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#10.19 : La boîte de Werther

Ecrit par : Robert Berens
Réalisé par : Stefan Pleszczynski

DEAN POURRA-T-IL SAUVER SAM ? - Sam apprend que l'ancien membre des Men of Letters, Magnus, a auparavant fabriqué une boîte magique et il se met à sa recherche en espérant que cela puisse aider Dean à guérir de la marque de Cain. Toutefois, il n'est pas préparé à l'alarme mortelle que Magnus a fait poser sur la boîte. Lorsque Sam ouvre la boîte, il met la vie de son frère et la sienne en danger.

 

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Titre VO
The Werther Project

Titre VF
La boîte de Werther

Première diffusion
22.04.2015

Première diffusion en France
28.09.2015

Vidéos

Promo

Promo

  

Sneak Peek

Sneak Peek

  

Diffusions

Logo de la chaîne The CW

Etats-Unis (inédit)
Mercredi 22.04.2015 à 21:00
1.63m / 0.7% (18-49)

Plus de détails

**Vidéos**
**Captures**
**Musiques**
**Script VF**
**Script VO**
**Bonus**
**Cast**

 

Résumé des épisodes précédents.

St Louis, Missouri, 1973. Dans une famille américaine moyenne, un frère et une soeur se disputent. La mère vient réquisitionner les services de sa fille afin de l'aider à entretenir la maison. La jeune fille doit faire la lessive. Elle se rend au sous-sol, mais au lieu de s'occuper de la lessive, elle attrappe un marteau et défonce un mur. Derrière, elle découvre un coffre-fort. Elle tente de l'ouvrir, mais elle est projetée en arrière par une onde de choc. Tandis qu'elle git, inconsciente, sur le sol, une fumée jaunâtre s'échappe du coffre et remonte dans la maison. La jeune fille reprend connaissance. Tout est très calme dans la maison. Elle recherche sa famille, trouve son père, mort, dans son bureau. Puis, c'est son frère, qu'elle retrouve pendu dans le hall. Elle se précipite alors auprès de sa mère, qui se tranche la gorge.




*****************************SUPERNATURAL***************************




Sam négocie avec Rowena afin d'obtenir son aide pour déchiffrer le Livre des Damnés. Rowena accepte, à une condition ; Sam doit tuer Crowley pour elle. Puisque cela rejoint les intérêts de Sam, il ne met pas longtemps à accepter. Rowena s'en réjouit. Puis, elle lui demande de lui ramener le codex d'une sorcière appelée Nadia, détenu par les Men of Letters. Elle en aura besoin pour décoder le livre. Dans le même temps, Sam reçoit un message de Dean qui le prévient qu'il chasse un nid de vampires à Tulsa et qui lui propose de se joindre à lui.

Sam rejoint Dean à Tulsa. Mais Dean s'est déjà occupé du nid à lui tout seul ; six vampires sont morts. Sam semble inquiet par le fait que son frère se soit donné à cette tuerie, mais Dean ne voit pas où est le problème. Il propose à Sam d'en reparler une fois qu'il se sera nettoyé et reposé. Les boys repartent au bunker.

Tandis que Dean dort à poing fermé, Sam recherche le codex. Il trouve une bande sonore d'un conseil disciplinaire durant lequel Cuthbert Sinclair a paru devant ses frères. Ce conseil a été rassemblé après que Cuthbert a enfermé le codex dans un coffre-fort ensorcelé, qui a provoqué la mort de deux Men of Letters. Cuthbert refuse de donner les clés pour arrêter le projet Werther, comme il l'a appelé, car c'est le meilleur moyen de protéger le codex contre le Grand Coven. Mais les Men of Letters décident de virer Cuthbert et d'enterrer le coffre-fort à jamais. Après quoi, Sam trouve l'adresse à St Louis où le coffre se trouve toujours.

Après cela, Sam appelle Rowena. Il lui demande un sortilège qui permettrait d'arrêter celui qui protège le coffre. Rowena accepte de coopérer, mais demande à venir sur les lieux. Sam refuse et raccroche avant que Rowena n'a le temps de protester.

Sam se rend à St Louis. Il s'apprête à crocheter la serrure de la porte d'entrée mais à sa grande surprise, la maison est encore habitée. La femme qui répond derrière l'avertit qu'il vaudrait mieux qu'il parte. Sam, en joug d'un fusil, coopère et repart à sa voiture. C'est alors que Dean entre à son tour dans la voiture. Dean a trouvé l'adresse sur le papier que Sam a laissé derrière lui dans le bunker. Il sait également pour le suicide de toute une famille dans cette maison en 1973, la seule survivante étant la fille qui habite toujours dans la maison. Dean pense que Sam a voulu lui donner une leçon en s'occupant seul de cette affaire, après la chasse aux vampires qu'il s'est fait en solo, mais il pense aussi que le cas n'a pas l'air d'être mystérieux. Sam ne pouvant lui dire la vérité, il décide de lui expliquer que la maison était un endroit appartenant aux Men of Letters et où Sinclair a caché un coffre-fort nommé Werther, coffre ensorcelé et protégé par un système de sécurité magique et mortel. Sam prétend que c'est de leur responsibilité de détruire le système magique du coffre, avant qu'il ne fasse d'autres victimes. Dean décide alors de s'impliquer dans cette affaire.

