the time. We thought we were going crazy.


DEAN
S-so, what happened? Did you get stuck or – or what?


BOBBY
I wanted to stay.


DEAN
Bobby.


BOBBY
I need to help.


SAM
Not if it means you have to... be this.


BOBBY
Well, life wasn't comfy. Why should death be? Now, come on.


ANNIE is visible behind BOBBY again.


BOBBY
Annie and I found all the bodies. Let's put 'em to rest. And keep my damn flask away from the fire... obviously.


BOBBY heads for the stairs. ANNIE is no longer visible.


BOBBY
Well, you coming?

 

EXT. – VAN NESS HOUSE – NIGHT


DEAN and SAM are putting their things in the trunk of the car. BOBBY looks at the front door of the house and then walks over to them.


BOBBY
I'll miss her.


DEAN
Me too.


SAM
Yeah.


BOBBY
Well, you didn't know her like I did.


DEAN laughs briefly and SAM clears his throat.


DEAN
Well, uh… [He takes out the flask.] Here's to Annie. She got the hunter's funeral she wanted. [He takes a drink.] Kind of like the one we thought we gave you.


SAM
Dean.


DEAN
What were you thinking, Bobby? You could be in Heaven right now, drinking beer at Harvelle's, not – not stuck…


BOBBY
Stuck here with you? We still have work to do. I just thought that was kind of important, Dean.


DEAN
It's not right, and you know that.


BOBBY
Sorry. You're right. What was I thinking?


BOBBY vanishes. DEAN and SAM look at each other and DEAN tosses the flask into the trunk.

 

CAR – NIGHT


SAM
So, what do you think we should do?


DEAN
We did what we should do. Now I don't know.


SAM
I mean, do you think it's possible we could – I don't know – make it all work somehow?


DEAN
I have no idea. Maybe. I've never heard of it. But you know what I do know? It ain't the natural order of things. Everything is supposed to end. You know, he was supposed… And now... What are the odds this ends well?


BOBBY is in the back seat.


DEAN
What are the odds?

 

END

 

Source : SuperWiki

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Photo de la quinzaine
Aujourd'hui à 21:56

Le Roadhouse 28
Hier à 17:06

Staff
05.01.2019

Meg Masters
Hier à 23:17

Katie Cassidy
Hier à 23:14

Partie Personnages
Hier à 21:43

Jessica Moore
Hier à 21:19

DJ Qualls
Hier à 21:09

Felicia Day
Hier à 21:05

Kevin McNally
Hier à 21:00

Prochaines diffusions
Logo de la chaîne Série club

14.11 : Damaged Goods (inédit)
Vendredi 25 janvier à 23:15

Dernières audiences
Logo de la chaîne The CW

14.10 : Nihilism (inédit)
Jeudi 17 janvier à 20:00
1.44m / 0.4% (18-49)

Logo de la chaîne The CW

14.09 : The Spear (inédit)
Jeudi 13 décembre à 20:00
1.43m / 0.4% (18-49)

Logo de la chaîne The CW

14.08 : Byzantium (inédit)
Jeudi 6 décembre à 20:00
1.53m / 0.5% (18-49)

Logo de la chaîne The CW

14.07 : Unhuman Nature (inédit)
Jeudi 29 novembre à 20:00
1.49m / 0.4% (18-49)

Logo de la chaîne The CW

14.06 : Optimism (inédit)
Jeudi 15 novembre à 20:00
1.48m / 0.4% (18-49)

Logo de la chaîne The CW

14.05 : Nightmare Logic (inédit)
Jeudi 8 novembre à 20:00
1.43m / 0.3% (18-49)

Toutes les audiences

Actualités
Synopsis des épisodes à venir

Synopsis des épisodes à venir
Des épisodes 14.12 Prophet and Loss et 14.13 Lebanon (le 300e épisode) ainsi que la promo du...

Nouveau sondage

Nouveau sondage
Qu'avez-vous pensez de l'épisode de reprise, le 14.10 "Nihilism" ? Venez voter puis n'hésitez pas à...

Ce soir c'est le retour de Supernatural

Ce soir c'est le retour de Supernatural
Et pour vous permettre d'attendre voici la nouvelle promo de l'épisode 14x10 "Nihilism" dans notre...

Interview de Jeffrey Dean Morgan par EW

Interview de Jeffrey Dean Morgan par EW
S'il y a des semaines où c'est très très calme, ce n'est pas le cas actuellement, après l'interview,...

Entertainment Weekly a interviewé le cast concernant le 300e

Entertainment Weekly a interviewé le cast concernant le 300e
épisode de Supernatural, avec vidéos et sessions photos. Interview à retrouver dans notre section...

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Total : 8 votes
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pretty31, Hier à 23:00

Skins : nouveau sondage (Nicholas Hoult) et nouveau duel Dowton abbey vs The Tudors !!

quimper, Aujourd'hui à 00:51

Nouveau sondage sur Engrenages. Pas besoin de connaitre la série pour pouvoir voter.

Sas1608, Aujourd'hui à 15:09

Concours sur le quartier de Grey's Anatomy. A vous de créer un médecin qui va intégrer le Grey-Sloan ! On compte sur votre présence !!!

sauveur, Aujourd'hui à 21:32

La photo du mois du quartier Dallas attend toujours vos votes. Venez voter

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"Souvenir du P-L-anet" : mur d'images du quartierThe L Word. Venez poster votre image préférée du générique.

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