Tandis que Dean joue les voisins concernés par un cambrioleur auprès de Susie, la propriétaire de la maison et seule rescapée du massacre de 1973, Sam entre en toute discrétion par la cuisine. Tandis qu'il parvient à descendre au sous-sol, Dean apprend que Susie, après la mort de sa famille a été élevée par sa tante jusqu'en 1980. C'est à cette date que sa tante est, elle aussi, descendue au sous-sol, et a été tuée par le coffre. Après avoir entendu du bruit venant du sous-sol, Susie comprend que Dean a fait diversion et que Sam et lui sont là pour le coffre. Elle ordonne à Dean de rappeler Sam en haut. Ce dernier ne parvient pas à exécuter le sortilège donné par Rowena, mais tente d'ouvrir le coffre avant de remonter. C'est là que la fumée jaunâtre s'échappe de nouveau et vient s'immiscer en Dean et en Susie. Sam remonte, pour trouver Susie paniquée. Elle se met alors à voir les membres de sa famille, morts les uns après les autres, qui l'accusent d'avoir provoqué leur mort. Dean commence aussi à avoir des visions.

Sam tente d'aider Susie, mais il est trop tard. Harcelée par les fantômes de son passé, elle se met une balle dans la tête. Soudain, Susie revient pour harceler Sam. Elle le blâme pour sa mort et pour tous les décès liés à sa recherche d'une cure pour Dean. Sam tente de se convaincre que ce n'est pas réel, mais Susie ne le lâche pas. C'est alors que Rowena apparait et fait disparaitre la vision de Sam. Pendant ce temps, Dean se retrouve au Purgatoire.

Sam craint que Dean ne voit Rowena. Mais lorsqu'il retrouve son frère dans le salon, il se rend compte que celui-ci est absent, possédé par ses visions. Rowena confirme cette théorie et le fait que Dean ne soit pas en mesure de la voir. Elle explique à Sam qu'il doit détruire le sortilège à sa source pour pouvoir réveiller son frère. Sam craint que Dean ne soit poussé au suicide, comme toutes les autres victimes avant lui, et ne veut pas le laisser seul dans cet état. Rowena propose alors de l'attacher.

Au Purgatoire, Dean est attaqué par un léviathan et secouru par Benny. Tandis que Dean tente de trouver un moyen de revenir à la réalité, il est suivi par Benny qui tente de le convaincre qu'il n'est pas en train d'halluciner. Mais si c'est vraiment une illusion de son subconscient, il n'y a pas trente-six moyens d'en sortir. Attaché à sa chaise, Dean sert les poings et tente inconsciemment de se défaire de ses liens.

Pendant ce temps, Sam emmène Rowena au sous-sol afin de lui montrer le coffre. La sorcière se montre impressionnée par le sortilège qui entoure la boîte. A l'aide d'une formule, elle révèle les inscriptions gravées sur le coffre.

Dean ne cesse de tourner en rond. Il demande de l'aide à Benny, mais ce dernier tente de lui faire comprendre que ce n'est pas un hasard si Dean se retrouve au Purgatoire ; c'est son havre de paix, l'endroit où il veut être.

Rowena et Sam déchiffrent les inscriptions sur le coffre. Il est dit que seul le sang des Men of Letters peut ouvrir le coffre. Sam comprend qu'il va devoir donner du sien.

Benny tente toujours Dean avec son envie de rester au Purgatoire. Mais Dean refuse toujours, il veut revenir à la réalité. C'est alors que Benny lui dit qu'il y a un autre moyen ; il peut se tuer, ainsi, il ne prendra pas le risque de faire du mal à qui que ce soit et surtout pas à Castiel et à son frère, il ne prendra pas non plus le risque de laisser la besogne de le tuer à sa famille. Cela les briserait. Dean se laisse convaincre. Dans la réalité, il se défait de ses liens, attrape une bouteille et en brise le goulot.

Tandis que Sam, sous l'influence de Rowena et du coffre, se laisse se vider de son sang, Dean combat ses visions. Il est vrai qu'il a pensé à se suicider, mais il sait que la marque ne le laissera pas faire. Il tue Benny, faisant disparaitre sa vision et le projetant dans la réalité. Il se précipite au sous-sol et pousse Sammy qui ne veut pas abandonner l'ouverture du coffre. Dean s'entaille le bras à son tour et le coffre finit par s'ouvrir. Rowena, qui n'était qu'une vision, disparait. Dean prend le codex dans le coffre, puis le referme.

Dean s'est débarrassé du coffre pour être sûr, même si le coffre n'est plus protégé par un sortilège. Il s'assure que Sam va bien, puis s'excuse d'être parti seul en chasse des vampires. Sam dit qu'il n'est pas la peine qu'il s'excuse, ils sont à égalité. Dean déclare alors qu'il y a là une leçon importante pour eux qu'ils auraient dû retenir depuis longtemps ; ils sont plus forts ensemble que seuls. Dean se demande ensuite ce que peut être le livre que le coffre contenait, pour qu'il soit protégé aussi efficacement. Sam prétend qu'il n'en sait rien.

Sam donne rendez-vous à Rowena dans une brasserie désaffectée. Elle est très heureuse d'avoir le codex entre les mains. Mais Sam n'est pas dupe. Plutôt que de lui laisser une chance de le tromper, il l'enchaine et lui demande de se mettre au travail, maintenant qu'elle a le matériel nécessaire. Il promet de tuer Crowley, comme c'est prévu. Tandis qu'il part, Rowena enrage.

 

Ecrit par deanlove35.

St. Louis, Missouri -- 1973 [We see a white house. A paperboy rides past on his bike and tosses the newspaper. Cut to the interior of the house. A teen-aged girl (Suzie) is laying on the couch watching TV when her teen-aged brother (Brad) walks in and shuts off the TV.]

SUZIE

Hey!

BRAD

Get lost.

SUZIE

My show just started. You have a record player in your room.

BRAD

Dad’s speakers are better.

SUZIE

Tough luck. [She turns the TV back on. Then her mom enters with a basket of laundry.]

MOM

I need the laundry started. The workmen have finally left for the day and I have my hands full with dinner. [She turns off the TV.] And please, none of your Betty Friedan stuff.

SUZIE

It’s not fair. [Her brother puts the album on the record player.] Look, I always get stuck with the hard chores just ‘cause I’m a girl.

MOM

Yeah? Well, tough luck. [Suzie carries the laundry past her Dad’s home office where he is on the phone.]

DAD

The house is great, Ted. It’s a bit of a fixer, but it’s a real beaut. It was caught in some ownership muddle for years but finally hit the market, and I leapt.

[“I Saw the Light” by Todd Rundgren begins to play. The Dad closes his office door. Suzie passes her Mom in the kitchen and goes down the basement stairs to the washer and dryer. She then walks over to a tool box and takes a sledgehammer.]

MOTHERS VOICE

Don’t spend all day down there. [Suzie begins hammering until she has made a large hole in a wall that reveals a large box that looks like a safe. She steps through the hole and goes to the box. When she tries to open it, she is knocked backwards by some force. As Suzie is lying unconscious on the floor, green smoke comes out of the box and floats upstairs. Suzie wakes up and goes upstairs. The food is burning in a frying pan on the stove in the empty kitchen.]

SUZIE

Mom? [She walks to her father’s office and enters.] Dad, where’s Mom? [She sees her father laying on the floor dead. There’s a gun laying near him and a large puddle of blood coming from a gunshot wound in his head. She runs into the living room.] Mom? Brad? [She then sees her brother has hung himself in the hallway.] Aah! [She runs back into the kitchen and sees her Mom.] Mom? Mom!

MOM

Everything’s gonna be okay. [Suzie runs to her Mom and is on her knees hugging her.] Everythings… [Suzie’s Mom grabs a knife.] Gonna be just fine. [Her Mom slices her own throat.]

SUPERNATURAL TITLE CARD

ACT ONE

[Interior of a bar/restaurant. Sam and Rowena are sitting at a table.]

ROWENA

There’s only one thing you could possibly do for me that I can’t, at least presently, do for myself. Kill my son. He’s expecting it from me. Already has his stinking minions on high alert. And if you’re wondering how a mother can get to the point of wanting her own son –

SAM

No, I’m really not. I’ll do it. I’ll kill Crowley. First things first – can you read the book?

ROWENA

Of course I can. I’m likely the only witch alive who can understand such old, dark magic. Just not in its present form.

SAM

Drink’s on me. [He closes the lockbox with the book inside.]

ROWENA

Hey, you’re not going anywhere, pal. I’m your mortal enemy. I’ve tried to kill you and your brother – your brother as recently as last month. You wouldn’t have come to me if I wasn’t your last resort. You’re desperate. You can stop pretending you’re not. [Sam’s cell phone buzzes and he takes it out of his pocket.] So rude. [Sam reads a text message from Dean “Hitting a nest in Tulsa. Join if you want.”] Now, I can’t read the book in its present form, but there is someone who could. Nadya. Grand coven witch.

SAM

Where do I find her?

ROWENA

You don’t. She’s dead. Long ago. Murdered for her life’s work. Her decryption, formulas, her codex… That you can find. Bring me Nadya’s codex, and I’ll… break this text right open and give you your cure.

SAM

Where do I look?

ROWENA

If I were you, I’d start at home. Who do you think murdered Nadya and stoke the codex in the first place?

SAM

The Men of Letters.

[Interior of a trailer. Dean decapitates a vampire. He looks around and there are other decapitated bodies. He exits the trailer and is washing his machete in a barrel of water. He then washes his hands. He opens a refrigerator and grabs a can of beer.]

DEAN

Ha ha! Jackpot. [Sam runs up to Dean with his machete.]

SAM

Dean!

DEAN

Hey.

SAM

Hey. What happened? What is this?

DEAN

I know, right? Six vamps. Solo. I think that’s gotta be a personal best.

SAM

You couldn’t have waited?

DEAN

For what?

SAM

For what?

DEAN

Oh, come on, man. I can handle it. I did handle it.

SAM

What if you couldn’t?

DEAN

But I did. It’s done. Come on, man. It’s the only way I can take the edge off. I’m sorry. I don’t always like to wait around for you, especially with you looking at me like that all the time.

SAM

Look at you like what?

DEAN

Like that. Like I’m some sort of a-a-a diseased killer puppy. You know what, man? I’m sweaty and I’m covered in vamp juice. Can we just talk about this later? I’d like to get back to the bunker, get my buzz on, and, uh, you know, pass out watching “Speed 2 – Cruise Control.” We cool?

SAM

Cool.

[Interior of Dean’s bedroom in the Men of Letters bunker. He’s asleep in bed with headphones on. Sam looks in the doorway at him and walks away. He rushes to the library and begins looking in the catalogs. He takes an envelope from the files and removes an audio tape reel. He puts on headphones and listens to the tape.

VOICE ON TAPE (Markham’s voice)

Please lets come to order. Men of Letters meeting minutes – May 16, 1956. On the matter of Cuthbert Sinclair expulsion. This is hardly your first offense, Cuthbert.

[Cut to 1956 Men of Letters meeting. The Men of Letters are sitting around a table in the library while the reel-to-reel tape deck records.]

MARKHAM

You’ve been cited for disciplinary infractions seven times in the course of your tenure. This…enchanted vault of yours, this…. Werther box. A warding so potent it achieves a theoretical rate of… in your own words, 98% lethality.

CUTHBERT

Extreme measures were warranted. The coven’s desperate to get the codex back. The Werther box works.

MARKHAM

All too well, I’d say. Working in secret, embarking on this project without oversight… you left two fellow Men of Letters vulnerable to your most potent magics. Fletcher and Martinez were members in good standing. Fletcher chanced upon the box and died in two hours. Martinez heroically tried to shut it down. We found him dead on the floor beside the box, his wrists cut.

CUTHBERT

I already apologized for that accident. I refuse to do so again. Why are you all so small-minded? Hmm? We were brought here to do great things. To take risks, to bring the fight to the monsters of this world. And yet, to a man, you choose instead to moulder in these stacks. You are not men. You are NOT men. You’re librarians, nothing more.

MARKHAM

Before we rule on what is to be done with you, I’m prepared to give you a chance to secure our leniency. Tell us how to shut it down. The box is still in St. Louis with the codex. It’s still a danger.

CUTHBERT

Let me tell you what you can do with your leniency, Markham. You know, I saw the writing on the wall. I knew you cowards would shut this project down, which is why I built it the way I did. There is only one way to silence the Werther for good. Let’s just say Martinez was on the right track. I doubt you lot have the guts, but you’re welcome to die trying. [Cuthbert exits with two Men of Letters following him out.]

MEN OF LETTERS MEMBER

Markham, would you have us keep trying?

MARKHAM

The box is to be interred and guarded where it stands, in perpetuity. Bury it.

[Cut back to present with Sam shutting off the tape in the Men of Letters Library. He grabs a book off the shelf and flips to the page with the address for the Men of Letters headquarters in St. Louis. He writes the address on a notepad.]

[Cut to Rowena sleeping in a bed. A phone is ringing. She wakes up and pulls the cell phone out from under a pillow.]

ROWENA

It’s a bit early. [She turns over the phone and takes the call.] I’m over 300 years old. Beauty sleep isn’t optional.

SAM

[Cut to Sam in the MOL bunker.] I’ve been looking into the, uh, thing we discussed. So, I got a lead, but it’s guarded by a violent enchantment. I need a spell to…. break the spell.

ROWENA

[Cut to Rowena sitting up in her bed.] The Cabirian invocation. Easy to obtain. Good all-purpose disenchantment.

SAM

[Cut to Sam in MOL bunker.] Great. Thanks.

ROWENA

[Cut to Rowena in her bedroom.] Uh, but….It’s not recommended for amateurs. In inexperienced hands, the invocation has a way of fizzling out. I could come. You might need me.

SAM

[Cut to Sam in MOL bunker.] I’ll take my chances. Thanks. [Sam hangs up.]

ACT TWO

[Cut to Exterior of the white house. The grounds are overgrown and the house is in disarray. Sam walks up to the front door. There’s a pile of newspapers on the porch. Sam peers in the window and takes out his lock-pick. Someone is watching him from inside. He begins to pick the lock and a shotgun is shoved out the mail slot, aimed at his crotch.]

SAM

Whoa!

SUZIE

Bad idea.

SAM

I-I can explain.

SUZIE

Yeah, don’t bother. You got three choices – get arrested, get your bits blown off, or get back.

SAM

Yeah, alright. I think I’ll, uh, think I’ll get back. Sorry. [Sam backs up from the door.]

SUZIE

Attaboy

SAM

Yeah. [Sam heads down the stairs and gets back in his car. He shuts his door. The passenger door opens and Dean gets in.]

DEAN

Hey ya, Sammy. How’s the case?

SAM

What are you doing here?

DEAN

Well it looks like I, uh, I’m here to save your sack. Look, you were right, okay? I shouldn’t have gone off solo like I did. It was stupid.

SAM

And?

DEAN

And selfish. It was a douche move. If you’re doing this case by yourself to teach me a lesson, you don’t have to, okay?

SAM

How’d you find me?

DEAN

Ah. I, uh, took an etching off your notepad. Then I decided to take a crack at the St. Louis suicide house.

SAM

So you know about it?

DEAN

I got the basics from Google. The family moves into a long-vacant house. Uh, one week later, three of ‘em dead by their own hands. Whole family wiped out except for the daughter, which the house is still under her name. I’m figuring she’s the one who nearly unmanned you back there. But see, here’s what I don’t get. A cold case is one thing, but…. this is subzero. I mean, there’s nothing even in our wheelhouse, unless you know something I don’t.

SAM

Yeah. Um…. That long-vacant home used to be a Men of Letters chapter house. Remember Magnus?

DEAN

You mean the dickwad ex-Men of Letters that tried to make a zoo exhibit out of me? Yeah.

SAM

Before he was expelled, he built Werther, a magical box with a deadly alarm system. Werther is buried somewhere in that house. It was supposed to have been guarded, but I’m guessing that plan went out the window when Abaddon massacred the entire membership in ’58.

DEAN

And then the house stayed in limbo until some lucky family bought it.

SAM

Werther’s a time bomb and it needs to be defused. Not only is this in our wheelhouse, it’s our responsibility.

DEAN

Our responsibility?

SAM

We’re Men of Letters. It’s our legacy.

DEAN

Well, hey, if you say this is a case, I’m in, if you’ll have me.

[Dean walks up to the front door and knocks. He looks at the mail slot and covers his crotch with his hands. Suzie opens the door aiming a gun at him.]

SUZIE

What did I say?

DEAN

I, aah!

SUZIE

You’re not…. Fella tried to…. What do you want?

DEAN

You saw him? Oh, tell me you did. I’m sorry, but my name is Dwight Twilley. I’m with the neighborhood watch. We’re – we’re looking into a few recent break-ins. And if you saw the guy and you – you could give a description, it would be mighty helpful. If I could – if I could just have a minute of your time? [Dean steps into the house.]

SUZIE

Uh, tall, white fella.

DEAN

Uh, huh.

SUZIE

Pretty hair.

DEAN

Mm-hmm.

[Cut to exterior of the house. Sam picks the lock on the back door.]

[Cut to the interior of the house where Dean and Suzie are standing.]

DEAN

It’s a nice house you have here, uh….

SUZIE

Suzie.

DEAN

Suzie. You live alone?

SUZIE

Just me and Gus.

DEAN

Gus? [Suzie raises up her gun. We see Sam enter the kitchen through the back door. Then the kettle begins to whistle and Suzie heads for the kitchen followed by Dean. Sam is now hiding in the hall outside the kitchen. Suzie turns off the kettle. Dean signals Sam to go and Sam begins picking the lock on the basement door.] So, all alone in this big house, huh? Must get lonely, even with, uh, Gus.

SUZIE

Yeah, well I’m used to alone. [She offers Dean a cup of tea.]

DEAN

No, no. I’m fine, thanks. [Sam enters the basement door. He turns on his flashlight and goes down the steps. He sees a pile of furniture by a wall.]

[Cut to the kitchen]

SUZIE

Been alone here since…. uh, ’80? After my family died, my Aunt Pauline moved in. She took care of me, raised me for a few years. Then, well….

[Cut to the basement. Sam begins moving the furniture and makes some noise.]

DEAN

[Cut to the kitchen.] So, uh, what—what happened? To your aunt?

SUZIE

Well…. I told her not to go in the basement. No one goes in the basement.

[Cut to the basement. Sam goes through the hole to the Werther box.]

DEAN

[Cut to the kitchen.] What’s in the basement, Suzie? Ma’am you okay?

[Cut to Sam in the basement putting ingredients for a spell in a bowl.]

[Cut to the kitchen. Suzie pulls a gun on Dean.]

DEAN

Oh! Whoa! Suzie!

SUZIE

My social skills may be rusty, but I’m no idiot. Doorbell hasn’t rung in months, and two visitors in one hour? One breaking in, and the other asking all sorts of questions about….

DEAN

I told you, I was from the neighborhood watch. I –

SUZIE

Yeah, yeah, neighborhood watch. Right. Boy, you seen this house? There’s only one thing in here worth getting at, and it sure as hell ain’t me. You came for the box.

[Cut to the basement. The ingredients in the bowl are on fire.]

SAM

Purificare la magia.

[Cut to the kitchen.]

SUZIE

Whoever left that Godforsaken thing down there…. I knew someday, someone would come for it. I swore never to let that happen. He’s downstairs isn’t – isn’t he?

DEAN

He’s my brother. And we’re here to help you.

SUZIE

You call him up here. Now! You call him up here! Now!

DEAN

Sam! Sammy!

[Cut to the basement.]

SAM

Purificare la magia.

[Cut to the kitchen.]

DEAN

She wants you up here, now!

[Cut to the basement. Sam turns the handle on the box.]

[Cut to the kitchen.]

SUZIE

No! No! Get out! Get out! Out! Out! You bastards!

DEAN

[Heading toward the front door.] Okay. Okay

SUZIE

You let it out! [The green smoke comes up from the basement. It enters Suzie’s eyes and Dean’s eyes. Sam runs up from the basement.]

SAM

Dean! [Suzie aims her gun at Sam.] Hey. Hey, hey, hey. Take it easy.

SUZIE

You have any idea what you’ve done?

SAM

Put the gun down. We can talk about this, okay? [The ghost of Suzie’s brother appears behind Sam and Dean.]

SUZIE

What’s that?

BRAD

Hey Suzie, you miss me?

SUZIE

Oh, my God.

DEAN

What’s wrong with her?

SAM

I don’t know.

SUZIE

Stay back. Stay back! [She aims the gun at her brother.]

DEAN

Go. [Sam and Dean run out of the room.]

BRAD

Come on, Suze. That any way to treat your family? [Suzie shoots at the ghost of her brother and backs into the kitchen. She sees the ghost of her mother.]

MOTHER

Hello Suzie.

SUZIE

Oh!

DEAN

What are you doing, huh? You don’t have a plan. You don’t have a defense. [Suzie runs into the office and sees the ghost of her father.]

FATHER.

You did this to us. [The ghost of her mother appears.]

MOTHER

You let it out. [The ghost of her brother appears.]

BRAD

We died while you slept.

[Cut to the living room where Sam and Dean are standing.]

SUZIE’S VOICE

No!

SAM

Suzie! [He runs toward the office. Dean suddenly turns and walks the other way. He steps and it seems like he’s outdoors yet he’s still in the living room. Sam goes down the hall.] Susie? [He comes to the locked door of the office and hears her voice.]

SUZIE’S VOICE

Please! No! Stop! No! [He knocks at the door.]

SAM

Suzie! Suzie, let me in! I can help you!

[Cut to the interior of the office.]

SUZIE

Stop!

SAM’S VOICE

Suzie, it’s not real!

MOTHER

You don’t have to be sad. And you don’t have to be alone.

SAM’S VOICE

Suzie, please!

MOTHER

Not anymore.

SAM’S VOICE

Suzie! Hey, let me in. I can help you, okay?

SUZIE

Oh, please, no.

SAM

Suzie? Dean!

[Dean takes a few steps and he’s in Purgatory.]

DEAN

Sam?

[Cut to office door. Sam hears a shot and the door opens.]

SAM

Suzie? [Sam enters the office and sees that Suzie has shot and killed herself.]

[Cut to Dean in Purgatory.]

DEAN

Crap.

[Cut to the office in Suzie’s house. Sam turns around and sees the ghost of Suzie.]

SUZIE

Boo. Survived 40 years in this house, keeping that thing on lockdown, and one visit from a putz like you….

SAM

I’m sorry, okay? I’m so sorry.

SUZIE

Lot of good “sorry” does me. Look at me. Look….at….me. [She points to her corpse.] There she is. The first casualty of your misguided mission. But what’s another human life to you? Anything’s worth it, as long as you two make it out alive. And how’s that search going? Any closer to a cure?

SAM

This isn’t real. You’re not real.

SUZIE

You think Dean’s the wild card, the loose cannon. But don’t you see? Making deals with witches, opening Pandora’s box down there? You’re the reckless one. You’ll do anything to keep clinging to that doomed brother of yours. How many more will die, Sammy? You know it. You have to be stopped. And the only one who can stop you is you! Do it, Sammy! End this farce once and for all! [She directs him toward the gun.]

ROWENA

[Rowena appears in the doorway.] Vanesce! [The ghost of Suzie disappears.] Told you you’d need me.

ACT THREE

SAM

How did you find me?

ROWENA

Same way I just saved you – magic. Had a feeling you might be in over your head.

SAM

Yeah, well you can’t be here. If Dean sees you…. [Sam heads to the living room where Dean is.] Dean!

DEAN

Sam! [Dean still thinks he’s in Purgatory.]

SAM

Hey, Dean. What are you doing? [Dean is walking through Purgatory and is attacked by a Leviathan. Benny appears and cuts the Leviathan’s head off.]

BENNY

Hey, chief.

[Cut to Dean standing in the living room.]

DEAN

No, no, it can’t be you.

SAM

Hey. Hey, hey, hey, hey. [Sam claps his hands.] Wake up! Dean, whatever you’re seeing, it’s not real.

ROWENA

[She enters the living room.] Real enough to him.

SAM

What are you doing?

ROWENA

He can’t see me, Sam. Yeah, he’s too far gone.

SAM

Can you wake him up?

ROWENA

I only brought enough dispelling magic for one. Maybe if you’d told me we’d have company…

SAM

There is no we.

ROWENA

Fine, take this all on by yourself. But the odds are totally stacked against you.

DEAN

You’re not real.

ROWENA

Oh, the spell’s got its hooks in deep. If you want him woken up… You’re gonna have to rip this enchantment out by the root.

SAM

The box! If we can figure out the fail-safe, we can break the spell and get the codex. Suzie’s hallucinations drove her to suicide. Same thing happened to her family. Werther’s illusions tried to do the same thing to me.

ROWENA

And so?

SAM

So I can’t leave Dean alone like this.

ROWENA

Well then, we’ll just have to tie up the bonny lad. Could be fun.

[Cut to Purgatory.]

BENNY

Come on, Dean. How long you gonna keep this up? The silent treatment for me? We got so much to catch up on.

DEAN

Hey, look, it’s good to see you, okay? It is. But like I said, you ain’t Benny.

BENNY

I’m not? Well, shoot.

DEAN

Hey, I’m bummed out too, but you are just a figment, okay? You’re – you’re subconscious junk my brain’s throwing up to distract me from getting back to reality.

BENNY

Figment? Junk? Well, I’ll try not to be offended. Why not trust me? I’ve gotten you outta here before. Besides, if all I am is your subconscious junk, well, then how can I lead you wrong? Well, how about that? A perfect circle. Don’t look at me, chief. You chose the way.

[Cut to Dean tied to a chair in Suzie’s house.]

[Cut to the basement.]

SAM

Here it is. There’s some kind of inscription.

ROWENA

It’s some kind of cursive, but the light source has dimmed. I know what I’ve said about your kind, but…oh, the man who came up with this? The craftsmanship of the box, the sadism of the spellwork…it’s all so… deliciously baroque.

SAM

Alright, come on.

ROWENA

Illumnia…

[Cut to Purgatory. Dean and Benny are walking and they end up at the same tree again.]

BENNY

Well, now that is just creepy.

DEAN

Benny, whoever you are, I need to get out of here.

BENNY

“Need” and “Want” are just two different things, ain’t they? It’s all a figment, right? You, me, left right. But no matter which way you turn, you keep ending up here. You gotta wonder—why this figment? Why this place?

DEAN

What are you saying?

BENNY

Nothing you don’t already know. This is where you wanna be – you’re happy place. And you don’t really wanna leave.

[Cut to the basement.]

ROWENA

Arcam confutare…

SAM

To silence the box…

ROWENA

Mmm. Sitim restinguere…

SAM

Slake its thirst.

ROWENA

Sanguine nostrum…

SAM

With…the blood of our own.

ROWENA

That’s it? The blood of its own…What?

SAM

The blood of our own. Men of Letters blood. Legacy blood. My blood.

ROWENA

Oh.

[Cut to Purgatory.]

BENNY

Remember what you said to me when we first met? About the purity of this place? Dean, slow down. Dean, stop. Listen. This…. This place you don’t have to go looking for a fight. All you have to do is be still for one moment, and that fight will come to you. That’s why you’re here, Dean. That’s the purity you crave – killing with no consequence.

DEAN

No, Benny. I don’t wanna fight anymore. I’m tired of fighting.

BENNY

The Mark ain’t. So, can’t leave, don’t wanna stay, bit of a bind ain’t it? Good thing there’s always a third way out. You can’t say you haven’t been thinking about it.

DEAN

That ain’t gonna happen, ever.

BENNY

Come on, Dean. I know you can see it. The purity, the honor.

DEAN

There’s no honor in that.

BENNY

What., you just wanna wait for the Mark to reclaim you? Go out swinging, die topside, then what? Maybe kill a few humans? Kill Cas? Kill your brother? Yeah, that’s mighty honorable!

DEAN

Benny, shut up!

BENNY

Oh, I-I’m sorry. I forgot… about your plan. You gonna get Sam and Cas to put you down? You really think that they’re gonna keep that agreement? Come on. Dean, let’s say they do. Do you think they will ever recover from that? It will ruin them. This little backup plan of yours, I know you’ve been thinking about it for a time, I know it’s been gnawin’ at you. You can’t leave that job to them.

DEAN

You’re right. [Cut to Suzie’s house. Dean breaks the ropes binding his hands to the chair.]

[Cut to Purgatory.]

BENNY

Out there? You’re sleeping. You make the right choice in here, you’ll sleep forever, and you won’t ever hurt anyone ever again. No one needs to know, Dean. What happens in Purgatory stays in Purgatory. [Benny hands Dean his Purgatory weapon.]

[Cut to Suzie’s house. Dean picks up a bottle and smashes it on a dresser.]

[Cut to the basement. Sam pulls out a knife.]

ROWENA

How do you know this will work?

SAM

I don’t. [He cuts his wrist with the knife and lets the blood drip into a bowl. The tumblers in the Werther box begin to turn.]

ROWENA

It’s working.

[Cut to Dean holding the bottle in Suzie’s house.]

[Cut to Dean in Purgatory.]

DEAN

I always did love it here. It’s as good a place as any to call it a day, huh?

[Cut to Dean holding the jagged bottle in Suzie’s house.]

[Cut to the basement.]

ROWENA

Slow down.

SAM

Right, okay. [The tumblers in the Werther box stop.] No, no, no.

ROWENA

It wants more, Sam. It wants it all.

SAM

The codex… path to the cure. It's in there. If it wants more, it’ll get more. [Sam cuts his other wrist with the knife. The tumblers begin turning again.]]

[Cut to Purgatory.]

DEAN

I’d do it. If I really had to, I would. But the real Benny, would never let me.

BENNY

We already covered that, chief. It’s not me.

DEAN

You know what else won’t let me? This thing on my arm. For better or worse, the Mark… it wants me alive. [Dean stabs Benny with the Purgatory weapon.] Thanks, pal, but no thanks. [Benny disappears. Dean turns around and he’s back in Suzie’s house. He puts down the broken bottle.]

[Cut to the basement. Sam appears to be ready to pass out from losing so much blood.]

ROWENA

It’s opening, Sammy! It’s nearly there. [Dean runs down the basement stairs to Sam.]

DEAN

Sam! Hey! Hey, Hey. Sammy, whatever you’re seeing, it’s – it’s a trick. Okay? It’s not real!

SAM

Dean?

DEAN

Yeah. [Sam seems to collapse.] Hey No. [Dean slaps Sam.] No. Hey! Hey!

SAM

Get away from me! [He raises his knife. Dean take the knife from him.] No, don’t! Don’t! It’s the only way. It needs legacy blood. Enough to take a life. [Dean begins wrapping Sam’s wounds.]

DEAN

Yeah, well… it doesn’t have to come from just one legacy, does it?

SAM

Uhh.

DEAN

It needs more blood, it can have mine. [Dean take the knife and cuts his wrist. He drips his blood in the bowl and the tumblers turn and the box opens.]

ROWENA

Oh, well. [She turns to green smoke and disappears. Dean turns the knob and opens the box. He removes the codex book.]

ACT FOUR

[Cut to Sam in the Impala reading the codex. Dean is walking toward the car with a sledgehammer. He puts it in the trunk.]

SAM

Overkill, don’t you think? I mean, we broke the spell. The box is just a box.

DEAN

Well, now it’s scrap metal. You okay?

SAM

Yeah, I’m great.

DEAN

You road ready?

SAM

I’ll be fine.

DEAN

That says something, doesn’t it? Werther splits us up in there. Within an hour, we’re both on the brink of death. Sorry about yesterday, going rogue on you like that.

SAM

You know what, Dean? Don’t apologize. I… I think that makes us even.

DEAN

The universe is trying to tell us something we both should already know. We’re stronger together than apart.

SAM

Mmh.

DEAN

Now what could possibly be so valuable, that it takes a spell that nasty to protect it, huh? [Dean gets in the driver’s seat of the Impala.]

SAM

No idea. But whatever it is, we’ll keep it safe. [Dean starts the Impala.]

[Interior of another room.]

ROWENA

Well hello, cowboy. Oh, you’ve got it. Oh! [Rowena begins turning pages of the codex book.]

SAM

Is it enough?

ROWENA

To what?

SAM

To translate the book? To find a cure for the Mark.

ROWENA

Oh, aye.

SAM

Good. [Sam’s puts handcuffs on Rowena.]

ROWENA

What in the hell is this?

SAM

Insurance. Comfortable?

ROWENA

We had an ageeement, giant.

SAM

The agreement stands. You will decrypt the Book of the Damned and find me a cure for my brother. And that is all you will get from the book. I’ll burn the book, and then I’ll kill Crowley. But until then…

ROWENA

I’m your slave? You can’t—you can’t just leave me here.

SAM

You want out? Hurry up. Get to work.

ROWENA

Ugh! You big bampot. [Sam leaves.] Ugh!

 

Source : SuperWiki

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Au total, 80 membres ont visionné cet épisode ! Ci-dessous les derniers à l'avoir vu...

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HypnoRooms

Kika49, Aujourd'hui à 11:36

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pretty31, Aujourd'hui à 18:23

Gagne ton Oscar et des HypnoCards sur HypnoClap ! on vous attend ^-^

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Vous pouvez participer à la nouvelle PDM d' Engrenages

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Avec pour thème differents les rôles de Grégory Fitoussi dans les séries

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Nouvelle bannière pour un autre acteur sur le topic Votre Avis Compte sur le quartier Blindspot. Merci d'avance

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